Monthly Archives: March 2021

Shameless S11E10

DNR

While Deb acquiesced to Lip’s demands to sell the house, she isn’t doing anything to help him fix the place to be put on the market. No one else is either as they go about thinking about their immediate future. They also have the matter of a very famous and expensive stolen painting to deal with.

Lip is doing everything he can to keep his head above water. Tami and Fred are staying with her parents while he fixes the Gallagher house. There’s a surprise gas leak so that means even more time and money to put in. He manages to sell his Indian project bike to the guy buying his rental but for thousands less than it’s worth. He now has $9k more than he did the day before but it’s a hit to his self-worth. He checks in with job applications and the only positive bite he gets is for $15 an hour with no benefits. There’s no release to the pressure on Lip in the foreseeable future.

Deb takes Frankie on an across-town quest to find a place to live. She immediately starts to panic when she can’t fight the feeling that she can’t function alone. She’s lived in chaos her entire life and anything less than that isn’t normal. She and Mickey remain pissed at Lip for putting them out for looking for a new place to live.

Liam is on a mission to get into a STEM school and he needs to talk to his main competition for one of the few spots available to give him an edge. No one wants to deal with Frank so Liam remains the good Gallagher and brings him along for the trip. This is the best part of the episode with some of the best writing. Liam and Frank’s relationship has always been unique and a bright side of the show since Liam aged up to a speaking character. Liam does everything he can to keep his ailing father on track but when he ruins Liam’s plans he’s not sure what he can do. In the scene of the episode, the two are sitting on the house stoop at the end of the day. Liam says “I can’t do this” and Frank answers “Do what?” “Take care of you.” “You don’t have to do that.” And then Liam has to tell him-again-that he has dementia. Frank doesn’t believe him and he tells him to look at the notes written on his arm. This-temporarily-centers Frank again and he feels bad for Liam. These two spend the most time together by far and Frank never shies away from giving his youngest son all the wisdom he’s gained over the decades. Most of it is horrible but still, it’s meaningful. Frank admits he’s lived his life the way he’s wanted to and that’s important to him. So when it’s time to go, he’ll be happy enough to go because he’s done everything by his rules. Their arc for the episode ends with getting Do Not Resuscitate tattooed on his chest.

Mickey and Ian travel to the Westside to look at apartments that are shockingly cheap. Brand new construction in a cut off at the knees market by Covid. If you can prove you can pay the rent, the place with amazing amenities is yours. Ian loves it and Mickey loves the pool. It’s a massive upgrade and Ian is all for the potential of moving up in life but Mickey can’t handle the change. He’s just like Deb, born, raised, bred to live in the scrappy world of Southside Chicago. Leaving his neighborhood feels like a betrayal to everything he knows and who he is. Ian makes the executive decision to sign the lease and this causes Mickey to dig in like Deb and ends up getting into a fist fight with Lip about moving. Mickey is a hilarious from start to finish. He finds everything distasteful about the Westside and every observation he has had me cracking up. “Why are you running when no one is chasing you?!”

With each work assignment, Carl’s ethics have been put to the test. He goes on eviction duty with Tipping and Carl has hit his breaking point. Everything is so stacked in the favor of the wealthy that Carl can’t keep putting his down while the people he lives with get stepped on every day. He ends up arresting the wealthy vulture doing the eviction and gets read the riot act by his boss. If Carl flames out of being a cop, likely quitting because it’s so hard to get fired, I don’t know what he’s going to do. He truly wants to help his neighborhood but I don’t see him getting into activism on his own. The only possibility is that he meets a person that becomes his mentor and leads him into a profession he never considered (or knew about) before.

Kev and V have a breakout day in Kentucky. They both get offered jobs that have the potential to boost their income up at least two tax brackets. It’s hard to believe they will stay in Chicago now. They are discovering too many benefits to stay put.

Zack Snyder’s Justice League

Five years in the making the complete Justice League movie has been released on HBO Max. Including the credits, the run time is 4 hours and 2 minutes. This is the whole DC enchilada. It felt like I was watching a 12-issue comic book series come to life.

Zack Snyder’s Justice League has a chaotic production story that few movies can come close to. It’s been written about ad nauseam and with this Snyder Cut (SC) release, even more detail has come out. For the sake of context, I’ll do an abridged version.

