New Season of Shameless!

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The best part of January is here. My absolute favorite TV show is back on! Let’s go to Chicago to see how our Gallaghers are doing since we left them.

“I Only Miss Her When I’m Breathing”

Frank is like a lost puppy! He’s completely devastated from his lover’s death and no one wants to hear it. His obsessive mourning is rather enduring and the montage of him go from religion to religion is great. The Morman bit was hilarious. He’s actually following his strict allowed alcohol intake (6oz every 24 hours)! William H. Macy rules.

Carl is out already! Why not Chuckie? This is going to be a wild year for him. Introducing Nick as his friend is brilliant. There’s a sense of responsibility to it and it taps into his hidden patch of empathy that we rarely see (usually reserved only for Worst of Times Frank). Ethan’s acting game has gone way up recently and it looks like they’re giving him a lot this year. Looking forward to where they take him.

Looks like Fiona is in a good space to start with. We’ll see how long that lasts (looking at you Debbie).

Debbie is going to be the death of me. She’s made all of these massive, way-beyond-her-years decisions based on the logic of a child. She’s got all these plans and is so the pregnancy is going to fix all the holes in her life she doesn’t see the horror wash over Derek’s face at just the thought of being a parent. The Gallagher’s are never afraid to lie, but Debbie trapping Derek takes the cake. It blows up in her face before the end of the premiere, so this is going to get intense. Debbie is going to get a harsh reality check every single episode.

Lip a teacher? Maybe. Lip getting his head spun around by a woman? You betcha.

Ian on the balance beam of keeping it together. Hard to watch (I’m concerned for him the most), but his prison visit to see Mickey is arguably the best scene in the premiere. Equal parts crazy/funny (Svetlana getting Mickey “work”/his tattoo) and horribly sad (“Are you going to wait for me? You can lie to me. Eight years is a long time.”) Cameron and Noel are amazing actors, this scene being a testament to their abilities.

Kevin and Veronica’s kids are a little bit bigger and it looks like Kevin might be on Keeping The Neighborhood Peace duty for awhile. The gentrification plot line from last season ain’t going anywhere. It should be a fun battle to watch unfold.

Great start! I’m expecting another fantastic season.

We’re back! (TV)

It’s January, so that means new seasons and shows coming back from hiatus! This is just a taste as the next few weeks are ripe with new content.

It’s Always Sunny in Philadelphia-  Season 11, can you believe it? There were some dark times (in the not funny way) a few years ago, but Season 10 was thankfully great. I was worried. This year starts with “Chardee MacDennis 2: Electric Boogaloo” and it has everything about the series that makes it so funny. With the gang pitching their own game “Chardee MacDennis” to a Mattel executive, the debauchery of their comradery is in full effect. Frank tries to get a cut of the action right away, Dennis and Dee stay thick as thieves and Mac and Charlie just try to hold on. The whole episode stays in the pub making it a bottle episode. That’s usually the best recipe for this show.

The Expanse- I’m late to this one (SyFy put the first 4 episodes up on their site), but I’m glad I got into it now. A SyFy channel original, The Expanse takes place a few hundred years in the future. Mankind has figured out space travel and has colonized Mars. In between the two planets are “The Belters”, those that live on space stations working to gather resources to send back to Earth. The Belters are the worker bees that allow Earth to thrive in comfort. Things are rather contentious between Earth and Mars and a plot involving a high ranking official’s daughter is the hidden keystone of a growing rebellion movement. Great to have a solid sci-fi show to watch. It’s interesting, I like the cast a lot and SyFy gave these guys the budget they needed to bring this future to life (it’s based on a book), so it often looks really great. Space battles, all sorts of ships and colonies and future tech fully realized. The season is half way over but SyFy recently gave the green light for more so I’m all in. Impressive stuff.

SuperMansion- Available on Crackle.com, from the creators of Robot Chicken. SuperMansion is their take on a super hero team (Avengers, Justice League) with their own original characters. Funny stuff (it’s for “adults”) and the animation is really good. Looks like a crazy amount of work to make. They know how to stick and move around reoccuring jokes to keep things from getting old. Love Bryran Cranston as Titanium Rex, leader of The League of Freedom.

