I’ve been working on making a dent on the list of movies I’ve wanted to see. I’m really far behind because I’ve been watching mostly TV shows. I should mix up my content more, I think it’ll give me more variety.
This movie had a ton of marketing leading up to its release as well as great reviews, and it ended up not helping at the box office. It was gone in the blink of an eye. I hope the home release has led to it finding it’s legs because this is a really fun movie. I can’t remember the last movie that I watched that was so earnestly refreshing, creative, and goofy in the best ways.
Ryan Gosling plays Colt Seavers, a stuntman whose life is firing on all cylinders until a bad on sight accident. A year and a half later he gets a second chance when he’s asked to work on his ex-girlfriend’s debut movie. When the star of the movie (who he used to double for) goes missing, Colt is tasked to find him and he’s pulled into a dramatic conspiracy.
Ryan Gosling is awesome in basically everything he signs up for, so his work here is not surprising. Charming, witty, expressive, and not afraid to take risks, he’s the perfect fit for Colt. The love story with Emily Blunt’s Jody is the shiny wrapping paper that holds the gift of an awesome action movie. It’s just one wild stunt after another, each one trying to out do the other. It gets so crazy that a huge fall out of a helicopter is nonchalantly played out in the background of a wide-angle shot.
The entire production is terrific which is also not a surprise because this is a David Leitch picture, the man whose name is attached to the John Wick series, Dead Pool, Atomic Blonde, and one of my other recent favorites, Bullet Train.
It doesn’t just work as an action movie. It’s funny, doesn’t take itself too seriously, and is rather adorable. Highly recommended.
I thought Smile (2022) was a brilliant movie when I saw it. Great horror concept that was executed really well. Striking visuals that were inventive and new paired with direction that envelopes the main character along with the audience in gruesome paranoia. The kind of body horror that would make David Cronenberg proud. Smile 2 continues to run with that baton.
Props to writer/director Parker Finn for figuring out a good way to pick up where the first movie left off and a great character to pick up the terror bug. The films are very similar but choosing a pop star as the protagonist makes this movie chart a different route to a smart ending that can set up a gnarly cap to a trilogy.
Skye Riley is days away from going on a world tour. After making some poor decisions, it’s amazing that she’s been able to pull herself together. But it’s that grief and guilt streaked past that the Smile demon latches onto when she makes the ill-fated decision to go see someone she really shouldn’t have.
I really liked how this story escalated in every way. The opening is gripping which rolls right into Skye’s introduction as a character. The stakes are clearly made, and her background is carefully spread throughout the run of the movie. There are just enough questions and answers while the paranoia naturally ramps up. Having a character that would be worried about public places, appearances, pressure to perform, and stalkers fits the psyche of this franchise really well. The gore is managed well, just like he original. There’s some really wild stuff in the third act. I also appreciate that the scariest and most unsettling part had nothing to do with the demon, but Skye’s past.
I think Parker Finn would be the perfect fit to helm a new Nightmare on Elm Street movie.
I’ve been thinking about this one for a while because I’m not sure if I liked it or not. I loved the first one, and the second was good, too, even if it wasn’t as engaging. I’ve come to the conclusion that it’s a problem of diminishing returns (see: Final Destination series).
Day One, surprise surprise, starts on the first day of the alien/monster invasion. Set in NYC, Sam (and her cat) are the focus of this survival movie. So the stakes are the same (blind aliens hunt via sound), the goal is the same (stay alive) and the hardest part is to keep yourself from freaking out because you are somehow always seconds away from being eaten, no matter what.
The thing is, this is a well-made movie. Great cast, great character relationship building/teamwork, varied danger scenarios, good tension build-up and relief, and a little bit of lore building. It just isn’t enough to keep me interested any longer. The aliens aren’t a varied threat anymore, and the mystery of their origin still isn’t important, so as a character, it’s not interesting. It’s just a constant apex predator. The same drum is being hit, just at different volumes and beats per minute to keep you awake.
Also, with a movie that features gigantic CGI aliens that can move 100 mph, the most unbelievable creature is the most relaxed and well-behaved cat in history.
I like this take on a vampire movie. Not much of a spoiler because it’s given away in all of the ads. I do wonder if this would have been better had I not known and the reveal would have been a twist.
Directed by the Radio Silence duo, this movie has a similar setup and follow-through as one of their previous movies, Ready or Not. The main character(s) is brought to a location under false pretenses and then the trap is sprung; cue the mayhem and the body count. Here, a group of criminals are hired to kidnap the young daughter of a wealthy and powerful man and hole up in a mansion to wait for the random to come through. The thing is, there is no ransom, they’ve been brought together so they can be hunted for sport. Vampires do get bored and her dad is kind of a jerk, so you can’t really blame her.
More of an action movie than a horror movie, Abigail is a good time. There’s not too much to it which I rather liked. It’s great for a rainy day watch. You get to meet the characters with their colorful personalities and then it’s a game of the order of their deaths and how they get taken out as they try to escape the mansion. I’d like to see more movies set in this world, as the ending leaves things wide open, and they give only the basics of Abigail’s family. It would be easy to expand on it, especially with what her father does. Now that What We Do In The Shadows is over, there’s a vampire void that needs to be filled.