Gothumbsup!

Just 3 episodes into Season 2 and Gotham has significantly stepped up its game and series mythos with “The Last Laugh.” Jerome has been revealed, through death, to be the prot0-Joker.

A legend left to grow in the cracks of Gotham city has been left behind in a rather brilliant way. Theo Galavan pulled off a long con setting up Jerome as the terror of Gotham only to swoop in to take him out and become the city’s hero. Jerome’s shocked response and final pose perfectly foreshadowing his impact on the city and Bruce Wayne’s future.

Easily the best episode of the series, let’s hope they can keep the momentum going.

The Strain <> Season 2

thestrain

You  can always rely on The Strain to hook you up in the mean and nasty vampire department. The Master rooted himself into NYC like the nasty parasite he is despite all of Abraham and company’s hard work (where is that damn Lumen!?).

Lots of fun stuff this made it a treat to watch each week. The cast is rather large, but everyone got to play a part. The pull of Eldritch on The Master to get the respect he so desperately thought he was due. Eph and Nora’s work to make a bioweapon against the vamps along with Fet and Dutch’s help in beating back the vampire hordes. I think Fet and Dutch are my favorite characters, they were often given the best material. I like them as a couple, they’re good when they apart and I even liked the love triangle (poor Dutch, she just can’t pick ’em). Her kidnapping was probably the most intense and suspenseful part of the whole season. Really cool segment with some of the strongest direction of the season.

While Gus has always been more of a side (yet important) character, I liked how he was interwoven throughout and not only got a great friend to roll with but came in strong at the end. The battle with The Master and The Ancients got some good back story and exposure — along with Abe and Eichorst. Speaking of Eichorst, my number 2 behind Fet, he’s such an intimidating character. Love Richard Sammel’s work, I think he can give Christoph Waltz a run for his money. He had a lot of setbacks this season, despite throwing his weight around a lot. His confrontations with Vaun (what’s up, Blade), The Master skipping him in favor of a young nobody. That was a major slight, which I think will come up again.

I even came around to Zach as he smartened up after undead mom showed up at HQ, but he had to ruin that in the finale. His dumb ass made for a tragic end, but the writers figured out how to make it pretty bad ass.

Overall, a great season and the set ups for next year are really strong. Now the wait begins for Season 3!

Fear The Walking Dead <> Season 1

FTWD

Chalk one up on the board for a successful spin-off show! The Walking Dead has never been more popular so when I first heard about Fear, it sounded rather greedy. The intent was to look at the outbreak from a different angle, which I think was largely accomplished.

With the new Los Angeles settings and resetting the clock to the beginning of the outbreak, the show feels quite a bit different from its mother program. The main cast is average people, no apparent heroes who know how to use a gun or sweep a room right off the bat. I think the most skilled in emergency situations is Liza, who is almost a nurse. Family is a big part of the show and thankfully none of the kids are obnoxious or stupid. Everyone is in the dark about what’s happening, so there’s a lot of “what’s going on?” and parents hiding the truth the best they can. The only character I didn’t like is Victor Strand who is more or less a mystery. They cram him in there near the end and set him up as a smooth talker with a weird speech pattern. He feels like the biggest show “character” out of everyone.

I like the angle of the show, how it handles the outbreak in a city setting. It’s not immediate chaos, but a slower build. Certain professions (cops and healthcare) know something weird is going first. Then, public disturbances occur. With cell phones all over the place, footage hits the net and it looks like police brutality. The public spin kicks into full effect with internet chatter sweeping over everything. The fear comes from the unknown, seeing something wrong but not knowing what it is. Is the public being told what’s really going on? Is there more to be worried about? Mobs start hitting the street and then military occupation rolls in. The Walking Dead is more about the threat of a person than a shambling monster, which is explored very well in Fear.