Man Seeking Woman- I absolutely love how creative this show is and am so happy it’s back for another season. I’m a fan of Jay Baruchel, he plays the straight man really well. This show gets so wild and weird he’s perfect as always-looking-for-love Josh. Eric Andre as Mike (Josh’s best friend) is cast perfectly too. This show is all about the trials and tribulations of dating and relationships and lampoons all the best horrific things about them. Blind dates, exes (and exes moving on and being happy), weddings in your late 20’s-early 30’s. This season premiere (“Wings”) is about Josh getting a new girlfriend and leaving Mike behind in the afterglow. The early negotiations of finding time to hang out crumble into a break-up and then the makeup process when Josh’s new relationship go south. Many a chicken wing is consumed. Great show, the amazing special effects push this one over the edge for me.

Ash vs Evil Dead <> Season 1

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It’s been a long time since Army of Darkness and I’m really happy we got more Evil Dead. It’s a cult favorite series, Bruce Cambell still rules as much as he did 30 years ago, and his fans want to see him return as his iconic character, Ash. I think every fan should check this out as it dishes out everything. Not familiar with the franchise? Catch up with the movies and then watch this if you dig it.

Bruce Campbell finally gets to spin around in the spotlight in a show made for him. Ash has been running from responsibility and the Deadites for 30 years. He stupidly resurrects the Evil Dead and reluctantly has to take up his boomstick and chainsaw gun in defense of all things living.

Two new characters, Pablo and Kelly, join Ash in fighting off hell’s horrors. I like them both a lot, Pablo especially. He plays great with Ash and comes through with the screams and laughter as the situation calls for. Kelly is a strong female character and gets to throw her stake deep into the ground of the franchise in the season finale by getting put through the ringer like few have.

Now for the downside, Ruby and Amanda. The lovely Lucy Lawless doesn’t get nearly enough screen time as Ruby. She appears in an episode for a few minutes and then disappears for many episodes. Amanda gets a fantastic introduction but then flounders for most of the season because the writers weren’t too sure what to do with her. The worst part is that they completely bungle her transition to Ash’s side. Amanda chases him for half the season in the “stop the madman” cop role and whenever they meet, Ash awkwardly hits on her (as he does with every woman) to win her over and make her an ally. In the 8th episode, she’s suddenly a love interest. It comes out of nowhere that she’s completely infatuated with him, set to ride or die (kissing and killing Deadites back to back). I think they even changed her hair between episode 7 and 8 to mark the change. Her personality switch was so drastic that I thought I missed an episode. Both Ruby and Amanda needed a lot more time to be fleshed out characters. It’s a shame because both Lucy Lawless and Jill Jones are great actresses. As a whole, the production felt a little rushed. I think most episodes were about 25 minutes where an extra 2-3 each episode could have helped a lot.

Ash vs Evil Dead comes delivers the series trademarks of comedy and splatter gore in equal measure. Many great ideas brought to life was some impressive visual effects, many of which are practical. My personal favorite is the bookstore demon. Really cool design and top notch effects to bring it to life on screen. There are some truly outrageous scenes like Amanda’s first encounter with the Evil Dead with her partner, the war in the diner and the absolute gore-fest of the fantastic season finale. There’s a great set up for season 2 and I hope they take their time planning out the season. Sure, the ancillary characters of the whose only existence is to get demolished don’t need much, but let’s give the secondary cast something to work with. I look forward to more.

Star Wars: The Force Awakens

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I’m late to the party on this one and since there are a few billion articles about The Force Awakens already, it feels rather redundant to write about it. I’m going to anyway because the space adventure is back.

I’m going to be flinging spoilers around since it’s been out for 3 weeks, so this is your warning.

The new cast members are great. In particular, Rey and Finn have great chemistry together and I’m totally looking forward to watching these two kids grow together. Poe is another one (Oscar Isaac had a hell of a year and it looks like there is no stopping him now) who eats up the screen and is a blast to root for. He comes off as a total hero pilot, all of his action scenes are wonderful. The new droid BB-8 often steals the scenes he’s in and pushes the likes of C3PO farther into the background. Seeing the old guard, Leia, Han, Chewbacca and Luke hit all the right nostalgia notes. Harrison Ford, in particular, was in fine form and a real treat.

On the Dark side of the character spectrum, Kylo Ren is the focal point. He’s a  more complex character than most people give him credit for. Many expected a new Darth Vader and he doesn’t hit that bar. Which is part of why I think he works so well. He’s clearly dangerous and powerful (stopping Poe’s blaster shot is a brilliant idea and it looks amazing). He lives in the shadow of his grandfather and father, both legends on opposite sides of the Force. The presence he’s built around himself is incredibly effective to those around him. The voice changer, the mask and his demeanour on missions channel Vader. His light saber is a brilliant touch too. It crackles and seethes in his hands unlike any other blade seen in the series. Whether he’s doing it with his Dark Force powers or he’s modified the hilt is unknown, but it’s incredibly intimidating and matches his intents perfectly. He scares most of the people around him half to death, but he’s actually a child at war with himself. He lacks control and as such is his own worst enemy.  I don’t think the writers get enough into his background which made some for some odd third act moments (which I’ll get to). His ultimate Darkside decision was major and important.

