It’s hard to believe 16 months have passed since Season 2 ended, but here we are. The all-new true crime story that involves Fargo, ND brings us closer to present day. The dumb criminal rub this season:  sibling rivalry takes a twisted turn to mistaken identity murder.

The star of the show this year, playing brothers Emmit and Ray Stussy, is Ewan McGregor. One episode in and Mr. McGregor impresses (props on his make-up, very realistic). On the surface, Emmit looks to have been doing better in life. Emmit has a job that requires a suit and Ray doesn’t look too committed to his job as a parole officer. His side job of professional/amateur bridge player with his parolee girlfriend, Nikki (Mary Elizabeth Winstead), may payout, but we’ll see how that goes. I’m leaning to not so well as we see the “oops and whoops” crime occur when Roy tries to get “his” collectible stamp from his brother with the help of a not too with it parolee, Maurice (Scoot McNairy).

While Roy’s lean toward being shady are more readily apparent, it takes some time for Emmit’s problem to come to light. In Fargo, there’s always more than one guilty party. He’s taken out a loan some time ago and he’s ready to pay it back. He’s having trouble doing so and when he gets visited by super creep Varga (David Thewlis) he finds out his loan had some serious strings attached.

Our link to the law is Gloria Burgle (Carrie Coon), a single mom of a teenage son. Roy’s plan swings into her life with terrible results and now we’ll follow her to see how big this web of insanity gets.

The stage is set for another great story in the bitter cold. We’re off to an intense start with two people killed in the premiere so there’s no telling how high this year’s stack will get. David Thewlis as Varga stole the show for me and he was only in one or two scenes. In just a few minutes of dialog he’s established a character that will make your skin crawl. I’m really excited to see where this goes.

Great season!

There was a lot to love this year. Great pacing on a story arc that remained interesting and constantly moving through the 13 episodes.

The protomolecule remained the focal point as Earth and Mars power clash with the Belters stuck in between. Part political gamesmanship and sci-fi actioner, The Expanse covers a lot of aspects of mankind stretching past its home planet. There were a lot of factions at play this year so the cast this year was varied. People come in and out as necessary and once a character reaches an end they go off with purpose and meaning. The show makes a large pivot around the half way point, offering more extensive looks of off planet locals (ships and stations mostly). As the protomolecule turns into more than just glowing blue stuff, the stakes and interest are raised at each step.

I really liked the story arc of Holden and Naomi this season. Holden getting more reckless and justifying more and more extreme acts in the name of doing it for the greater good. He gets tunnel vision and Naomi reacts to it, going as far as separating from their group to make a difference in her own way when she sees people in need. The crew of the Roci aren’t nobodies flying around the galaxy. What they do and how they do it has great repercussions. That all comes together in the finale in great ways, one of the most effective season finales this year.

The cast goes a long way in making this show so great with my only outlier being Cas Anwar who plays Alex. Whether he’s playing the character like he is in the book or his own take on him I don’t know, but they let him ham it up in every scene. While he can work as the comic relief it often comes off as being phony and at worst, inappropriate to the point where it’s distracting. Near the end, he has a reaction to seeing something on a monitor that is delivered so poorly it mars the scene. While everyone is selling realism, Alex often comes off like he’s from a different show.

Otherwise, The Expanse is amazingly well made. Great cast, I think Thomas Jane as Miller is great (yes, he’s playing a clear character type like Alex, but he keeps it together much better) and the new characters of Bobbie Draper and Dr. Meng are very well done and great additions. I don’t know who does the CGI on this show but they put every dime they get on screen. Some truley impressive work for a cable show, I think it sets the standard for sci-fi visuals on TV. Miller’s opus scene is stunning and the full scale reveal of the protomolecule project is phenominal. With such quality work from the special effects, the set designers and the sound work, it makes believing what’s going on screen very easy.

Great storytelling this year. I’m looking forward to what happens next season.

The Committee on Human Rights

With Gabriel giving the signal that he’s retiring, The Center works quickly to bring him home. Elizabeth and Philip bring Paige to meet him. It’s a sort of humanizing, fill in the gaps, meet and greet of someone very close to her parents (of which there are very few). She gets a certain comfort from talking with Gabriel and he gets to finally meet the daughter he’s essentially only heard about for years. Being trained as well as he has, Gabriel deftly navigates her questions.

Mission wise, Elizabeth gets the list from the psych office with no problems. Elizabeth passes off the info and Philip asks her what was in the documents. She tells him she doesn’t really know, it was a list of names. Philip has to go to Gabriel to find out.

