Ash vs The Evil Dead

ash

This show is an absolute scream. Ash has been doing his best to live his life for the past 30 years demon free. One night, Ash makes the poor and inebriated decision to read from The Book of The Dead, starting another evil invasion on the living world. With the (somewhat willing) help of his co-workers Pablo and Kelly, Ash is back in action with his chainsaw hand and boomstick to right what he as wronged.

Two episodes in, AvED hits all the marks of the movie series. Bruce Campbell brings our favorite reluctant hero, Ash back to us in fine form (if a bit aged) along with the gory mayhem that the Deadites bring. Wild direction and action, it’s absurd, funny, violent and heartfelt all at once. Things are still taking shape with  agent Amanda Fisher and Ruby being more or less in the background, they haven’t met Ash yet (Amanda is getting close to catching up with him), so I’m curious to see how they fit into this. I need more Lucy Lawless in my life, so I hope Ruby gets a lot of screen time next week.

10 episodes this season with another one already greenlit, us fans are set up to dine on a considerable amount of Evil Dead now!

October Horror Showzen 2

Dark Skies

I liked this alien abduction movie a lot, glad I found this happy surprise. A suburban family’s life gets turned inside out when their youngest son starts having nightmares of “The Sandman” visiting him. Then the weird things around the house start happening. Smart direction with great escalation of weirdness into panic inducing events to a great finale. Really liked the cast, Keri Russell is the stand out as usual. Perfect spooky PG-13 alien flick.

V/H/S: Viral

I’m a fan of the V/H/S series, I’ve written reviews for the first two movies. The stories in the first two movies range from good to high fives all around awesome. I have no idea WTF happened with this one (OK, I have some ideas). The found footage angle made things way too complicated for the filmmakers of Viral to handle. Very little works the way they wanted it to. The main piece that “stitches” the other stories into the movie is a departure for the series and is a complete waste. It makes little sense and is boring (it’s where “Viral” fits into the title). The non-stop artificial artifacting and tape distortion is incredibly irritating. All the short stories completely miss the mark. None of them come close to being scary or suspenseful. The magician story is an interesting idea but I think it would work better if it was used for a novella collection like Stephen King’s Four Past Midnight. It just doesn’t fit what the V/H/S is supposed to do. The alternate dimension door story is ruined by a god awful hand puppet. The skater story has some neat looking skeleton guys sometimes. I think that can count as praise. Besides that, it’s stupid and edited so bad it’s unwatchable. They all look super cheap with terrible CG effects. A merciful 80 minutes long is the only highlight of this pile of disappointment.

Rosemary’s Baby

It’s taken me awhile to get this horror classic. As with any movie from the 60’s (and each decade really) it shows off a standard of filmmaking this simply isn’t done today. It’s much slower in every regard. Long(er) opening credits, the first act takes a while to spool up and the editing is much slower and deliberate. You’re eased into the movie and left to digest each scene. Once you get it down, the next bit comes at you. So, Rosemary and her husband Guy move into a nice apartment in NYC where their neighbors are a bit eccentric. Things progress slowly and rather uneventfully until Rosemary and Guy decide to start a family. The night they have planned for themselves, Rosemary falls ill, has a super messed up dream and in the morning finds out that her husband decided to go for it despite her being passed out. A red flag if there ever was one. Mia Farrow as Rosemary is far and away the best part of the movie. She holds the whole movie together and is a hell of a leading actress. I can see how this was scary 50 years ago, but today just about all of that is lost. It’s very dated and doesn’t stand up to the likes of The Exorcist (released 6 years later). At 135 minutes, it takes forever to really get going. I get setting things up and this is really from the perspective of someone used to more modern filmmaking (the last 30 years or so), but good lord does this movie draw things out. I think you could easily cut out 15 minutes and not miss a thing. While the beginning makes you suspicious of some people, it isn’t until that crazy night that the movie actually gets engaging. Her getting sick and being told what to do is disturbing and then the growing paranoia (which is also drawn out) as she puts things together add the next much-needed layer. Things really come together in the last 25 minutes or so. I think you can watch Rosemary’s Baby and appreciate it significant a piece of movie history, but it’ll bore the vast majority of people today. It just didn’t age well.