The other major villains don’t get nearly as much time and suffer for it. I like General Hux, he’s got his moments and I hope we see much more of him. Captain Phasma is a complete waste. I think she is in three scenes and folds like a cheap suit when it matters most. Really disappointing on all levels. I hope she has a purpose in Episode 8 and doesn’t come across like a clown again.

There are a ton of great scenes outside of the action. Han Solo and Chewbacca’s entrance made me smile. Rey bonding with Han and later figuring out Kylo in the interrogation scene was great. I liked the Han and Kylo talk a lot and just about everything BB-8 does is cute or funny.

Visually, I think TFA stands underneath (possibly right next to) only Mad Max: Fury Road (of the 2015 movies I’ve seen). Just eye popping stuff. ILM firing on all cylinders for those space battles. There’s an amazing shot that looks like you are hanging onto the side of a X-Wing in a dogfight that looks and sounds so real I thought I was there. This movie is a showcase of how powerful the best CG and practical effects can come together to make the impossible (and unknown) real. Love all the carefully thought out sets and aliens. Really sells the world, like we’re actually watching something happening in a real place. The return to s brawling type of lightsaber fight is really welcome. Much more viseral and intense. The ultra choreography of the prequels is too much.

Now for my quibbles. They kept Maz Kanata and Supreme Leader Snoke’s designs a secret for reasons I don’t understand. I like Maz a lot though. Cool character and design. She came out really well and I hope we see more of her (98% possibility on that). Snoke, on the other hand, is a mess. Terrible presentation. They said they wanted to design a character that couldn’t be done with make-up and he’s not impressive at all. He’s shown as a massive hologram and he looks so fake it’s jarring. So much effort was put into making things believable, that it’s amazing what is shown is final. I have a feeling they couldn’t settle on a design and a committee agreed on this boring shriveled headed thing. Nothing about him is that drastic looking and considering no background is given on him, he comes off as a paper thin image. A shame because he’s a major character. They needed to get in touch with Guillermo del Toro’s creature team to do the design and get Doug Jones to bring Snoke to life on set. That effort would have knocked the socks off of everyone.

We’ve had enough Death Stars.

Too predictable a story.

Too many convenient things happen in favor for the Rebellion, it takes away most of the conflict.

No memorial scene was a strange and huge omission.

More Berzerker Chewie, I thought his rage was cut too short.

Luke and Rey scene needed a bit of dialog.

Don’t know anything about the First Order. Tons of questions about the set up of this movie.

Didn’t like the use of R2D2 as a deus ex machina device! He’s in low power mode since Luke disappeared and conveniently turns himself on right when they need him to get to the end of the movie? Really lazy writing. Finding Luke is a major motivation for the Resistance and this tucks into a major head scratcher…

Why is Luke so needed when untrained Rey handles Kylo so easily? Rey quickly taps into the Force and figures out how to use them effectively on her own. We know that she can defend herself with a staff. Kylo shows off some serious Force powers up to that point. This is where the blind spots in his background mar things and produces too many questions.  We don’t know how long he trained under Luke, but we have to figure he has quite a bit of advanced training and she fends him off pretty easily.

Kylo’s injury from Chewie isn’t sold well enough (as well as the hit Finn gets on him). As it’s shown, Rey comes off as way too powerful and him too weak when she cuts him down (especially with his temper tantrums still fresh in the mind). His saber skills should have been shown to be blatantly better than hers. His skill fends off the power she’s managed to muster (as impressive as it is). Better sell her visually struggling and him defending her wild blows (she does get knocked back a few times and comes back at him at least. Maybe the trees obscured the fight too much? It might be better on a second viewing.)