Around 2010, writer/director Zack Snyder was hired to take over the DC film universe after Christopher Nolan finished his three Batman films. Snyder is a love it or hate it director (I like most of what he’s done) and he has a unique look and take on themes and messages for his movies. In 2013, Man of Steel was released with mixed reactions, if on the more positive side. It did well at the box office, being the first Superman movie in seven years. That was the start of Snyder’s overall long-term plans for DC movies.

Batman vs Superman: Dawn of Justice is released in 2016 and gets trashed by critics and is very divisive with fans. It doesn’t make the money Warner Brothers expected. An Ultimate Edition with cut footage was released on home video that improved on some things but that film is still okay-at-best. This where the problems start and an avalanche of events and studio decisions are made. WB is now scared of what Snyder is doing. Afraid they are leaving money on the table with audiences with a too dark take on these superheroes, they want changes. Justice League is filmed under a lot of pressure and when Snyder’s daughter suddenly dies, he and his wife Deborah (who produces his films) leave the project because their priorities rightfully change. They choose their family over fighting with a Hollywood studio with a huge list of changes to Justice League. Writer/director Joss Whedon is hired to rewrite, reshoot, and finish JL for its original 2017 release date. The two-hour movie comes out with reviews that are just as bad and a disappointing box office. With reshoots and advertising, JL has been estimated to cost $300 million and lost $60 million. So no one is happy.

Online, #ReleasetheSnyderCut is started and goes on for years. Rumors about the production swirl, Snyder teases his original plans for the movie during all of this, and the die-hard fans don’t let up on their pressure on WB to let him finish the movie (and universe) he started. I never thought they’d give Snyder the greenlight to finish his movie. Too much was unfinished and director’s cuts like this rarely happen. A few DC movies are made using the events of JL as canon. Then, in May of 2020, it’s publicly announced the SC will be finished and released on HBO Max. The release date March 18, 2021. That was a week ago.

Yes, all of that was the abridged version. Much like the actual movie, everything about this takes a long time to talk about.

Direct and to the point as a review: Zack Snyder’s Justice League is absolutely better than Justice League. It’s now a coherent story with proper build-ups, links to the previous Snyder movies, and quality story payoffs. We get to spend more time with every superhero and they feel like less of a hodgepodge of special people standing in a scene together and more of a team. But, if you don’t like Zach Snyder movies, you won’t like this one.

The plot is exactly the same. Batman forms a team to defend the planet from an attack from an intergalactic conqueror. So why is this move an hour and half longer? All the main characters get their fair share of the spotlight. Nothing is rushed to get a story with a main cast of six superheros done in two hours. Victor Stone gets a legit story arc. Steppenwolf gets a purpose and you get to see him actually do his plan. Barry is built up a bit more and everyone in the Justice League gets to contribute something and change from what they experience. Side characters that were cut down or completely cut are now present. There are now way fewer gaps in basic storytelling logic. No new actions scenes but all of them are expanded with tweaks done in what we’ve already seen in the theatrical cut (no horrific red sky filter in the final action scene!)

Is it the best comic book movie ever made? Nope. Is it one of the best ones? I think so. For DC freaks especially. There is a ton of setups for future movies in this version. I think it’s like five or six. The story told here is the setup for a massive DC cinematic movie universe where a bunch of characters get their own movies and then come back for more Justice League. The SC is doing what Marvel did in reverse. Introduce a bunch of characters in one event movie and spin things off from there. Marvel did the individual origin story of a character, make some sequels that then tie into event movies. That formula has worked really well. What Zach wrote is much harder to do with theatrical movies. It’s a time issue. Snyder does three origin stories in this! That’s nuts! And Flash’s story is the most truncated of the three so it’s safe to say he left that for a solo Flash movie.

The SC isn’t really feasible for a theatrical release. Without HBO Max, what’s in this movie had to have been split in two and some changes made to make two separate but linked stories like Infinity War and Endgame were carefully designed to do. You need to make sure Part 1 stands together well enough to get people to come back for Part 2 of the story six months to a year later. At 3 hours and 50 minutes, this is more of a mini-series than a movie. Since audiences are so used to binge-watching these days, that’s not a tall order for people to do now. That’s why it fits so well on HBO Max. It’s a big honking chunk of content to watch.

Here’s what I don’t get. Snyder filmed about ten minutes of new footage for this. Subtracting that, his original version clocks in at about 220 minutes. That means the shooting script was damn near 220 pages. Why did WB greenlight a comic book opus like that in the first place if they wanted something two to two and half hours long? That a script of 150 pages, tops. Scores of people read this script and approved it. What did they think he was going to come back with? It’s impossible to cut a quality, coherent film from that much material.