October Horror Showzen

babadook

Going to start this post off with the clean winner of the pack.

The Babadook

Knocked my socks off. A truly scary movie that’s a throw back to what makes horror movies so great. A single mother is struggling to raise her young son after her husband dies. He’s terrified of monsters lurking in the house, which makes him a difficult kid. One night, her son pulls a book off the shelf for them to read before bedtime: Mister Babadook. Its red cover holds a sinister presence that begins to seep off the page and into their home. Awesome idea and a visual presentation that simply needs to be seen. So many amazing set ups and gorgeous cinematography. The sound design really sells this thing, the monster just comes alive because of it (a point off for using the Jurassic Park raptor scream that’s really out of place). A forboding figure, he’s at his worst when you can’t see him. I think this is one of the coolest monster movies ever made. I think it’s closest to a mix of Nightmare on Elm Street and The Exorcist in terms of tone and story. Very low on gore and violence, so it sells its scares by the creep factor. Really impressed by writer/director Jennifer Kent, sign me up for whatever she does next.

Tusk

Sticking to the WTF category of filmmaking, writer/director Kevin Smith drops another horror tale on his fans. Tusk, born from the ideas gestated in a podcast with fellow friend/producer Scott Mosier, we watch a mad man turn another man into a walrus in the shady edges of Canada! Super weird, often creepy and surprisingly beautiful. Kevin Smith landed a great cast and crew (Michael Parks and Johnny Depp doing wonders) to make this crazy idea actually work. Production design is great and the monster effect is really impressive. They got every dime of the $3 million production budget up on screen. Two gripes: the terrible choice to do a fast zoom out on the man-walrus really cheapens the reveal and I think they made a mistake anatomically with the front legs. With how Howard Howe prepared Wallace for the transformation, I don’t understand how he could be so ambulatory with his arms. Sure there might be some kind of explanation you could come up with, but if you are trying to sell body horror (which they do really well otherwise) you gotta do it all the way.

Tremors 5: Bloodlines

I’m always surprised to see a new Tremors movie. I hold the original 1990 monster movie a classic and none of the direct to video series ever match up. Spaced many years apart, they all come off as rather cheap, adding new types of “graboids” and never match the fun and tension of the original. Bloodlines is one of the better entries, bringing series mainstay Burt Gummer to Africa on a graboid hunt. Jamie Kennedy plays a major part as Travis Welker and holds it down as Burt’s opportunistic sidekick. The main worm graboid worm and the “ass blaster” variant are the creatures run amok. All the moving creatures are done in CG and in low lighting look really good. The death count is low and with a PG-13 rating, not much is shown (this series was never about gore though). While there are splashes of blood here and there, it’s clear a lot of on-screen action was avoided (even holes in the ground) to save on budget to use on CG scenes of worm jumping out of the ground like an orca at SeaWorld. Bloodlines falls short on the physicality and weight of the original making it more dull and incomplete than it should be. While disappointing, I did enjoyed watching it.

Life After Beth

A fun romantic comedy take on the zombie genre. Aubrey Plaza stars as Beth who dies from a snake bite when she goes hiking alone. Her boyfriend, Zach (Dane DeHaan) and her parents are obviously distaught over her premature death. Zach hangs around her parents for the next few days when suddenly they start ignoring him. Checking to see what’s up, he sees Beth walking around the house! Clever movie that’s both sad and funny. It’s got some cool ideas along with smart execution (really liked the end). Impressive work for an  indie budget too. Stacked cast with Paul Reiser, John C Reilly, Molly Shannon, Cheryl Hines and Anna Kendrick.

Quick Hits

Taken is one of Luc Besson’s biggest hits and with part 3, I think it’s his biggest franchise. When the original came out, it took a lot of people by surprise and did serious business. It even made Liam Neeson a straight up action star. So the achievement with Taken 3 is that they came up with a good and plausible reason for Bryan Mills to punch and shoot his way through another movie. This one never leaves California, which was another surprise to me. It’s a much milder movie though and the action scenes do have their fair share of “yeah, ok” moments. The worst is the direction and editing. Spastic direction and ultra fast cuts ruin a lot of the action. It’s just irritating to watch and not know wtf is going on. I got worried for the action scenes after watching how the kitchen scene with Bryan and his ex-wife  Lenore was put together. They’re talking at a damn kitchen table and the camera is all over the damn place with needless close ups of their hands. At least it’s better than Lucy.

