Monthly Archives: January 2010

The Hurt Locker the Review

Up for Oscar contention, The Hurt Locker follows three US Army Explosive Ordnance Disposal (EOD) men who are in the same unit for the last month and a half of their tour in Iraq. The main character, Sfc. William James replaces one of the original men in the unit who gets killed in duty at the start of the movie.

The Hurt Locker is a look at what these men do for us everyday they are out there. Death can happen everyday at any moment. The pressure and stress is just unbelievable, the suspense and intensity best captured by director Kathryn Bigelow (who directed one of my favorite action movies, Point Blank).

The movie never really diverges from taking a close look at the three core men in this EOD unit. James is basically a lunatic, he feeds off of the adrenaline of diffusing bombs, much to the chagrin of Sargent Sanborn and Spc. Owen Eldridge. The two “sane” men in the unit pretty much pray that James won’t get them all killed. It’s an interesting dynamic in extreme conditions. They bond like brothers, they are forced to trust each other, but James is really the wildcard that Sanborn and Eldridge fear.

The movie plays out like a slice of time which I think is it’s greatest fault. The movie just kind of ends, it feels like you entered a room in the middle of a conversation that you pick up, but after two hours the people walk out of the room leaving you behind to continue the story. That said, there is some expert filmmaking at work here and all of the actors do extremely well to sell every scene; whether they are taking enemy fire, holding their breath to disarm a bomb that could wipe out an apartment building or blowing off steam at the base. There are some of the most suspenseful scenes in a movie that I can recall in a really long time. At it’s best times The Hurt Locker is a visceral experience, at the worst of times it can be a dragging experience. The highs and lows of the movie change from scene to scene in such a dramatic way that it can feel a bit drawn out, I think 10 minutes or so could have been trimmed out (the wrestling scene comes to mind). But that kind of fits with the nature of the film, in the Army most of the time you aren’t doing anything. The term “Hurry up and wait” certainly applies.

I give it a hearty recommendation.

Nip/Tuck- Sheila Carlton

S7E4

My reaction to the last episode brought up a lot of questions, mostly “where is everyone and where are they going?” Due to a few hanging plot lines and some sloppy writing, I’ve been fearing a half hearted run to the end but this episode has alleviated most of my concerns.

First, I really liked how they handled Kimber’s appearance. I was afraid it was going to be shlocky and over done, but they used her really well. A brief and concise dialog that left Christian with a punch to the guts. He ruined her and he knows it. He can try to bury it, but it’s always going to be with him no matter what. He can’t be forgiven by anyone, even her mother. Great casting on Kimber’s mother too, Melanie Griffith was terrific. Seeing her demeanor and her husband was just perfect.

Now for Sean, the guy is seemingly stuck forever. I was disappointed to see him throw away his goal of leaving for Africa with Curtis last episode, but it was a great turn to see him just postpone the trip, give time for Christian and then contine with his plans. Enter the femme fatale! Sarah, Curtis’ wife is a hell of women. Sean is in a pretty similar position as Christian. He can’t be forgiven for sleeping with Kimber by anyone. He holds that secret in with her death. When Sarah makes her move, he tells her no! He’s turned a corner! He tells her he’s done that to a friend before and he can never do that again, the guilt is too much. For some psycho reason Sarah tells Curtis that they did sleep together and he believes it. Just being associated with Christian is like the scarlet letter. Curtis doesn’t believe a word of what Sean and tells him to GTFO. What’s a guy to do? Damned if you do, damned if you don’t. Sean is trapped and I really don’t know what he’s going to do. Just head for the hills suddenly?

Finally, we get to see Jenna with Matt! Wilbur is still MIA, but at least Jenna is with Matt and he’s been making some moves of his own. Expected to hang out with him, Christian is shocked to hear that Matt is taking off with Jenna. The last link to Kimber isn’t going to be around him much. It’s really hard to tell how much time is passing in the show at once, but Matt has a job and has landed him a sugar momma! This is just amazing. Sean may not know how to break from Christian, but it looks like Matt has. They live together and his girl really likes Jenna. A new, “stable” family? The killer line is when Christian asks Matt when he’s going to meet his new girl friend and Matt just looks at him and doesn’t respond. If Matt has it his way, he’ll never meet her! Christians life of fucking everyone is mounting into a title wave at this point. Tired of the shit Matt has actually drawn a serious line in the sand with his dad in probably the only way he can.

