Jack the Giant Slayer is the retelling of Jack and the Beanstalk (somethings were changed from how most of us have heard the  fairy tale) with director Bryan Singer at the helm. Starring Nicholas Hoult as the title character, Slayer is a solid interpretation of this age old tale.

Giants are legend, a story told to children at bedtime. When Jack runs into a monk who is quick to make a deal, it’s not long before Jack and mankind come to realize that Giants are real when the beanstalk stretches into the sky and the two worlds collide.

This movie has it all, a reluctant hero, a tough princess on a mission, a bad guy hell bent on power and an army of Giants ready to crush anything in their way. When this movie finally came out, it was basically met with shrugs and a box office take that was way below it’s budget. It’s a good movie, I’m not too sure why it was met with such apathy. I guess the popularity of this fable is pretty low.

I’m a fan of Nicholas Hoult since seeing him in the UK show Skins and he’s great as Jack. The whole movie is cast with great actors. It’s a fun story, some good action scenes, a runtime that’s just right and a great storybook ending.

I think the biggest knock would be the Giants themselves. They always look like they’re computer generated, but they still look and animate really well. There’s a ton of CG from start to finish and most of it is very good. It’s also rated PG-13 with most of the violence not shown on camera (Giants do like eating people). The battles get pretty intense and there is death shown, so younger kids could get frightened.

I was pleasantly surprised by this one.

Godzilla starts really strong, but some puzzling decisions later on mare the monster movie experience

The beginning and set up are far and away the best part of this 2 hour movie. Bryan Cranston is great, as usual, it’s exciting and suspenseful half hour or so. They tease each of the active monsters really well and the reveals are terrific. The monster designs are really cool and the sense of scale is perfect. Godzilla looks and sounds awesome, his blue fire breath a sight to behold!

The problem is the constant cutting away from Godzilla when it really matters. What starts as effective teasing and foreshadowing turns into annoying and confusing edits. For example, when Godzilla first confronts the winged monster, they growl at each other, Godzilla starts to approach and…they cut away to what some humans are doing. We miss the entire confrontation and have to figure out what happened between them. It doesn’t make any sense. At that point we have a good impression that Godzilla is a protector, his goal is to throw down and the other monster knows that. They have a biological history, the animal kingdom with beasts bigger than skyscrapers. Why didn’t they show Wings quickly fend off Godzilla and get away (at this point Wings is on a mission, but we don’t know what it is. He avoids a direct Godzilla confrontation for a reason). This happens more than once where we are robbed of what we want to see and get “aftermath” shots of the path the monster took to get away instead.

Then, we get the final fight which is great, but it was super dark at times so it’s hard to see and again we get these long cuts away from the fight to see what the “hero” humans are doing. The whole megaton bomb angle was completely mishandled (stick with the diffusing, the boat to sea is implausible nonsense) which upped to the stupid factor to an unnecessary level. There is a lot of stupid things going on actually. The “monsters checking out the hero” thing was really awkward too. Sorry, I don’t think these things are going to notice and pick out a person who is the size of an ant and eyeball him like it’s something out of The Lion King (and he’s everywhere! He reaches the most important places at the exact right time and survives multiple war zones that kill hundreds). Then there is a scene where a group goes to check on a object that’s in nuclear waste storage near Las Vegas. They go door to door and come to a vault with light pouring out of it. They open it up and the entire back of this buried facility has been obliterated. A gigantic crater with tracks leading away from it. No one noticed that happening? It went down before the group showed up (no hint of the destruction in progress) so they went into a half building without even thinking, “that’s weird”. It’s stupid.

For everything Godzilla get’s right, there’s a dumb decision that pulls it back. I have to put Pacific Rim head and shoulders above this one. Disappointing.

As a videogame to movie adaptation, Need for Speed is successful. But that videogame tie in also what holds the movie back from being really great. There’s a lot of try-hard to be cool dialog that can be hard to put up with and an overall goofy tone that takes away from the experience.

In my typical review framing, I’ll talk about what I liked the most. It’s a great looking and sounding movie. Kinetic and clean direction, eye catching cinematography with gorgeous cars and locations. I really appreciate and admire all of the practical car stunt driving with the added CG to sweeten things up a bit. The races and action scenes are a blast to watch.