My guilty cop show pleasure, Hawaii 5-0 is back. For as dumb as this show can get, I still tune in every week.

Sleepy Hollow returns just in time for Halloween. With things wrapped up last season, Pandora glides into town with her box of horrors. It’s been monster-of-the-week type stuff so far, but Mills and Crane are starting to put things together so I’m hoping it will pick up more soon.

Face Off is at the finale! I thought for sure Scott was going to make it. Could go to any of the final 3, I think it’s going to come down to whoever can handle the pressure he best (the short creature movie is a fantastic idea to end the show).

If I saw it right, Ink Master had voting open to determine the final 2 contestants for all of 2 minutes. That was crap. I didn’t like the “live” tattoo being a factor at all. What’s the point of having them all do a 36 hour back piece when only 2 will get looked at? As much as I think Chris is the right choice over Kruzman, Matt was the guy to win.

I don’t think anyone thought FX’s Fargo would be as good as it is. The first season was a treat from start to finish and Season 2 started this week with a brand new cast (they landed some serious talent again) and crime. It’s still early, but the premiere was really promising. If the can make it even close to as good as last year, it’ll be one of the best shows on TV.

Finished With

The Sopranos Season 3

If I remember right, this is the fan favorite season of the series. A ton of great stuff goes down. Livia dies of a stroke sending things off on a different course (she originally had a big role in this season, but it obviously had to change). The feds start getting aggressive with their case by bugging Tony’s house. Christoper gets made. but he’s still driven up walls by Paulie. Richie is a complete nightmare and Jackie Jr. doesn’t listen to Tony’s warnings. That ties into Meadow’s continued presence of being an obnoxious brat (and AJ is just a dummy, I wish they made him a more interesting character). Carmela has her ups and downs, interesting seeing her go to therapy with Tony and sneaking off on her own. Despite everything she knows and chooses to ignore, it’s more or less her fear of God that keeps her next to her husband. Tony lands himself another lunatic mistress and fights her threats back with his own. This is the season with the infamous “Pine Barrons” episode where Christopher and Paulie run around the woods with a Russian. As I’ve mentioned before, these two are the greatest and this whole ordeal is genius and so well acted. Michael Imperioli has so many great lines and reactions he needs a life-size trophy of Christopher wearing the outfit in this scene to immortalize his achievement. David Chase still gets a lot of crap for making the Russian just disappear and for good reason. It’s a loose thread that could have and should have been avoided (simply having them find their car after Tony and Bobby find them would have solved it. And it’s such a ripe angle to go into for season 4 if he did make it out).

Spartacus

Watched the entire series in about a month, just as good as I remember it. With 39 episodes of tight plotting, I never got bored. One of the most intense (and dramatic) shows around, it’s some ride. They successfully made it through a major actor change from Andy Whitfield to Liam McIntyre and bring something new and interesting to each season. More sex, violence and betrayal than you can shake a stick at, Spartacus is like few other shows.  The final season, War of the Damned, is much bigger in scope than the previous 3 seasons combined. “War” is putting it mildly, no one gets out unscathed. WotD does get carried away with itself sometimes. Off putting direction choices with “Matrix” like spins and awkward cutting mar the usual outstanding fight choreography and stunt work. Overuse of slow motion where regular speed would have worked just fine. The amount of battle cries also borders on the absurd, I’m thinking Manu Bennett got paid extra for it. One big change I noticed is Vengence and especially War of the Damned use a lot less CG blood. It’s mostly old school throat appliances with fire extinguisher like geysers of corn syrup and food coloring. It was a lot of fun coming back to this series, I’ll do it again in a few years.

The Bastard Executioner

I’m tapping out. I started watching the latest episode and turned it off about 20 minutes in. It’s just not keeping me interested, so I’m going to move on.

Gothumbsup!

Just 3 episodes into Season 2 and Gotham has significantly stepped up its game and series mythos with “The Last Laugh.” Jerome has been revealed, through death, to be the prot0-Joker.