My easy fix: That scene needed to end in a standoff. Keep the chasm that rips open, but do it sooner so that it ends the fight with both still standing. Kylo doesn’t make the huge jump because too much has been taken from him. She’s all up in his head with calling him out earlier, attacking her has proven to be much more difficult than he thought it would be. She doesn’t jump over because she physically can’t. The size of the gap requires a Force jump and she hasn’t tapped into the Force that well. She needs training (hi Luke!). Kylo decides Rey isn’t worth wasting any more time with the planet about to explode and says something nasty to her before walking away. He leaves her behind with Finn’s broken body. I think this leaves both characters on a more believable level at the end. They both go through training in the next movie which makes the anticipation for their next meeting much greater.

While not perfect, The Force Awakens does way more right than it does wrong. It’s a return to form that I think most people simply appreciate. While the movie plays it safe by going down the “Stuff fans like about Star Wars” checklist,  it kinda needed to. Episode 7 is a launching point and I think (hope) that they are going to take advantage of it. Learn from the missteps and make Episode 8 a better and much more ambitious movie.

Final 2015 TV Roundup

Season 2 of Fargo proved to be another winner. I thought there was a major misstep in the penultimate episode, but looking back at the previous episodes, the event fits. I first thought it came out of nowhere and was used as a deus ex machina device which was especially shocking and jarring on such a well-written show. It was used at the start of the season and I had forgotten about it, so now I’m more accepting of it (I do think they could have left it out). Aside from that, a fantastic of mob story that was much different than last year. Phenomenal characters on both sides of the law and in between. Impeccable casting with a hell of a job turned in by Kristen Dunst.  I thought this season was going to be completely self-contained but there are character tie-ins to the first. Nice touch for the fans and it doesn’t take anything away from someone who only watched this season. A big break until season 3, but I’ll be there for sure. I expect this to go up for some awards.

Homeland has lost a lot of its original luster but I liked this season more than Season 4. Never the most realistic show, the plot with the Russians and jihadis was very grounded and well done. This season had it all. Information theft, a ton of spying, a nasty terrorist plot and our favorite characters put to the cast again. I especially liked the end, probably the most satisfying of the series as it had equal parts hope, pain, redemption, resignation and revenge. I expect next season to be another refreshing one as the slate has been wiped clean again.

Netflix’s black sheep original show, Hemlock Grove, never got much praise. It was, at least, interesting and had its moments (as vampires and werewolves can be) but I watched the final season more out of morbid curiosity than anything. Really sporadic season that felt stretched to hit 10 episodes. Major plot lines would fall to the wayside for long periods of time diluting any kind of momentum and threat it was supposed to carry (the entire Dr. Spivak plot). For some reason Pryce’s background was given a lot of time to flesh out and Olvia’s story, as good as a character as she was, goes on forever and really doesn’t end the way it was fortold (just a bite? That’s a cop out). Things do get resolved in the end at least which I always like to see. Not a whole lot of good happens in the town of Hemlock Grove I’m afraid. A stinger at the end teases a possible future, but that ain’t going to happen.

 

Making a Murderer

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Shock. Disgust. Anger. Disbelief. Rage. Those were the main feelings I had while watching Making a Murderer. My favorite documentary has been Cocaine Cowboys for many years, but MaM thunders on through 10 episodes of absolute injustice and evil of the Manitowoc, Wisconsin police and the completely bent Criminal Justice system. This is a tale you won’t soon forget and want to talk about with everyone you meet.

The story of Making a Murder is Steven Avery. While he’s far from an angel, racking up a rap sheet by the time he was 18, he didn’t try to hide from what he had done and served his time. Then, in  1985, he’s accused of raping a woman. Despite spotty at best detective work (I’m being polite) and a multiple eyewitness backed alibi that is ignored for some reason, he was declared guilty and locked up for 18 years. In 2003, he’s exonerated through new DNA evidence. He said he was innocent the whole time and that the Manitowoc PD had it out for him. Two years later while his lawsuit against the county is underway (looking for millions in restitution and punitive damages and would ultimately end many careers and start serious reform), a woman who was last reported to be at the Avery scrap yard for work goes missing. The police come after Steven again and it happens all over again.

It sounds like a movie but it’s not. I’ve given a basic outline of the setup, but the follow through to condemn Steven Avery (and his family) is mindboggling. There was no hesitation, they thought Steven had to have done it. The following weeks of investigation construct a case for the ages.

I’m not going to get into great detail because you have to see this to get and process each bat shit crazy bit and it would take me hours to write about just a fraction of it.

The first case of 1985 is shocking in itself, Avery was clearly railroaded and the actual criminal went on to commit more sexual offenses for 10 more years. The cops got away with what they did to Steven.  Steven wants justice and sues the county with corruption allegations. Law enforcement circles the wagons to protect themselves when a few of them go to court. As the film clearly shows, step by step, the MPD (the 2 higher ups and a specific deputy) went after Avery again with a shocking disregard for protocol, humanity and the law they were sworn to uphold.