So, Joss Whedon stepped into a quagmire right from the jump. I’m not going to get into his ideas for his rewrite or his alleged behavior on set but it’s clear WB told him to do two things. Make the story more light-hearted and get this as close to two hours as you can. The only way to take a 220-page script and get it down to 120 is by taking a chainsaw to it. Which is what he did. He did what he was hired to do and it didn’t make a better movie. He had to jury rig the basic plot into an abridged beginning, middle, and end while adding some nonsense no one wanted. What he did to Victor Stone/Cyborg (Ray Fisher) is awful. His story arc is the best part of Snyder’s movie and just about all of it was taken out making him largely uninteresting.

This movie has every Zach Snyder trademark in every single frame. He has no problems with his comic book movies looking like comics. He holds up superheroes to the viewer like they are all mythical beings. The type of color grading he uses is very deliberate as is his scene framing (I got used to the 4:3 aspect ratio in less than five minutes). His action sequences are totally awesome and you can pull frames that look exactly like a comic panel. He loves slow motion. Absolutely adores the technique. He sits on moments for as long as he damn well pleases. He’s an indulgent filmmaker and that drives a lot of people nuts.

I fall right in the middle of enjoying his indulgences. And because he got to do basically everything he wanted to, there are a lot. I have no problem with how he likes to desaturate the color in his movies. It’s like getting mad at Tim Burton or Quentin Tarantino’s trademark looks. It’s how they see the world through their camera lens. He could absolutely let off on the gas with the slow-mo. When you have a character like Flash where his speed can require it, having it used so much elsewhere takes away the special nature of it. It becomes too far common and can have the opposite intended effect: lessen the impact of an action and wasting time. JJ Abrams took the criticism of his lens flare fetish to heart and I wish Synder would take this criticism in the future. There are also chunks of drawing out moments that simply don’t work. The most obnoxious is when Aquaman returns to the sea for the first time. The village women serenade him out while he finishes a bottle of booze, takes his shirt off, and walks down a dock with the ocean waves consuming him in slow motion. It feels like it’s a two-minute scene but it’s probably closer to a minute in real life. The point is, it’s bad to have the audience sit there and say “I get it” and wait for a scene to end to move on so the story of your movie can start again. There are a few pauses like this that just get in the way. If you were to edit out these moments along with the excessive slow-mo, I bet the movie would be close to ten minutes shorter and you wouldn’t miss a thing.

The added epilogue also isn’t necessary. Snyder has said that he added that scene because he could. And it shows. As much as I liked seeing Jared Leto getting another crack at being the Joker and succeeding at it, what happens doesn’t add anything. It reminds me of the final Lord of the Rings movie and its three endings where I couldn’t believe the movie was still playing. The main story ends, we get the stinger that was meant to set up the next Batman movie with Deathstroke and then this Knightmare scene is tacked on that only makes the movie longer. What you see happen is so far down the potential movie line (which I doubt will ever be made) there’s no reason to care about it. It’s more of a pointless spoiler than anything else with some DC name dropping thrown in for fan service. Multiple movies would have to happen to get to that point in the story we are being shown. We already have a Knightmare flash-forward scene in BvS and with Cyborg in this movie. So….”Okay, I get it.”

The SC has been reported to cost $70 million to finish. A new score, lots of SFX work, and an added epilogue don’t come cheap. The movie overall looks very good. Steppenwolf looks way better and it was worth the wait to see Darkseid. The Amazon’s are all badasses and Wonder Woman pulls zero punches. It’s night and day seeing her in this compared to Wonder Woman 1984. There are some sketchy visuals though.

Some really suspect CG backgrounds that look more blurry and flat than real and the most egregious visual is at the very beginning. When we first see the Amazon’s guarding their motherbox, the camera comes into the chamber from above and swoops down to the ground level to an Amazon. The motherbox and the stone platform it is sitting on are, for some reason, CG. And it looks terrible. I’m talking Playstation 3 era visuals. Blurry, low-resolution textures that have no right to be seen in a major production in 2021. I have no idea why both of those elements weren’t practical as they are so easy to make and use on set and the motherbox is seen being carried around by actors in the movie so you know they had one. And if they added CG to them in the few simple scenes, why on earth couldn’t they match the quality? Was it the last shot on the list (I know the time the FX studios had on this was very short)?