A legend left to grow in the cracks of Gotham city has been left behind in a rather brilliant way. Theo Galavan pulled off a long con setting up Jerome as the terror of Gotham only to swoop in to take him out and become the city’s hero. Jerome’s shocked response and final pose perfectly foreshadowing his impact on the city and Bruce Wayne’s future.

Easily the best episode of the series, let’s hope they can keep the momentum going.

The Strain <> Season 2

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You  can always rely on The Strain to hook you up in the mean and nasty vampire department. The Master rooted himself into NYC like the nasty parasite he is despite all of Abraham and company’s hard work (where is that damn Lumen!?).

Lots of fun stuff this made it a treat to watch each week. The cast is rather large, but everyone got to play a part. The pull of Eldritch on The Master to get the respect he so desperately thought he was due. Eph and Nora’s work to make a bioweapon against the vamps along with Fet and Dutch’s help in beating back the vampire hordes. I think Fet and Dutch are my favorite characters, they were often given the best material. I like them as a couple, they’re good when they apart and I even liked the love triangle (poor Dutch, she just can’t pick ’em). Her kidnapping was probably the most intense and suspenseful part of the whole season. Really cool segment with some of the strongest direction of the season.

While Gus has always been more of a side (yet important) character, I liked how he was interwoven throughout and not only got a great friend to roll with but came in strong at the end. The battle with The Master and The Ancients got some good back story and exposure — along with Abe and Eichorst. Speaking of Eichorst, my number 2 behind Fet, he’s such an intimidating character. Love Richard Sammel’s work, I think he can give Christoph Waltz a run for his money. He had a lot of setbacks this season, despite throwing his weight around a lot. His confrontations with Vaun (what’s up, Blade), The Master skipping him in favor of a young nobody. That was a major slight, which I think will come up again.

I even came around to Zach as he smartened up after undead mom showed up at HQ, but he had to ruin that in the finale. His dumb ass made for a tragic end, but the writers figured out how to make it pretty bad ass.

Overall, a great season and the set ups for next year are really strong. Now the wait begins for Season 3!

Fear The Walking Dead <> Season 1

FTWD

Chalk one up on the board for a successful spin-off show! The Walking Dead has never been more popular so when I first heard about Fear, it sounded rather greedy. The intent was to look at the outbreak from a different angle, which I think was largely accomplished.

With the new Los Angeles settings and resetting the clock to the beginning of the outbreak, the show feels quite a bit different from its mother program. The main cast is average people, no apparent heroes who know how to use a gun or sweep a room right off the bat. I think the most skilled in emergency situations is Liza, who is almost a nurse. Family is a big part of the show and thankfully none of the kids are obnoxious or stupid. Everyone is in the dark about what’s happening, so there’s a lot of “what’s going on?” and parents hiding the truth the best they can. The only character I didn’t like is Victor Strand who is more or less a mystery. They cram him in there near the end and set him up as a smooth talker with a weird speech pattern. He feels like the biggest show “character” out of everyone.

I like the angle of the show, how it handles the outbreak in a city setting. It’s not immediate chaos, but a slower build. Certain professions (cops and healthcare) know something weird is going first. Then, public disturbances occur. With cell phones all over the place, footage hits the net and it looks like police brutality. The public spin kicks into full effect with internet chatter sweeping over everything. The fear comes from the unknown, seeing something wrong but not knowing what it is. Is the public being told what’s really going on? Is there more to be worried about? Mobs start hitting the street and then military occupation rolls in. The Walking Dead is more about the threat of a person than a shambling monster, which is explored very well in Fear.

I like having 6 episodes of this leading up to the new season of TWD. It’s a good companion piece, a refreshing perspective that is different enough to warrant its existence. I wonder if having many more episodes at a time would diminish it. Keep the arc tight to 6-8 episodes to avoid any stretches to kill time and make it feel more urgent. I think the best way to end Fear would be to get surviving cast members into TWD sometime in the future. Not sure how they’d do that as TWD is something like 3 years into the outbreak, but it would be a cool link if done right.

Gotham

gotham

Gotham is back and off to a fun start. Word is Season 2 is going to be much more serialized, with no “villain of the week” type episodes.