I like having 6 episodes of this leading up to the new season of TWD. It’s a good companion piece, a refreshing perspective that is different enough to warrant its existence. I wonder if having many more episodes at a time would diminish it. Keep the arc tight to 6-8 episodes to avoid any stretches to kill time and make it feel more urgent. I think the best way to end Fear would be to get surviving cast members into TWD sometime in the future. Not sure how they’d do that as TWD is something like 3 years into the outbreak, but it would be a cool link if done right.

Gotham

gotham

Gotham is back and off to a fun start. Word is Season 2 is going to be much more serialized, with no “villain of the week” type episodes.

Looks like we’re going from mob war to psychopath’s run amok with a man named Galavan. Breaking out a few crazies from Arkham (including Jim Gordon’s somehow even hotter, now ex-girlfriend, Barbara, and Jerome, who must be the guy who will become the Joker) the streets of Gotham have a lot to worry about. I’m a huge fan of Cameron Monaghan from his work as Ian in Shameless and he’s really hamming it up here. Sure the Joker is very animated and he’s found a good laugh for him, but I’m not entirely sold on his performance yet. A lot of crazy attacks in just the second episode, I can only imagine what’s planned for the rest of the season. It’s a rather violent show despite them not showing everything. Jim Gordon and Harvey Bullock are going to be put through the ringer,

Meanwhile, Bruce made it into his father’s secret room with Alfred’s help and Lucius Fox has been brought into the fold in a clever way. The seeds of Batman are growing right in front of us now.

I enjoyed the first season, as uneven as it was. I think the show runners learned a lot about what works and what doesn’t and “Rise of the Villains” should be vast improvement overall.

Narcos

Narcos

The whole world is fascinated by money and drugs, and mixing those two in the media is a sure fire way to get viewership. The fantastic documentary, Cocaine Cowboys and the Johnny Depp led Blow immediately come to mind. Netflix’s Narcos now joins those ranks.

As this is a Netflix produced show, it holds up to all their standards. It looks fantastic, has a rock solid cast and pulls no punches. At 10 episodes, it’s tightly scripted as well. Narcos is all about the drug king pin Pablo Escobar. As he is one of the most notorious names in the drug game, a lot has been written and filmed about him. Fortunately for us, his life and the war on drugs is so fascinating that it offers a wealth of intrigue that can still be mined. From poverty to unimaginable wealth and even political aspirations, Escobar was a complex man.

The show starts right Escobar establishing his drug empire. The introduction of cocaine by a Chilean drug chemist who went by the name of Cockroach changed the drug world. With Escobar setting up an efficient manufacturing chain, the stuff exploded in popularity and the profit margins were a dream come true. The organization and machinations to get it produced and distributed grew by the week starting in the mid 70’s. In a short few years the Medellin cartel was pulling in obscene amounts of money. So much so that he ordered vast stashes of cash to be buried all over Columbia because they ran out of places to launder and physically put it.

Being an international drug lord makes a lot of enemies. Rival cartels, governments foreign and domestic. An obscene amount of people get killed, both criminal and innocent. Since US demand grew to unbelievable levels, it got the attention of President Regan and was one of the big reasons he started The War on Drugs program that’s still operating today. The US put major pressure on the Columbian government to get him extradited to pay for his crimes. Escobar’s reaction to this was to essentially become a terrorist so he could do what he wanted.

Narcos is the story of what greed can reap. The unrelenting desire for more wealth and the power and ego that goes with it. A negative comment could mean a bullet in the head. Being a traitor meant your entire family would be killed. A rumor could make jealousy and paranoia fester into life-destroying chaos.

Love the central cast. Wagner Moura is phenomenal as Pablo Escobar. Boyd Holbrook and Pedro Pascal as Steve Murphy and Javier Pena (both DEA agents) make a great good guy team. Really like Steve being used as the narrator like he’s talking through his memoir. Helps fill in a lot of narrative details easily and efficiently.