The patient this episode was great too, good story parallels with some amazing acting by the two women. I’m really happy from this episode, it’s really cool to see new characters that are related to new ones, it’s been filling out the N/T universe really well.

5 episodes left.

9 the Review

9is the animated feature that was released 9/9/2009. Pretty sweet marketing timing on that one. It is Shane Acker’s first full length movie that he got to make thanks to his brilliant short film (which can be seen on the DVD).

9 expands his short film about these 9 small rag dolls that seem to be the only living things on earth. Something has wiped out most life and the dolls come together to survive and figure out what to do. Each one has their own personality and 9 is the last one to become self aware (as the case may be). It’s a darker film than most animated pictures these days, which I really appreciated. It’s not that grown up, but it’s definitely not a Disney picture, it is rated PG-13 for it’s more intense action scenes where the dolls fight off robotic creatures, bent on their destruction.

I really love how this movie looks and animates. The creature design of the enemies are really cool, each of the 9 dolls looks distinct and full of life even though they don’t have eyes (more like camera lenses). Each doll was made by a man who got better and better at it as he went on and it shows. Even better is the environments that resemble a 1920’s post-war Europe. The lighting is very carefully crafted as is the direction.

It’s a simple adventure with a good moral story that’s very enjoyable to watch. Different and beautiful I give it a hearty recommendation.

Nip/Tuck- Joel Seabrook

S7 E3

They cranked up the sexyness in this episode! The animosity showing from Sean just gets greater and great. He sees Christian as a road block and looking back, he always has been. What benefit does Christian have to Sean? I really can’t see any at this point and it’s clear Sean doesn’t either. In fact, with sleeping with Kimber, he’s been passive aggressively “getting back” at Christian.

This was a really great episode because it focused solely on the old trilogy of Kimber, Christian and Sean. They’ve all screwed each other since the start and nothing has changed, until the tragic end of this episode. Kimber has been one of my favorite characters in the show and seeing her kill herself was a sad ending to her story. She truly loves Christian, but he’s such a piece of shit he can never love her back (like he said). Even going back to Sean to tell him their affair was over, Sean put her in her place…what they were doing was never about loving each other, it was about saying “fuck you” to Christian. This horrible, dysfunctional tripod finally fell over when Kimber falls back to her plan C: Dr. Mike who basically casts her aside, just like she did to him. All hope lost with no love left, she ends it.

While the show is razor sharp in it’s focus on these characters, it feels like the writing suffers because of it. There’s a lot of glossing over and ignoring consequences and even other characters in the show. With Christian ramping up the kink factor (thanks to the man in the title of this episode) he thinks he’s found that missing piece in his puzzle. Sean finds out and tries the same to Kimber and it freaks her out (as she is trying to break up their affair). That scenes was so awkward and bizarre because Sean pretty much attacks her at the start of the scene. She finally gets him to stop and he says some lame “Christian told me you liked this, I just wanted to really see” and they both just move on like nothing happened. Also, no one comes to the house after a panicked 911 call from Kimber after Christian’s little bathroom session? I agree in the end it’s not that important to see every single detail, but it’s one of those things that takes me out of the show (like when Christian accidentally kills Wilbur’s mom a few seasons ago and there is no investigation despite there being a shit load of evidence all over the place). There hasn’t been a single mention of her daughter, he doesn’t even look like she’s been living with her and Christian. Matt doesn’t have her, he’s still a mess and we haven’t seen him in 3 episodes. Characters are all about forgotten until they are written into the background of a scene as if to say “See! They’re not dead and forgotten!” It’s just leaves the show feeling amature in nature because the writers make these elaborate and dramatic events but expect to the viewer to tighten down their blinders to ignore all the stuff that doesn’t make sense. It’s really sloppy (the most glaring being Sean’s last wife being killed off in the most random, yet convenient way possible last season).

That said, these events are a big speed bump for Sean. He’s been beyond thinking about moving on, he’s hooked up with his old colleague to do more with his life. He’s been sleeping with Kimber. It’s all about dividing himself from Christian in every way possible. With Kimber dead, his secret affair disappears with her, but the guilt of her being gone makes him (seemingly) abandon his plans for working in Africa. That’s disappointing to me, but he still doesn’t know about Christian forging his name so that could still be an excellent catalyst for Sean to leave. Now, with Kimber gone I’d like to see her really gone, but judging from the preview of next week, she comes back as Christians conscience. I’m not a fan of that. We’ll see how they handle it.

6 episodes left.