I had a good time watching this. The Justice League I saw in theaters, isn’t the Justice League I wanted to see. This is much closer to it. It’s a lot of fun seeing these characters in a movie, interacting with each other. The potential for Cyborg to become the next big thing in comic book movies was laid out here and likely isn’t going to happen now. There are a lot of fun action scenes with heroic moments, unexplained easter eggs for die-hard fans, and bizarre head-scratching logic choices that are in every comic book movie. I’m stoked that Zach Snyder got to complete this project the way he wanted to. And this movie (if you cut out the needless epilogue) ends on positive notes. The beginning is intense because the stakes are high. Characters are found in low places in their life and they come through the other side as better people. The messaging is one of a lot of hope.

Now we move on. Snyder might get to make more projects in his sandbox for HBO Max, but WB is going elsewhere with its direction for DC movies. The great James Gunn is delivering Suicide Squad very soon. Matt Reeves’ The Batman is done filming and many big movies are about to start filming (Flash, Shazam 2, Aquaman 2, Black Adam) among others being written (The New Gods, Batgirl, Superman, Booster Gold, Blue Beetle, Zatana, Justice League Dark(maybe)). There’s a lot to look forward to.

Shameless S11E09

Survivors

Turns out the writers decided to take the shortcut. After building up that Brad is likely going to crack under pressure with the police, they just jump ahead with Brad and Lip going to Born Free to sign off on the final paperwork for the sale of the shop. They close the problem they wrote by simply saying that the police did their investigation and didn’t find anything so they’re in the clear. That’s really disappointing (and lazy) but time is of the essence as they have to wrap everything up in 4 episodes.

So, the new wrinkle is that Born Free was bought by a Chicago crime family and they’re pulling some insurance fraud, claiming that what was stolen is worth double what it actually is. Stealing from the mob tends to be dangerous. Things get sketchy when they notice they are being followed. Things work out for the best as the mob boss was told that Lip and Brad can fix anything and he needs a birthday present for his kid to be assembled correctly. They manage to put it together and with the scam going on the parts, Lip figures they’re completely in the clear now. I wonder if this is going to turn into a job offer for Lip. Why go out of the way to introduce mob boss Baggio like this if you aren’t going to do anything with it? Baggio probably owns a ton of cars or owns a few garages where he could use another mechanic. Helping him with his kid in a pinch is a good first impression.

The big problem is the battle for the house. Lip has a timer over his head for his home being taken out from under him and moving back to the Gallagher house or Tami’s parents isn’t a solution. With his share of the sale, he has a down payment. Liam and Deb are convinced if the house is sold, the family is basically done. So Deb digs in further, Lip is furious, and Liam runs around looking for a place for him to live in case the house is sold. His journey takes him all over the place. This and Frank’s day highlight how the Gallagher’s rarely talk to each other anymore. Talking at someone rarely does anything.

There’s basically nothing they can do about Frank, he’s drunk himself into pickling his brain so everyone goes on with their lives ignoring him like they always do. Frank, reminded that the house may be up for sale, pulls at an old heist plan that he’s kept in case of emergency. He’ll get the money to buy the house by stealing some expensive art. He goes around town looking for his old partners and crime to find that everyone is either too old to do some crazy theft or dead. It’s a bad day for Frank (which has some really funny lines).

V goes to Kentucky to help her mother unpack convince her mother to move back to Chicago. This leaves Kevin with the twins and that turns into not a good idea, which many people predict. V’s trip does have a surprise turn: while sightseeing with her mom, it ends up showing her a lot of reasons to leave Chicago with her family. Her mom never says anything about it, so there’s no annoyance or outside pressure for V to get mad at. On her own, she starts thinking about the upgrades they could afford just by moving to another state. This may mean the character I never thought would leave Southside, could.

Since Carl piledrived another department into a ditch, he gets reassigned once more and he gets his first partner back, Officer Tipping. He’s in great spirits which is shocking considering where we last left him. His spirituality has really opened up and he’s not irritatingly positive. His desire to make work as easy as possible and go eat hasn’t changed.

Mickey and Ian spend their day finalizing Terry’s burial plans. In his stuff, they find a box that’s labeled for a mysterious woman named Rachel. This is the best story of the episode as Mickey is torn in every direction. He’s hilarious and the moments they go through are super awkward. Terry’s background is something else and we find out why he was such a miserable person. This thread has come to an end.