Timelines that make no sense. Suspects that were completely ignored. Tampered with evidence. Exploiting a retarded child’s trust in authority with blatant and gross manipulation and rights dodging. Collusion between the prosecution and a shady defense lawyer. Written down instructions to get Avery associated with evidence that was improperly obtained. Admitted tainted DNA results. Blatant lies to the media and on the stand. Bizarre double talk. Bias that you would not believe (MPD says they will hand over the investigation to another district PD, but they remain are all over the scene, going back multiple times and magically finding “evidence”.)

I watched the 10 episodes in 4 days. I never do that. Clearly the filmmakers had a view of what was happening to Avery from the start (they filmed for 10 years) and push that narrative and it’s around 30 years condensed into 10 hours. Steve’s trial went for 6 weeks and was shown in about 2 episodes. His nephew Brendan’s trial went for 2 weeks and was shown in 1 episode. Sinister music is played during the bad guys talking to drive the point home. But it doesn’t take background music to make the likes of former (haha) District Attorney Ken Kratz into a villain. You just need to see how he conducts himself and smirks when talking about a murder investigation. The number of suspicious events (at the very least I think the MPD is incompetent) stokes a lot of reasonable doubt. It’s hard to understand how this all happened. But, again, this idea is fostered from getting all of the information in Avery’s favor in a neatly organized package instead of a lengthy trial). In order for a jury to convict, there has to be a lot of information that the prosecution gave that the filmmakers left out (which could be circumstantial evidence, but with how shady the MPD and Lawyer Len were, you’d imagine it would be pretty easy to flip in Avery’s favor. It’s suspicious though).

I was obsessed with watching this to the end. I have never been so shocked and disgusted from a documentary of what’s wrong with our justice system. There’s no one person to blame, the whole thing needs to be re-evaluated and remade. Hopefully Making a Murderer stirs the pot again and puts pressure on the right place. Every bit of this trial needs to be made public so we can get all of the information and not a heavily edited film.

A must watch.

Inside Out

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I didn’t think I’d like it as much as I did, but Inside Out captures that animated magic that few studios outside of Pixar can. They’ve made some good to okay movies recently, but Inside Out hit all the marks for me.

Things are going really well for 11-year-old Riley. She’s happy living in Minnesota with her parents. She loves her school, friends, and ice hockey. But when her father gets a new job in San Francisco and uproots the family, her life is turned upside down.

We’re guided through this trying time of Riley’s life with an inside look at her emotions: Fear, Anger, Joy, Sadness and Disgust. A combination of fantastic characters, voice casting, animation and creative storytelling makes this one of the top movies Pixar has made.

I loved all of it, partly because it’s reminiscent of the creative Monsters Inc. In that movie, the world of the monsters let Pixar come up with a wild world and show off their imaginative flair in realizing that world. In Inside Out, they get to go nuts again, but within the human mind. How thoughts go through the mind and are stored. How decisions are made. What makes your personality. The visual look of the real world and Riley’s mind are distinct and beautiful. The designs of the emotions and their animation are brilliant. I first thought that they were mimicking the felt look of the Muppets, but on closer shots you can see that they are made of some kind of bubbling energy (the “hair” looks really awesome too). Their shapes and colors work perfectly with their emotion, the juxtaposition is really subtle, but really striking when they talk together.

For example, Joy and Sadness are the stars of the movie and pulled me in every direction. My favorite scene is with the two talking while they’re riding on the Train of Thought. Sadness is blue and is in the shape of a teardrop (brilliant voice casting with Phyllis Smith) and Joy is yellow and in the shape of a star (the perfect role for Amy Poehler). Joy is constantly trying to prop Sadness up and they have a heart to heart sitting on boxes of facts and opinions. Joy is literally a light source and sitting together, both characters glow. It’s this little visual cue of what’s going on. They co-exist and need each other despite being on opposite sides of the mood chart. They’ve been separated from the other emotions in HQ and while they work together, Joy often dismisses Sadness and tries to do everything. It can’t work that way and that’s what the movie is about.

Inside Out tells a very mature story in a way that everyone can understand. Growing up is hard. Living is hard. It’s impossible to be happy all of the time and that’s OK. Understanding and working through life with every emotion bubbling inside of you is normal. You can’t have the good without the bad and the bad without the good.