Looks like we’re going from mob war to psychopath’s run amok with a man named Galavan. Breaking out a few crazies from Arkham (including Jim Gordon’s somehow even hotter, now ex-girlfriend, Barbara, and Jerome, who must be the guy who will become the Joker) the streets of Gotham have a lot to worry about. I’m a huge fan of Cameron Monaghan from his work as Ian in Shameless and he’s really hamming it up here. Sure the Joker is very animated and he’s found a good laugh for him, but I’m not entirely sold on his performance yet. A lot of crazy attacks in just the second episode, I can only imagine what’s planned for the rest of the season. It’s a rather violent show despite them not showing everything. Jim Gordon and Harvey Bullock are going to be put through the ringer,

Meanwhile, Bruce made it into his father’s secret room with Alfred’s help and Lucius Fox has been brought into the fold in a clever way. The seeds of Batman are growing right in front of us now.

I enjoyed the first season, as uneven as it was. I think the show runners learned a lot about what works and what doesn’t and “Rise of the Villains” should be vast improvement overall.

Narcos

Narcos

The whole world is fascinated by money and drugs, and mixing those two in the media is a sure fire way to get viewership. The fantastic documentary, Cocaine Cowboys and the Johnny Depp led Blow immediately come to mind. Netflix’s Narcos now joins those ranks.

As this is a Netflix produced show, it holds up to all their standards. It looks fantastic, has a rock solid cast and pulls no punches. At 10 episodes, it’s tightly scripted as well. Narcos is all about the drug king pin Pablo Escobar. As he is one of the most notorious names in the drug game, a lot has been written and filmed about him. Fortunately for us, his life and the war on drugs is so fascinating that it offers a wealth of intrigue that can still be mined. From poverty to unimaginable wealth and even political aspirations, Escobar was a complex man.

The show starts right Escobar establishing his drug empire. The introduction of cocaine by a Chilean drug chemist who went by the name of Cockroach changed the drug world. With Escobar setting up an efficient manufacturing chain, the stuff exploded in popularity and the profit margins were a dream come true. The organization and machinations to get it produced and distributed grew by the week starting in the mid 70’s. In a short few years the Medellin cartel was pulling in obscene amounts of money. So much so that he ordered vast stashes of cash to be buried all over Columbia because they ran out of places to launder and physically put it.

Being an international drug lord makes a lot of enemies. Rival cartels, governments foreign and domestic. An obscene amount of people get killed, both criminal and innocent. Since US demand grew to unbelievable levels, it got the attention of President Regan and was one of the big reasons he started The War on Drugs program that’s still operating today. The US put major pressure on the Columbian government to get him extradited to pay for his crimes. Escobar’s reaction to this was to essentially become a terrorist so he could do what he wanted.

Narcos is the story of what greed can reap. The unrelenting desire for more wealth and the power and ego that goes with it. A negative comment could mean a bullet in the head. Being a traitor meant your entire family would be killed. A rumor could make jealousy and paranoia fester into life-destroying chaos.

Love the central cast. Wagner Moura is phenomenal as Pablo Escobar. Boyd Holbrook and Pedro Pascal as Steve Murphy and Javier Pena (both DEA agents) make a great good guy team. Really like Steve being used as the narrator like he’s talking through his memoir. Helps fill in a lot of narrative details easily and efficiently.

At the end of the 10th episode, I was ready and willing to watch more. They stop at the greatest moment of escalation, which is saying a lot considering how often the stakes were raised. Pablo Escobar was as much a genius as he was a criminal as narcos still use his techniques as a blueprint to get ahead.

Love & Mercy

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Being a child of the 80’s, I knew the Beach Boys music mostly through their singles. Enjoyable “surfer” music that I today associate with my childhood friend’s dad, who seemed to love them more than any band on Earth. The 80’s didn’t see much new popularity for them, so they never entered my music catalog as a kid or now as an adult. Beach Boys was from my parents era, often overshadowed by The Beatles (who were their biggest competition). Love & Mercy is a movie about Brian Wilson, one of the 4 members of The Beach Boys that is widely considered the keystone of the band.