When Lip swings by the house at the end of the day, progress actually happens. After he and Deb fight again they do something long overdue. They talk. She tells him she wants to keep the house because she wants to keep the family together. Family is everything to Deb. They might have had a brutal childhood but she had her siblings through all of it. She wants Franny to be close to her family like she was and she’s terrified that this will break them up for good. She tells him Liam basically thinks the same thing. Lip assures her that they are all going to live nearby. It’ll take more effort to see each other (real talk: they barely see each other as it is) but they’ll put the work in. Having a weekly family dinner is his first solution. I would have liked to see them talk more about this (Deb should have brought up Fiona, for example) but it’s a good start. Lip then talks to Liam and Liam admits his fears too. Lip apologizes for making him feel like he’d be abandoned and offers for him to move in with him and Tami. Liam is so happy he gives Lip the biggest and greatest hug. It was really touching to see.

The stinger for the episode is a good one: Frank managed to steal a painting on his own.

Halfway through the shortened NHL Season

13-13-4

This will probably be the weirdest NHL season in the history of the league. On top of normal player absences due to injury, Covid protocol for infections are another layer. It’s been hitting every team, removing players from the roster for days at a time, even postponing a few games that will be scheduled later. New Jersey and Buffalo, for example will have brutally stacked schedules to catch up on total games played. The rest of the season is going to be an endurance race and that’s not even talking about the crush of playoff hockey.

Injury and covid absences have strained the Rangers for a few stretches. Panarin, in particular, was out for a stretch along with Chytil, and Trouba at the same time. Right now, Igor Shesterkin has been out for 2 weeks putting a strain on the team’s goaltending (unreliable, to say the least). Panarin was also sidelined for weeks by allegations out of Russia from something that allegedly happened 10 years ago.

The record shows the struggles of the season. Cold goal-scoring veterans, missing players, spotty goaltending. It’s led to a max win streak of 3 games. A handful of 2 games in a row which doesn’t count as a streak. They frequently lose multiple games in a row. I think I said this last time, but they haven’t been playing up to the team’s potential. Struggling to stay close to, not even over, .500 is absurd with the talent on this team.

When they do, it’s amazing stuff. In the video above you can see the clinic they put on the Flyers this week. The game before that, they lost in overtime in a game where they came back from a quick 2 goal deficit. It looked like a horrific game, they rally in the second, and end up not pulling it off. Then they go to Washington where they lose a close game they dominated for 54 minutes. Yesterday they got revenge on the Caps for that loss.

When the whole team shows up, I think they can beat anyone. They just haven’t been able to sustain good luck and momentum. It looks like Mika Zibanejad is emerging from his puzzling point-scoring coma. Kreider has stepped up to try and fill that void but it isn’t enough. Panarin is back and doing everything he can. Pavel Buchnevich is finally hitting his potential. It looks like there is a lot of upside coming but I temper my expectations after so many disappointing losses.

Is it a coaching issue? Maybe? Many fans think Quinn needs to go, citing the destruction of the Flyers as proof (he and the other 2 coaches were out for Covid protocols and the Hartford Wolfpack guys stepped in and up to fill in for 3 games now). That’s not a big enough sample size for me to say the guy needs to go but struggling this much into year 3 of a rebuild where so many player picks have gone right does raise an eyebrow to the idea.

Playing no one but the same 7 teams 8 times is really weird too. It’s a very small sample size of talent and any low-performing team is going to get trounced by the same teams and skew point totals. The Rangers have to get past Philadelphia and Boston to make the playoffs. With the way Philly has been playing lately (serious goal tending issues) moving one step up the ranks is feasible. It’s going to take a serious run in wins to get over Boston and keep them back. Pittsburgh just hit a gnarly injury patch to their roster so a lot of players will need to step up to keep them from sliding. Currently, they are 10 points about the Rangers and that’s a mountain to climb with 26/27 games remaining. If they hit the skids, it is possible but I think that’s a moonshot. No one in the East division is going to catch up to the Islanders or Capitals who are tied with 44 points.

If they make the playoffs, it’ll be a redemption story for the Rangers that will go down in the books.

Shameless S11E08

Cancelled

I was right about Frank. But first:

After the mega argument with Sandy, Deb decides to go AWOL. She crashes with the bar owner she met a few weeks (days?) ago and spends the day with her. This leaves Franny at the house and Carl takes her to school. With a serious case of the “walls are closing in on me” emotional state, Deb dives into day drinking and ends up hooking up with a married man. She freaks out and runs away from the scene and while she works on sobering up, she gets a call from Franny’s school that no one has picked her up. Deb races to her daughter. At the end of the day, Sandy comes over to talk to Deb. It turns into another argument and Deb lays it all out, she doesn’t think she and Sandy are compatible. This time, despite the irresponsibility of the day, Deb is making a mature decision about one of her relationships.