At the end of the 10th episode, I was ready and willing to watch more. They stop at the greatest moment of escalation, which is saying a lot considering how often the stakes were raised. Pablo Escobar was as much a genius as he was a criminal as narcos still use his techniques as a blueprint to get ahead.

Love & Mercy

lovemercy

Being a child of the 80’s, I knew the Beach Boys music mostly through their singles. Enjoyable “surfer” music that I today associate with my childhood friend’s dad, who seemed to love them more than any band on Earth. The 80’s didn’t see much new popularity for them, so they never entered my music catalog as a kid or now as an adult. Beach Boys was from my parents era, often overshadowed by The Beatles (who were their biggest competition). Love & Mercy is a movie about Brian Wilson, one of the 4 members of The Beach Boys that is widely considered the keystone of the band.

When Love & Mercy was first shown, it got high critical praise for good reason. I knew next to nothing about The Beach Boys and even less about Brian, so the whole story was completely new to me.

Brian Wilson is a true musical genius. He hears the music in his head and goes through incredible lengths to get it out for everyone to hear. He could spend months perfecting one song in the studio at a time. His entire life revolves around music and as such, his blessing is as much as a curse. An abusive father pulled at Brian and his brothers from childhood all the way up to their fathers death. Brian’s musical obsession makes his mind work very differently than others and compounded with mental illness, a lot of pain came his way. Stressed and broken person relationships, deep depression and a shady therapist who did not have his best interests in mind almost ended his life prematurely (how many movies has Paul Giamatti played a creep now? Denzel Washington:Cops::Paul Giamatti:scumbag).

For all the pain, Brian did manage to find his way out and manage to keep moving forward. With positive people and his passion for music, Brian Wilson, his two brothers, Dennis and Carl, their cousin Mke Love and friend Al Jardine will forever be remembered as one of America’s biggest and best rock bands. They are our Beatles.

The most interesting choice in Love & Mercy is Paul Dano and John Cusack playing Brian in the 60’s and 80’s respectively. You’d think this would be really jarring as the movie jumps back and forth between times frequently, but it works (there is some archival footage of the real Brian too). Both are fantastic actors and represent the man well. Their mannerisms also match, which makes them seem like the same person despite looking different. The twenty-year gap in their presence is also aided greatly by the superb production design with appropriate clothing, architecture and material possessions on display. There is never a question on when you are in the story no matter who is on screen. I’m most impressed with Paul Dano, I think this is far and away his best work to date. There’s a certain kind humanity he captures and it’s fascinating to watch him go through the highs and lows of Brian’s trying life.

Could Elizabeth Banks be doing any better? The woman has been on fire for the past few years and her role as Melinda Ledbetter (his now wife that helped save his life from horrific darkness) is tantamount to how amazing she is. I’ve been a fan of hers before this, but her work as this strong and understanding woman has put her over the top for me. She’s in the 80’s portion of the tale and it’s amazing how well she pulls off that fashion. It’s really easy to make giant belts and shoulder pads seem really corny now, but it never becomes a distraction (a credit to the costume designer as much as Banks herself).

Since this movie is so much about music, you’d expect a certain quality of soundtrack. Atticus Ross knocks it out of the park. Far more than simply laying down The Beach Boys Greatest hits, he takes the stems of their music, as heard in Brian’s mind (as it’s been described anyway), and brings it out to the viewer. It’s like listening to a caleidoscope.

Love & Mercy is one of the best biopics I think I’ve ever seen. You can know nothing about the Wilson’s, be completely dismissive of their music, and still be blown away. A compelling story of success and pain artfully told, I recommend this to everyone.

The Bastard Executioner

BastardExecutioner

With Sons of Anarchy wrapped last year, creator Kurt Sutter moved on to a much different time and place for his next project. Set in Whales in the 14th century, Wilkin Brattle is a knight in King Edward III service. Barely surviving through a war time attack, he vows a more honest, less bloody life. A few years later he finds himself swinging a blad again in the name of rebellion. A divine messenger vists him, putting him on a ritous path for his people as an imposter, a bastard executioner.