They pulled a lot of visuals right from the game, the final race travels through many of the locations that you blast through in some of the videogames recent releases. The movie gets the feel of the games and runs with it. Which is also it’s biggest problem.

The movie is basically a revenge picture with all around good guy Tobey vs the colossal jerk Dino. The drama is all set up with Tobey being the underdog with his lovable (and talkative) friends surrounding him. They always rally around their friend to help him out. The driving in the Need for Speed games is really amped up stuff with cops, planes, helicopters, barricades and a pack of drivers in the most exotic cars on earth trying to run you off the road. They transfer all of that into the movie so airplanes and choppers constantly appear out of nowhere. The way drivers get messages and the GUI of the pause screen is almost directly lifted from the games into the movie too. It’s hard to take anything seriously…a lot like a Michael Bay movie.

There’s nothing truly bad about Need for Speed, it just goes through the motions. The plot is nothing special and the characters are nothing special. I think car nuts will really like the action scenes as those are done really well and what Need for Speed is for anyway. It’s one of those movies that you don’t seek out, but if you see it on HBO, you’ll check out because you have nothing better to do.

This marks the 2nd cinematic take on Stephen King’s novel, Carrie (1976, with a sequel in 1999 and a TV movie in 2002). With the brilliant Chloe Grace Moretz in the title role, this tale of telepathic revenge has a lot going for it (how cool is that poster? Great idea).

I’ve seen parts of the 1976 Carrie and have been meaning to read the book for ages (I’m well overdue to dipping my toes back into King’s waters) so I go into this knowing the basics and don’t know what was changed from the book. The most obvious is bringing the story closer to present day with cell phone use. Despite seeing iPhones and such in the hands of teenagers, the time period of the movie felt like it was taking place sometime in the 1990’s.

It’s a really straight forward movie. Carrie White is an outsider at her school because of her mother (home schooling, super religious). She doesn’t have any friends and does come off as bit weird (she does have telekinetic powers, but no one knows it and she’s just trying to understand them herself). But she is a good girl. She wants to belong and just be a normal kid. After a humiliating experience in the showers after gym class, Carrie is at her lowest. Sue, who was part of the mob mentality in the showers, regrets what she did and wants to make up for it. She decides she’s going to skip prom, asking her boyfriend to take Carrie instead. Show her a good time, make a positive memory from her high school days. Carrie’s mother is completely against it (to say the least) and tries to stop Carrie from going. In the infamous prom scene, Carrie is humiliated again by one of her classmates. She snaps, cleaning house in the process.

I think this is promoted as a horror movie (and Carrie does obliterate quite a few people), but I didn’t find this scary at all. It is really sad. Carrie is a girl who never got a fair shake at life. It’s easy to paint her mother, Margaret (Julianne Moore) as the villain, but her past is wrought with tragedy as well. The real problem is Chris. That girl is grade A lunatic. The movie ends on a total downer to boot.

I think the weakest part of the movie is that it feels a little thin. Small glimpses at character backgrounds and Chris is such a nutter it’s hard to believe she does what she does. They insinuate she’s a spoiled brat, but the murderous glee she shows is something else. Aside from that, it’s a well made movie. Chloe keeps knocking her roles out of the park, she’s such a great actress. Really believable, she’s a major asset to any movie she chooses to work on. It’s well shot (aside from one camera shot/edit during a fight with Carrie and her mother that I’m pretty sure makes no sense physically) and the special effects are really good. Lots of practical work mixed in with CG and the deaths in the final act are  creative and well done.

While I think they hit all the right marks…was this reboot necessary? Aside from adding social networking to the bullying angle, it’s really no different. I’d say it’s worth a watch if you are interested.

Much like Spider-Man swinging through NYC, this movie has a ton of peaks and valleys. The great moments are often followed by an odd scene of awkwardness, dullness, confusion and a sense that something is missing despite a long 2 hour and 20 minute run time.