Ian and Mickey have to take over care for Terry. The rest of the family is useless and Ian and Mickey work all day, so they need to get him an at home nurse because he can’t do anything himself. Terry, being the racist bigot, sends every nurse heading for the hills in a matter of minutes. The final nurse is a retired nun. She’s white, so Terry is okay with that part of her, and she clearly has the fortitude to put up with Terry and put him in his place when needed. Ian and Terry take off for work confident they have this problem sorted out. In a huge twist, the nurse does what countless people have wanted to do to Terry for decades: turns out she’s an angel of death!

Terry has always been a side character, brought in like a tornado in Mickey’s life every so often so I was shocked the writers went anywhere in this direction to finish Terry’s story on the show. Ian and Mickey are stunned and it’s safe to say they aren’t going to do anything about the nurse. I would expect to see Mickey processing his father’s death. He was the leader of that cesspool for ages so it would be interesting to see what happens with the family dynamic now that he’s gone. Of course, the dysfunction in the Milkovich family is off the charts so everyone will just keep doing what they’re doing like Terry just went out for a pack of smokes and never came back. He’s probably done that a dozen times. I do believe this means the family has no claim to that house as they now can’t say Terry is dating the owner. The block could soon turn back to being better but the odds of increased gentrification just went up.

After putting a hole in the wall, Lip gets brought in for questioning about the robbery. He handles it like a champ, knowing that since they haven’t arrested him, they have no proof that he had anything to do with ripping off the motorcycle shop. While he is let go easily, the cops don’t give up and get a warrant to search his house. In a panic, thanks to a tip from Carl, he calls Tami to get rid of the boxes of merch he has stored in the garage. He gets home moments before the police do, but they find nothing because Tami brought everything to her parent’s house. The two bond over the cover-up and all seems well until the loose thread emerges: Brad gets called in for questioning and the new crime duo race to get to Brad before he walks into the police station. Brad can’t handle any kind of questioning, he’ll give everything up after 2 questions. They need to figure out a solution. Brad is such a bundle of nerves, I have no idea how they can manage this. They can’t keep him away from the police forever…they’ll come to him the next day.

V is upset that her mother is moving out of state. She feels this huge loss coming but her mother is excited beyond words. If V is going to do nothing but mope about it, her mom doesn’t want her around if all V is going to do is make her feel guilty. Kevin gets good news at least and arranges a small and special meeting at The Alibi. The courthouse has resumed marriages over teleconference and he slots them a time. Kevin and V are finally, officially husband and wife.

Carl gets assigned to a vice squad and these two guys seem like the coolest people on the planet. Carl soon finds out that these two are also crooked as hell. In a really funny moment, after Carl finally grasps their scam, he asks them why they chose him to ride with them. It turns out that in Carl’s file, it says that he’s a person who is really easy to convince to do just about anything. In his eagerness to please and follow others, it doesn’t take much for a superior to go along with what they want to do. Carl seems to understand what that means, going “oh” and then he quickly smiles and says “okay” and runs off to do their shady errand. What the two cops don’t know is, Carl is also really loyal. The Alibi is on their list to set up and shut down and Carl can’t go along with that. He hatches a quick idea to sabotage the raid and it looks like it’ll keep this vice squad sidelined for a while.

Now for Frank. At the start of the episode, he finds out that Liam’s middle school (which he and all of his kids have attended) is renaming the school because the guy it’s named after now is a convicted pedophile. Frank think it’s stupid cancel culture plowing through his life. The guy did a lot of good elsewhere and his whole sexual predator crimes should just be ignored. So he gets into wanting to name the school. If he can’t get them to keep the name, he’ll pick on that he’s happy with. His solution: name the school after him. Let’s just hope no one knows about his extensive arrest record, right?