Kurt Sutter is the sole reason I checked out this show. Promos seemed alright, I typically like this time period and I have a good amount of faith put into whatever Sutter does. The premiere was 2 episodes and it took about an hour for the show to really start. One of the slowest and arjuest pilots I’ve ever sat through, it took me 3 sittings to get through it all. Half the time I was wondering where the show was going and hoping it would just hurry up and get on with it. It’s really the last moments of the first episode where things start coming together.

Second episode is quite a bit better. The title of the show is explained, your familiar with many of the characters and the pace is much better. There’s a healthy mix of love, politics and faith at work that’s just starting to show, so there should be much more than people getting stabbed to death. The cast is really good  (impressed with Katey Sagal, her role demands a lot to not be a disaster) and the production values are great too. The action scenes so far have been shot better than SOA.

While it was a rough start, I think I’m glad I stuck with it and I want to know where it goes from here. Seems to be the ideal DVR show.

Consumption Junction

Haven’t watched any movies in a while as I’m invested in TV shows (old and new) just as the fall season is about to start.

I’m on to season 3 of The Sopranos now. Season 2 was as good as I remember it. A lot went down in both of Tony’s families. He more or less stays on the same level with his therapist and the blackouts keep coming.  Christopher tries to get his foot into Hollywood (with a few cameos) and the stock market and both don’t go too well by pulling in some dummies into the fold. Richie does everything to be a pain in the ass by trying to swing his (non-existent) weight around. He also attracts Christopher’s dummies making for more drama. Tony’s older sister, Janice, is the all-star addition to the season. She’s  a typhoon of a character, just like her mother. Hook her up with Richie and that’s basically a walking heart attack for Tony. Running a gambling ring has many pitfalls, Big Pussy comes back and goes away after walking the line for far too long. Season 2 has it all with mob and family life (looking at you Uncle Junior) constantly crashing together.

I saw that the entire 4 season run of Spartacus is on Netflix, so that enticed me to watch it in chronological order (2,1,3,4). I’ve watched season 1 and 2 more than once, but it’s been awhile. I have one episode left before going to season 3 and I forgot how intense Spartacus is. Everything they do, they do to the extreme. The violence, the gore, the sex, the language (which is actually the tamest with the creative Roman era cursing, it’s rather funny). It’s an unapologetic show and it’s so much fun. The political maneuverings of Batiatus to raise his house into the upper-class realm of the political elite. The back stabbing, the love triangles, the secrets, and the blood-soaked sand of vengeance. Some of the most memorable characters: Crixus, Gannicus, Ashur, Lucretia, Ilithyia, and Oenomaus just to name a few. One of the first shows to use CG blood (and extensive CG sets), it’s interesting to see the show lean on CG gore at first, then pull it back for much more prominent practical blood (300 is clearly an inspiration for the show, but as it goes on, Spartacus finds it’s own visual voice). Some of the best fight scenes in TV or film can be seen in this series (many of the stuntmen and fight coordinators went on to do Daredevil on Netflix). I haven’t watched season 3 or 4 since they aired and while I’m looking forward to it, I know I’m going to miss the late Andy Whitfield all over again.

A lot of the weaker cast members are gone from Face Off, so we’re getting to see some consistently great work now. This week a gantlet of 3 challenges was introduced. which I really liked. Each tested something different and the person with the lowest score at the end was let go. Nice twist of the formula.

The addition of letting the canvas who is voted to have the worst tattoo of the week on Ink Master is really just a way to make someone feel bad. Not a fan, it doesn’t add anything worth while to the show. I like this cast a lot, this week’s departure was a real surprise, it’s just about anyone’s game still with about 4 episodes left.

Fear the Walking Dead and The Strain both remain strong. I’m sensing a major death in The Strain very soon.