I’ll start with what I like. Andrew Garfield as Peter Parker and Emma Stone as Gwen Stacy are nearly perfect. They have a real on screen chemistry and they both look and act their parts true to their comic book characters. Much of the visual work is really, really well done. I like Marc Webb’s direction and there are some beautiful shots from start to finish. I liked the overall tone of the movie that mixes hope, despair, fun and fear in equal measure. The plight of a hero and the darkness of the world that often surrounds him.  There’s some great character beats with Spider-Man (i.e. the small scenes with the kid) and the fight with Hobgoblin in the clock tower leads to arguably the biggest and heaviest moment of the movie franchise. That climax had some real weight to it and was done really well. A lot of people moaned about Rhino’s placement, but I like how it bookends the movie. He’s a goofy C level villain anyway so I think it’s rather fitting that he’s shown as more or less a speed bump.

Now the bits that weigh it down. Some really weird soundtrack choices. The chanting bit for Electro is bizarre and sounds really out of place. The villains suffer from Iron Man 2 syndrome, which mostly wasted potential. Their M.O.s are paper thin. Poorly thought out reasoning and all too brief usage. There’s not enough substance to them to make you care about them. They are far too simple and their turn to villainy is far too fast. It’s like a flick of a switch and “Here’s you antagonist!” While the movie looks great, some terrible CG work on Rhino at the end is real eyesore. The acting sometimes spins out of control (namely between Peter and Harry Osborn). I think the biggest problem is how disjointed the movie feels, like a lot was cut out and moved around. It seems like when everything was shot, a lot of heavy editing went down to wrangle all the plot points into a cohesive story. You have a few villains, a tumultuous relationship and family issues (of those living and dead) all being juggled around. All the pieces doesn’t fit together quite right. It also feels like this story is a linking piece, that something bigger and more important is going to happen next. It’s as if they want you to sit tight and hang on until they get to real point they want to make in the next movie.

Spider-Man 2 (2004) is still the best movie, this one feels like it got too wiggly to hold for the filmmakers at times. It does a lot right, but the faults are too many and great to ignore. Thankfully Amazing 2 is far better than the disaster that is Spider-Man 3. Hopefully no one (comic book or otherwise) will plunge to that depth ever again.

Marvel picks us up and blasts us off into space for Guardians of the Galaxy, a good time off of Earth no matter how you cut it. Guardians launches the Cosmic line of Marvel stories with a rag tag team of misfits who band together to save us all from the evil Ronan the Accuser.

I think the best way to describe the movie is Star Wars meets Firefly. Spaceships, aliens of all shapes, sizes and colors, blaster fights, outlaws and bounty hunters, fist fights, spaceship dog fights. It’s like the Wild Wild West out there. The lovable cast is held together by Star Lord, played by the rising star, Chris Pratt. He’s flanked by Gamora (Zoe Saldana), Drax (Dave Bautista), Groot (voiced by Vin Diesel) and Rocket Raccoon (voiced by Bradley Cooper). Star Lord is the only human, Gamora and Drax boast some great alien prosthetics and Groot and Rocket are both complete CG characters (both exceptionally well done, they look and move great). They gel really well together and by the end I was left wanting to see what kind of trouble they get into next.

The movie doesn’t take itself seriously and it has a lot of heart. There’s a lot of jokes and playing around despite the looming threat of galactic annihilation from Ronan, who is hell bent on ultimate power when he turns on his master, Thanos. It’s a really fun and “bouncy” summer blockbuster that moves pretty fast, which I think is its greatest fault. Everyone is thrown together (and trusts each other) really fast and there’s a lot left unexplained. Star Lord is kidnapped from Earth in 1988 and we never know why. We’re told very little about everyone. Ronan is pretty generic, he’s just a bad guy with bad guy plans. It’s also very predictable, all the cliched pieces fall in place right on time (love interest side plot, team work saves the day, switcheroo move by the hero). With so much set up out of the way, I hope they feel like the pressure of launching a new franchise is off them to really get wild and weird with the next one. The movie looks and sounds great with a lush pallet, interesting back drops, quality character work and a soundtrack that matches.

More hooks for the next wave of Marvel movies have been laid and fans have a new team of heroes to cheer for. Marvel continues to ride the wave of success.