For most of this day, Frank does well. But just before he goes to the meeting with Liam at the school, Frank has a bad episode. He talks to Liam about naming the school, says he has to go the bathroom, and complains that there is no toilet paper. So he comes out, grabs a roll of paper towels and then repeats his plan with Liam. Liam is confused and Frank goes back to the bathroom where he says again, there’s no toilet paper. Liam looks at the paper towels Frank left on the counter. Then, at the meeting, Frank gets even worse. For the whole day he was able to remember about what he wanted to name the school and he forgets. It quickly goes down hill from there and Carl has to jump in to keep Frank from getting arrested. He gets Frank to the ER and the kids find out that Frank has alcohol induced dementia. Standing there, Frank has no short term memory. The kids are stunned and the episode ends.

For the first time in…ever? There is no in-credits stinger. It’s just credits. There’s no where to goofily bounce to after Frank’s health reveal to the family. We’re left with two major plot lines that affect all of the Gallagher’s: the sale of the house and Frank’s health. Both are tied together on how/if/what parts of the immediate family stick together. I do wonder what Liam will do, no matter what happens. With Terry gone, that does give him some kind of pressure release. Side pieces that could and do have a lot of importance: fallout from Terry’s death and Lip staying out of jail.

Only 4 episodes remaining.

Shameless S11E07

Two at a Biker Bar, One in the Lake

The debate to sell the Gallagher home roils the siblings into sides with Liam and Carl being on the fence about selling. Ian is against it along with Deb and Lip is pushing for the sale. The day starts with a fight in the kitchen (Deb goes hard on everyone against her) and everyone splits up (except for Liam, he’s hiding at the Ball’s) for the day. 

Deb and Lip call Carl and Liam to swing their vote to their side and neither one of them picks up because they know why they are calling and don’t want to deal with it.

Liam doesn’t want to sell because he doesn’t know where he’ll go if the house is sold. He’s always the odd man out of the family as no one seems to pay attention to him unless they need something. He goes to the polling place with V and she tries her best to talk up the young black man to make his voice heard. He sticks with not wanting to sell the house

Carl has a full day of work to do, going to an elementary school to talk to a class about stranger danger. His co-worker tells Carl that he went through a similar thing that he’s going through with Tish. With one conversation Carl is convinced that Tish is trying to trap him by getting pregnant. As the hours go by, he panics more and ends up confronting her. When you assume everything, it’s easy to be wrong about everything and Carl embarrasses himself.

In the light-hearted story of the episode, Ian and Mickey take the day to find gay friends. They don’t have any friends and realize it’s probably best to interact with people outside of the family. Plus, if the house is sold, they are going to need people to actually interact with. Ian is pretty defensive about their living situation. It’s not ideal, but he’s used to and comfortable living with everyone. Sure they fight but that’s normal for him. They have a funny and fun day out and when they come home, Ian wants to sell so he and Mickey can live independently. This puts Carl as the deciding vote.

Kevin is storing the bikes that Lip and Brad stole and he gets the dumb idea to take one of them for a ride. Can’t say I blame him, but man is it stupid. He gets pulled over by a motorcycle cop and she insists on swinging by his gym to talk to the owner of the bike to buy it. Kev is the second character to panic this episode. He comes up with stupid ideas to hide the bikes, it makes things worse which means Brad and Lip are left with nothing. Brad’s medical bills just got much bigger and now there is no way Lip can afford a down payment to move. This shoves him into applying for a job at a Amazon warehouse (he hasn’t heard anything back from the mechanic positions he’s applied for) and having to move into Tami’s parent’s house.

Tami isn’t putting up with Lip’s moonshots. Her parents aren’t as bad as being homeless, so when Lip’s efforts for the day fail (she doesn’t know about the Kevin disaster) she says, I gave you your chance and now we have to be practical. Lip walks out of the house angry. I’m on Tami’s side on this one. She’s being the adult, as hard as that is for him. Everything is spiraling out of his control which is something he’s never been able to handle.

Sandy is like an onion. She’s got a lot of layers. Many of those layers no one knows about. This week’s exposed layer: she had a son with Royal. And he’s like, 9 years old. Deb is stunned to say the least. And she’s mad that Sandy could abandon her kid. Deb has been doing her best with Frannie and can’t understand why Sandy can’t stick by to family. She even thinks Royal isn’t so bad. Sandy has a very different perspective on getting pregnant at 15 by a 30 year old man. Deb, continuing her “adult” assertive attitude proclaims that she’s going to talk to Royal about getting shared custody of Prince. Deb will co-parent with Sandy. This sends Sandy out the door even faster. In their argument, Sandy picks up on something. Deb’s controlling behavior is from her abandonment issues from her mother, Monica. Deb does not like hearing that and it shuts her down, forced to think about how she feels instead of projecting her pain on others.