South Park returned last night and no one does social commentary as well as Matt Stone and Trey Parker.

The Late Show with Stephen Colbert has graced us with our presence and I could not be happier. Colbert has kept a lot of what made The Report so great and I think everyone is on board with it. The set looks amazing, the bits are hilarious and the interviews of some of the biggest names on the planet have been fantastic (let’s keep that shmuck Uber CEO off of TV please). I think Colbert and his crew are going to dominate late night for some time to come.

The Fall TV season comes back in full force next week, so there is a lot to look forward to very soon. I have The Bastard Executioner on my DVR which I plan on getting to this weekend. Till then, stay frosty.

 

Mr. Robot <> Season 1

mrRobot

This week has seen many summer shows sign off and last night was the season finale of the best new show of the year. An all killer, no filler, 10 episode run introduced us to Mr. Robot and Elliot Alderson that took many people by surprise.

Here’s the synopsis from IMDB, since I won’t be able to make it any more succinct than this:

Follows a young computer programmer who suffers from social anxiety disorder and forms connections through hacking. He’s recruited by a mysterious anarchist, who calls himself Mr. Robot.

Elliot suffers from a lot more than social anxiety disorder, I can say that right off the bat. Played brilliantly by Rami Malek, he is the main character and the narrator for the viewer. He brings you into his world, grabs you right from the opening scene with his staunch ethics, brilliant technical know-how and ability to sniff out what isn’t right. But then the other hook of the show appears. The audience is left to sniff out what isn’t right about Elliot. Things don’t seem…right. Elliot is clearly not the most level headed person and with each intense moment and interaction what’s true and what isn’t is constantly up for debate.

The show owes much to Chuck Palahniuk, but there are enough new and interesting character and story developments that make Mr. Robot not feel like a Fight Club rip-off. I consider it an homage to a past great to give us a different and modern take on our society.

Going beyond the brilliant writing (I love Elliot’s inner monologs), the craftsmanship of Mr. Robot is what makes it stand out so much. The soundtrack is Quentin Tarantino levels of perfect down to making each title card at the opening of each episode a striking moment. What’s shown to the audience is meticulously thought out and beautiful, someone has to get at least an Emmy nomination for directing. It’s subtle, there are hints all over the place in every episode, it lets you think about things without beating you over the head. Things that seem odd makes sense when the other shoe drops. The cast makes all of this possible, from the aforementioned Rami Malek to Christian Slater, who gets to finally show off how great he is again. I love that all the female characters are strong too, everyone gets a chance to make their mark in important ways.

I’ve been very vague about what goes on in Mr. Robot because I want people who have never heard of it, to go in fresh. It’s the best to go into and out of it that way. There are massive spoilers out there, so do yourself a solid and avoid them as best as you can. Watch and discuss it with others, remarking on all the things you pick up on and see if you can figure out what’s going to happen, it’s a blast. I loved the finale, it was super intense and went in a direction I didn’t see. I don’t think I’ve been so in love with a show since I first saw Breaking Bad. I love Elliot, I can’t wait to see what Sam Esmail has in store for us next.

…is it a coincidence Esmail is Email with an ‘s’ snuck in there? Hmmm…

Falling Skies

FallingSkies

I’ve watched Falling Skies from the beginning and last night marked the series finale. The show had the big name of Stephan Spielberg as Executive Producer attached to it, along with its biggest star, Noah Wyle. Big concept sci-fi is tough to do on a TV budget, but TNT stepped up and made a fun alien invasion series.

While the budget often showed on screen with some awkward CG and limited scope in showing destruction, I gotta say the production really made the most out of what they were given. The prosthetic effects and physical aliens were often very good, Doug Jones as Cochise looked fantastic (all the Volm do, as few as we get to see).