The home stretch for Nip/Tuck begins

Last night started the last 9 episodes of Nip/Tuck. They’re calling it season 7, but that’s stupid since it’s still season 6.

My prediction is that Matt will be killed and Sean will permanitly end his personal and professional relationship with Christian. Sure that’s basic and seems obvious but that’s the minimum of what I expect. If anyone didn’t notice over the past 6 years, Sean has always been a doormat for Christian and last nights show piledrived that point home. We got flashbacks to their time back in medical school when they were in their mid twenties. Even then Christian was Christian (the actors they found don’t look anything like them, but they did get their mannerisms pretty close).

It is time for the show to end, I just hope one of my favorite TV shows of all time gets a proper ending.

Avatar the Review

The hype for James Cameron’s Avatar was about as high as you can get for a movie. 12 years since his last theatrical movie, Cameron is back in the full on sci-fi realm that made him famous. With Avatar, Cameron and his team bring new advancements in 3D viewing tech, which I think this movie will most be remembered by. Not the actual plot, but the tech running it.

The reason being that the story in Avatar brings nothing new. It’s been done before and the plot beats are very predictable. That said, it doesn’t detract from the movie that much because the story and characters presented to us are very well done. Dramatic scenes hit with weight and the action scenes are equally thrilling. Sure you may deduce what happens at every turn, but it’s still a marvel to see it unfold before you. An unbelievable amount of care was put into this movie.

Far in the future, Jake Sulley is a paraplegic marine placed on Pandora to do reconnaissance work on the indigenous people, the Na’vi. His twin brother was set to do the mission but was killed, so they ask Jake to fill his shoes. Literally. An “avatar” was made using a combination of Jake’s brother’s DNA and that of a Na’vi, creating a vessel for Jake’s mind to control on the surface of Pandora. Humans can’t breath unassisted on Pandora, but remote controlling this avatar lets humans walk about freely and integrate into the Na’vi society. Now, Earthlings have been staking out this planet for awhile. There is a extremely valuable mineral on this planet that the humans want and need the Na’vi to move to get to it. And if they don’t want to move then the military is going to take it in full force. So now Jake starts learning and growing with the Na’vi (who look like big blue cats) and Jake’s allegiances start to shift. You can probably see where this is going. The Na’vi are like Native Americans and the humans are the white man, ready to claim the land as their own since “savages” don’t know what their doing and are too dumb to figure it out.

So the CG and 3D tech is really the star of the show. Avatar needs to be seen on the big screen in 3D to really get it. All of the CG work is of the highest quality, Cameron and the 2,000 or so people spent 4 years creating a planet and eco-system. Terrain, plant life, animal life and of course all of the tech that the humans use (weapons, ships, life support, etc). Most of the movie is CG, but after awhile you forget about it and just marvel at what’s in front of you. The blending of real people and every digital creation is masterfully done and the 3D effect is used to create depth instead of “things coming out of the screen at you!” that so many 3D films do. This makes the movie screen look like a window, where all this stuff is taking place. I didn’t think the 3D was going to be this good, but there are some mind boggling scenes all throughout the movie. Cameron’s careful direction is very precise and meaningful, you always feel grounded in the world and never disoriented. Walking through lush, glowing jungles, flying around on the back of some crazy creature or full on scenes of war are all stunning. The very first scene in the movie is a great example. It’s a room where people are being woken up from deep sleep, drawers are being pulled open and groggy people float out of them while being advised on where they are and what to do. It looks like you are looking into a room that extends 200 feet out, the drawers that people are coming out of look like they take up actual space, people are floating in front of and behind various machinery. Another favorite of mine is any scene that takes place in the cockpit of a ship or mech. It looks like you are sitting being the pilot, looking through the canopy of the ship into space. The glass on the canopy looks completely real, like it’s jutting out in front of you protecting you from the dangerous atmosphere. There is some crazy perspective elements for scenes inside mechs too, where parts are out of focus that makes other stuff just pop, like the rearview mirror where you can see the pilots eyes looking back at you.

So Avatar is a solid movie wrapped in amazing special effects. Will it work as well at home? Without a 3D capable TV, I don’t think so. The real problem is that Hollywood is going to shove 3D into everything and it’s going to be a train wreck. Just look at the trailer for Piranha 3D. It looks horrific, as a movie and in terms of 3D. It takes restraint and serious talent to make this new level of 3D work as well as it can. The added ticket price for 3D showings is artificially inflating the box office for this, but the fact remains that a lot of people are seeing this and really enjoying it. Me being one of them.