With all of this going on, no one thinks twice about where Frank is. We first see him ranting in a bar and when the camera pans back, we see it’s not at The Alibi. Frank doesn’t know how he got there or what bar he’s in. Even worse, he ordered five beers and didn’t touch them. That’s really weird. His dementia is getting exponentially worse. He’s losing chunks of time that seem to be something like an hour long. He gets lost and struggles to find his way home…the Gallagher house he can’t even remember the address to. With night fallen, Frank is walking down the sidewalk in total despair. He actually cries out to his kids for help–he says Fiona first, which broke my heart–and suddenly Lip shouts for him to get out of the way. As Lip storms into the house with a sledgehammer, Frank is relieved to have finally found home.

Lip went right from his house to the Gallagher home and in a manic rage he announces renovations to sell the house are starting and starts hitting a wall with the sledgehammer to make “the open floor plan!” Deb is beside herself in anger as everyone else just stands there watching Lip tear down a wall. She runs out of the house crying and runs into two police officers looking to talk to Lip about a robbery in his former place of employment…

This was another really good episode. V is losing hope about her home (her mom is leaving the state) and everything is pointing to the Gallagher family splitting up. There are two major issues.

1) No one knows about Frank yet. With how bad he is in this episode, I don’t think it’s possible for them not to notice it anymore. How will they deal with it? There are a lot of complicated questions from here. I think this will make Deb dig her heels in more; they can’t split up with Frank in this condition. She’s going to want to take care of him.

2) Is Lip going to be able to dodge punishment for stealing the bikes? The evidence is largely gone, I don’t know if the cops will be able to connect the dots to him and Brad well enough to charge them. If he’s locked up, that changes a lot.

Sonic the Hedgehog (2020)

Sonic the Hedgehog is now 30 years old. A slew of video games has been released in that time (most of them are bad) along with a mountain of other merchandise. So, it comes as no surprise that no one thought this would be a good movie and the surprise is that it is actually fantastic.

The writers took the smart and logical angle from the very start. How do we get a gigantic talking blue hedgehog (that doesn’t look much like a real hedgehog, but I digress) from another planet to interact with humans on Earth? The story behind Sonic has always been very thin and no one really cares about the lore so they had a lot of runway to tackle this problem. They set up a dramatic escape for kid Sonic from his home planet to ours by using the magic of the gold rings from the games. Boom. A backstory and lore from the games.

Next, how do you get the audience to care about your protagonist? Give him a fun personality and problems people can relate to. For Sonic, he’s a one-of-a-kind dude who’s all alone far from his home. He’s self-sufficient in his survival on Earth but he has to keep himself hidden from the townspeople of Green Hills. Except for the old man who spotted him and keeps trying to trap him. But no one believes him because he’s a crazy old man talking about a gigantic blue creature that moves incredibly fast. Sonic’s big wish is to have a friend or two.

And then we come to, what’s the problem of the story? Where’s the conflict. Here the writer’s figured out how to integrate long-time Sonic villain, Dr. Robotnik. Sonic accidentally sets off a massive power surge (which becomes a McGuffin for Robotnik to covet) that makes his presence known. Robotnik comes onto the scene, Sonic teams up with a local police officer and what do we have now? A buddy comedy with awesome action.

I’m amazed at how good this movie is. Tons of character, a lot of heart, and a well-constructed script that’s perfectly paced and never outlasts its welcome. The cast is terrific. James Marsden as Tom is a great counterbalance to Sonic and it’s a hell of an achievement to make a believable relationship between an animated character and a real actor on screen. Jim Carrey as Dr. Robotnik is a stroke of genius, he’s perfect. The cartoon version of Robotnik was more or less a mustache-twirling Loony Tunes/Tex Avery kind of villain. Carrey pulls that closer to his wheelhouse while not making him too over the top. He’s the right kind of wacky. They also sneak in-game references so that it’s never distracting or feels like fan service. It’s subtle nods for fans to pick out names, places, and designs while the general audience can stick with everything going on naturally.

The SFX are some of the best in the business as well. The CG is animated, rendered, and integrated so well with the live action footage that I never questioned that Sonic wasn’t actually standing in a bar learning how to throw darts or running 100 miles an hour down a road while fighting off a Robotnik tank.

The video game to movie translations have been getting much better recently and it’s about time! I recommend Sonic the Hedgehog to any kid or adult looking for a good adventure to watch.