When Love & Mercy was first shown, it got high critical praise for good reason. I knew next to nothing about The Beach Boys and even less about Brian, so the whole story was completely new to me.

Brian Wilson is a true musical genius. He hears the music in his head and goes through incredible lengths to get it out for everyone to hear. He could spend months perfecting one song in the studio at a time. His entire life revolves around music and as such, his blessing is as much as a curse. An abusive father pulled at Brian and his brothers from childhood all the way up to their fathers death. Brian’s musical obsession makes his mind work very differently than others and compounded with mental illness, a lot of pain came his way. Stressed and broken person relationships, deep depression and a shady therapist who did not have his best interests in mind almost ended his life prematurely (how many movies has Paul Giamatti played a creep now? Denzel Washington:Cops::Paul Giamatti:scumbag).

For all the pain, Brian did manage to find his way out and manage to keep moving forward. With positive people and his passion for music, Brian Wilson, his two brothers, Dennis and Carl, their cousin Mke Love and friend Al Jardine will forever be remembered as one of America’s biggest and best rock bands. They are our Beatles.

The most interesting choice in Love & Mercy is Paul Dano and John Cusack playing Brian in the 60’s and 80’s respectively. You’d think this would be really jarring as the movie jumps back and forth between times frequently, but it works (there is some archival footage of the real Brian too). Both are fantastic actors and represent the man well. Their mannerisms also match, which makes them seem like the same person despite looking different. The twenty-year gap in their presence is also aided greatly by the superb production design with appropriate clothing, architecture and material possessions on display. There is never a question on when you are in the story no matter who is on screen. I’m most impressed with Paul Dano, I think this is far and away his best work to date. There’s a certain kind humanity he captures and it’s fascinating to watch him go through the highs and lows of Brian’s trying life.

Could Elizabeth Banks be doing any better? The woman has been on fire for the past few years and her role as Melinda Ledbetter (his now wife that helped save his life from horrific darkness) is tantamount to how amazing she is. I’ve been a fan of hers before this, but her work as this strong and understanding woman has put her over the top for me. She’s in the 80’s portion of the tale and it’s amazing how well she pulls off that fashion. It’s really easy to make giant belts and shoulder pads seem really corny now, but it never becomes a distraction (a credit to the costume designer as much as Banks herself).

Since this movie is so much about music, you’d expect a certain quality of soundtrack. Atticus Ross knocks it out of the park. Far more than simply laying down The Beach Boys Greatest hits, he takes the stems of their music, as heard in Brian’s mind (as it’s been described anyway), and brings it out to the viewer. It’s like listening to a caleidoscope.

Love & Mercy is one of the best biopics I think I’ve ever seen. You can know nothing about the Wilson’s, be completely dismissive of their music, and still be blown away. A compelling story of success and pain artfully told, I recommend this to everyone.

The Bastard Executioner

BastardExecutioner

With Sons of Anarchy wrapped last year, creator Kurt Sutter moved on to a much different time and place for his next project. Set in Whales in the 14th century, Wilkin Brattle is a knight in King Edward III service. Barely surviving through a war time attack, he vows a more honest, less bloody life. A few years later he finds himself swinging a blad again in the name of rebellion. A divine messenger vists him, putting him on a ritous path for his people as an imposter, a bastard executioner.

Kurt Sutter is the sole reason I checked out this show. Promos seemed alright, I typically like this time period and I have a good amount of faith put into whatever Sutter does. The premiere was 2 episodes and it took about an hour for the show to really start. One of the slowest and arjuest pilots I’ve ever sat through, it took me 3 sittings to get through it all. Half the time I was wondering where the show was going and hoping it would just hurry up and get on with it. It’s really the last moments of the first episode where things start coming together.

Second episode is quite a bit better. The title of the show is explained, your familiar with many of the characters and the pace is much better. There’s a healthy mix of love, politics and faith at work that’s just starting to show, so there should be much more than people getting stabbed to death. The cast is really good  (impressed with Katey Sagal, her role demands a lot to not be a disaster) and the production values are great too. The action scenes so far have been shot better than SOA.

While it was a rough start, I think I’m glad I stuck with it and I want to know where it goes from here. Seems to be the ideal DVR show.