Impressed from the start to the end. It’s funny and sad and poignant and amazing to look at. Even the two shorts “Lava” and “Riley’s First Date?” are fantastic. Highly recommended.

Bing Bong forever!

Into the Badlands <> Season 1

With just six episodes, the first season of Into the Badlands is more of an appetizer than a meal. I liked what I saw, I’m a big fan of this genre and I’m left wanting more. I’m sure that was the show runners intent, so I’m calling this a success.

The season ends wide open for a season 2. The basic framework for the clippers (Sunny), the barons, M.K, and the Abbots and what’s outside of the Badlands is given but I think about just about every question we have hasn’t been answered. They didn’t try to cram too much into these episodes and left behind breadcrumbs in every episode to keep the trail fresh and interesting.

I like just about every character and the more boring aspects of the story arc (the Ryder, Quinn, Lydia and Jade entanglement) ultimately worked out well. That angle is rather played out and obvious, but major stuff went down in the finale to break it up and move it on. I’m interested in seeing where it goes from here.

Speaking further of the characters, I love the barons and the surrounding players. Everything from their clothing to their names is unique and stylish (except for Tilde’s hair). The Widow, Jacobee, Quinn, Penrith, Zypher and The River King, all really memorable.

The fight choregarphy is really outstanding. Action technicality, execution and direction that no other show airing right now can touch. The final fight might be the best of the season and there have been more than few standout moments.

Really dug the ending, I hope we get a season 2. I want to know what happens to Sunny and M.K. and get a lot more mythology down. Season 1 was just the tip.

F is for Family

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I had no idea Bill Burr had a show coming out until it was just a few days out from hitting Netflix. I’m a fan of Burr and I’m stoked for him that this turned out so well.

F is for Family is about the Murphy family, boys Kevin and Will, mother Sue, father Frank and daughter Maureen (plus Major the dog) in the 1970’s.  Frank is more or less the main character, working in the baggage department at the airport.

I wasn’t sold after the first episode, but once the family dynamic takes root (especially with Kevin and Will), it really comes together. Every episode is simply better than the last, they really found the heart of the show by the end. The parents struggling to keep afloat and happy and the kids who range from screw up to princess tomboy who are all getting old enough to see the cracks in the world. I think the best material is with the kids, as it’s the most well thought out and given the most time (Will is my favorite). I wasn’t too sure of Frank at the beginning, but the last episode really got to me. I found him to be more of a loud cartoon character before then, but the culmination of his trials at work came together in a smart and beautiful end.

While this show looks like it could be for The Simpsons and King of the Hill audience, it’s not for kids. A ton of swearing (weird hearing Burr in interviews saying they were careful about F-bomb usage when it’s all over the place), some seriously dark humor and a heavy dose of sex jokes have this show pegged at the older crowd.

Fun surprise and bonus points for casting Laura Dern as Sue!

Ant-Man

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The smartest move they made was casting Paul Rudd in the lead of Ant-Man. He also had a hand in re-writing the script so his fingerprints are all over this great movie.

Ant-Man is one of the most enjoyable movies in the current Marvel stable. Rudd is a really likeable guy and he brings that charm and comedic lightness as cat burglar Scott Lang. With such a strong guy in the lead, everyone else around him has to perform well alongside him. Michael Douglas as the genius Dr. Hank Pym is a great father figure and mentor. Evangeline Lilly as his daughter Hope makes for a great driving force and teammate. The trio od Michael Pena, T.I. and David Dastmalchian are funny sidekicks. Really like Corey Stoll as the main villain Darren Cross. Many of these movies have crap antagonists that are largely forgettable, but Cross’ motivations work and he looks awesome as Yellowjacket.

I can’t think of anything to complain about. Ant-Man is really well paced and light hearted enough to be fun, but not stupid. It gets the drama and serious parts correct right when it’s necessary. A solid and smartly told origin story for both Scott and Dr. Pym. The shrinking powers make for creative and well-executed action scenes that can’t be done elsewhere (in terms of speed and momentum, closest to Spiderman’s locomotion capabilities). Each set piece gets more and more elaborate right to the finale so there’s always something to look forward to and admire (top notch special effects bring Ant-Man to life).

Really impressed with how this movie turned out. Terrific introduction to a character many don’t know, smart tie-in to The Avengers with Sam Wilson/Falcon and a satisfying ending to boot! I put this at number 2 on my Marvel cinematic list behind Captain America: Winter Soldier.