With any alien invasion story, the end is pretty much one of two outcomes: annihilation or a triumphant fight back. In between that is the struggle. The horrors of war, the internal struggle between survivors, the wins and losses of battle. Falling Skies often showed that well and showed us new and interesting things. The harnesses and “Skitterizing” of humans, the tech of alien espionage, and their weapons, both biological and in hardware. But in an effort to have major season finale’s, they would often dip into deus ex machina territory to make things work. Mostly, people surviving things they shouldn’t.

After five seasons of this alien war, I was rather let down by the series finale. So much build up, so many trials and tribulations and it just wasn’t grand enough. First, the bio-weapon that Tom Mason was given was a huge cop-out, despite them modifying it so it wasn’t a complete gift from God. It was never really explained well, going all the way back to Tom surviving the off-planet mission (which was a huge cop-out to begin with). I’m not a fan of the Dorniya idea at all.

Much of the season was spent on gathering intel for the final fight, which worked well and fit in. Lexi coming back and the other Espheni tricks were fun to watch (they usually are). That leads us to a showdown in Washington that should have been massive.  Tom and the 2nd Mass sneak in, but the tunnel sequence was shot so dark, it was hard to tell what was going on. Someone makes a sacrifice there, but it came off as confusing and unwarranted. Someone goes to be a hero, you need that to pay off, not have your audience shrug their shoulders. Tom gets separated only to face the Queen conveniently by himself. This had to have been done because of the budget because the final fight was barely one. The Queen looked awesome, though, loved the design and it looked like a lot of time was put into it so I can’t hate on this scene entirely. And then this huge war kind of…ends. Everything drops dead, even the goo holding Tom to the wall suddenly dissolves (makes no sense). There’s a bit of exposition on the Queen’s part, but that turned out to be pretty damn stupid. A lot of wasted potential (plus a miracle character rescue that I didn’t like at all. There was very little consequence for the Mason clan this season, felt too safe).

There were a lot of good ideas in the last season, but they kinda fizzled out at the end. Pope’s defection was a great move, but really anticlimactic. I think that thread could have used some more time in the writers room to make work.

I really wanted a satisfying ending so I’d be able to confidently recommend the show. It was on a nice track for a long time, but it grinds to a half-hearted halt. I’m not mad at the ending. I’m good with the outcome and the final dialog is pretty great. I also appreciated the thank you message and the title being assembled by the names of the cast and crew, it’s a classy touch.  How we got to that ending, is what upset me. Those final threads of the story just crumbled to the wayside.

Hannibal

Hannibal

Hannibal may have been the most intense TV show to air, but it’s been grossly overlooked for all of it’s three seasons. Last night was the series finale and gadzooks did it go out with a bang.

Mads Mikkelsen might have done his career-defining role as Hannibal, he’s that good. The shadow of Anthony Hopkin’s work in the films is an epic one, but I don’t think anyone can deny or marginalize Mads work. I think from here on out I will consider him The Hannibal Lecter.

The entire run has been rather shocking. It’s amazing this show aired on NBC and not a paid cable network. I can’t think of a more beautiful but horrific show. Crazy prosthetic makeup effects, each one outdoing the last. The mayhem started as mostly aftermath visuals, but by the end much more onscreen violence was shown. Despite where Hannibal was physically at any given time, the threat of escalation was always palpable by the other psychopaths on the show. The villainy of this world is hard to match (looking at you, Mason Verger).

The production levels are upper echelon high with the often stunning visuals. There’s this crazy design logic that can’t be seen anywhere else. I’m having a hard time articulating the ebb and flow of this show it’s so overwhelming.

The cast around Mikkelsen is fantastic, so while Hannibal is a dominating presence, Will Graham (Hugh Dancy) always seems like he has a shot at getting the upper hand, albeit a small one. Hannibal is and always will be a step ahead.

I rather like that Hannibal only went for three seasons. Packed with great, memorable characters and dark plots, there wasn’t much chance for the show runners to get off track. A clear beginning, middle, and end is the best way to tell a story and the start, lead up and conclusion of last night was very satisfying for me.