Two quick hits since I don’t have much to say about these gems:

300: Rise of an Empire– Eight years between sequels and not much has changed. The story takes place at the same time as 300 and gives insight into Xerxes ascension to power. The visual and audio presentation is the same, very stylized computer animation with copious amounts of slow motion and blood. If you liked the first movie and are down for some more, check it out. Otherwise you aren’t missing anything (except for a really awkward sex scene).

Under the Skin– I’ve heard a lot of good things about Under the Skin and…ugh. This should have been a short film. It runs a good hour too long and if the dead weight was cut out, I think it would leave a really great and interesting 45 minute short.. Scarlett Johansson plays an alien being that seduces men for…some purpose. There’s a lot of mystery about everything. It’s a good concept, it’s made really well (some striking visuals) and Johansson does some great work. The editing is what killed me. There has to be 30 minutes worth of footage of characters driving around. Pointless driving around. I’m leaving out the parts where Johansson talks to men on her quest, so she’s actually doing something. You spend a lot of time in a van in this movie. The rest is a waste of time. There are large chunks of this that I fast forwarded through to get to something interesting. I watched people drive and stand around quickly without missing anything important. There is a lot of “observation” in this movie. The pacing is just brutal, it’s an exercise in patience more than anything. Do not recommend.

2011 saw the release of The Raid: Redemption and it made action film fans stand up and take notice. Writer/Director/Editor Gareth Evans quickly became the man to watch. This year, he’s back with The Raid 2, what I would call a very successful sequel.

The original took place in a apartment building run by a powerful drug lord. Rama is in the SWAT team that goes in and is the only one who manages to fight his way out. The sequel stars Rama again, picking up right after the first movie ends. Gareth Evans expands the story, scope and thus the movies run time by having Rama go undercover to infiltrate a powerful mob ring to shake out widespread corruption.

There’s a lot of great characters through out, I think Iko Uwais as Rama is a phenomenal action star. I hope his career blows up world wide. He’s really likeable and just a complete bad ass. The Raid has some of the most intense and visually striking action put on film and The Raid 2 runs with that torch.

There are a ton of action scenes spread through out. The movie is about 2 hours and 20 minutes and I think close to half of that is action scenes. I won’t be able to justice in explaining the insanity and brilliance that is on display, so I’m just going to say you have to see it to believe it. It’s some of the most epic, no holds barred, choreographed and shot violence. Hammer Girl, Bat Guy and Sickle Man, all awesome, all amazing in their scenes. The car chase scene is stunning, it’s one of the best ever filmed. Gareth Evans keeps raising the bar so high it’s ridiculous.

I’ve rambled enough. Just like the first movie, action fans have to see this. That’s the easiest way of putting it. It’s not for the squeamish though, as it’s very violent and gory.

The Lego Movie is an amazing accomplishment. What could have been a terrible 90 minute long ad, is actually one of the best movies, animated or otherwise, of the year. It’s a great kids movie that also works on an adult level as well (I’m sure Pixar is proud of another team managing this).

Elliot is just an average Lego construction worker doing his thing every day. When he’s tapped as “The Special”, Elliot is thrust into a quest to stop the evil Lord Business from destroying the Lego world.

Elliot is an every man. He’s just a guy who plugs away in the boundaries of his life. When he’s told he has much greater capabilities, he has a hard time believing it. It’s a story of self confidence, taking control of your life and doing everything you can to succeed.

The characters and the voice over cast is outstanding. It’s a huge menagerie of TV and film stars all over the movie. The characters span many universes, which is a blast to see. Comic book characters, movie characters, original Lego set characters, they’re all in here. There’s a lot of funny lines (mostly from Batman, Superman and Green Lantern) which keeps things light, fun and always interesting.

And then there is the animation. Animal Logic has to at least get an Oscar nomination for their work. This movie looks mind boggling. It’s all CG but the genius’ behind this movie figured out how to make it look like real, stop motion animated Lego pieces. It’s so convincing, you think you are laying down on the floor on your stomach watching the biggest Lego play set ever assembled move on its own. Everything about it looks amazing. The lighting is perfect, the depth of field and camera movement is crazy. The backdrops and all of the “special effects” like explosions and water are all Lego based. This is one of the most striking animated movies ever made.

A real surprise and a real treat! Watch it!