Philip’s mark is more or less treading water. He’s working the Lotus 1-2-3 software angle to get the info he wants from her but it’s like pushing a boulder up a cliffside. Being with her is a clear struggle for him and at the rate things are going, she’s fine with a slightly elevated friend with benefits relationship with him.

Elizabeth has been having much more success with her mark and while following him around, she gets a surprise. He’s seeing other women. It’s a strange mix of shock and jealousy that gets revealed on her face when she sees it. She’s worked to keep herself emotionally detached after the ordeal she went through with Young last season, but part of her does look hurt over what would normally be a betrayal. The other part is that she’s totally caught off guard by this move. Elizabeth thought she had this guy pegged and seeing him do something so out of character has thrown her. She’s not as good at reading people as she thought she was.

Stan and Dennis continue to work on getting informants. They get some traction with a woman, but Stan is honest with her about the type of protection they can give her and without any guarantees of safety, she isn’t going for it. Stan gets called into a meeting with his boss for a private discussion. The suits above didn’t like his stunt to get them off of Oleg and want him gone. His boss bought him some time, convincing them that Stan is essential to the recruitment work he’s doing right now. Once this job is over, Stan’s career might be as well.

This weighs on Stan heavily. Renee immediately notices that he’s bothered by something and gets to vaguely tell her what happened at work. In this scene, Renee gets into some deep conversations about what they’re watching and about things in her past. If she’s a spy, this woman did an amazing amount of training and preparation to put up an intricate false identity.

After meeting Gabriel, Paige decides to pull the trigger on Matt. She breaks up with him without giving him much of a reason. “I have a lot going on” is about the gist of it and Matt tries to stay with her. “I’m not my father” and that he’ll change anything she thinks he did wrong. It’s a rough breakup and Elizabeth is the first to help her navigate her feelings. While talking with Gabriel might have pushed her into the breakup, it looks like the general fact that she has to lie to Matt all the time was too much for her to handle. While it seems like Paige is picking up on techniques, deep down it doesn’t look like she has the fortitude for her parent’s profession.

Gabriel talks to Elizbeth and Philip for the final time, separately. Elizabeth is first and when she asks him again about why he is leaving, Gabriel admits that the weight of the work is pulling him down. Years of being in the grinder have taken their toll and he wants to stop. He never mentions Mischa.  When Philip meets him, Gabriel goes over his final mission in the United States. He’s got to get the sample of wheat that Philip and Elizabeth dug up, now arranged like a 1-800-FLOWERS purchase, to the Soviet Union. Philip, stuck feeling like he’s being lied to and kept out of the loop, can’t help but ask him some more questions. First, the list that Elizabeth stole. He receives a rather vague answer: names of a growing oppositional force back home. Then, the big one bouncing around his head, is Renee one of them? Gabriel scoffs at the idea, “You’re losing it.” He’s quick to cut off Philip’s paranoia but then steps on that by continuing with this nugget: if The Center really wanted Philip not to know, they’d keep Gabriel in the dark too. As far as Philip is concerned, Gabriel’s denial holds no meaning. Then, in another shot to the head, Gabriel leaves with a final thought. He thinks Philip was right, Paige should’ve been kept outside of their world. The main worry that Philip has had with his daughter gets validation from his father figure. Thanks for your support now, dude. Could have used it a few months ago, Paige is a freaking mess now.

Saul snuck up on me this year. It’s great to go back to New Mexico.

After Jimmy’s full scale switcheroo to get Kim back in the good graces of Mesa Verde by making his brother Chuck look senile last season, we pick up right where we left off. Chuck is pissed and tricks Jimmy into confessing with a recorder hidden in the room. His confession gets Chuck to agree to go back to work (Howard needed him back). So Jimmy blurts it out basially to make amends with his brother. He thinks admitting that he did it for Kim makes it a water under the bridge moment and tries to get things back to normal. While pulling the tin foil off of Chuck’s walls, Jimmy gets into some brotherly banter. Chuck shuts him down with a curt, “I’ll never forget what you did. You will get yours, eventually.” It’s a chilling threat that Jimmy has to know Chuck intends to follow through with. He doesn’t say anything back.

Things are going well at Jimmy and Kim’s practice. A lot of will work, working with the elderly who love taking up your time like you don’t have a room of other clients waiting for you. Jimmy is spooked by what Chuck told him and carefully navigates himself around Kim. He broke some serious laws in the name of helping Kim and the blowback for it would be immense. So she’s on eggshells too when she visits Mesa Verde and listens to a peer talk shit about Chuck’s mistake knowing what really happened. It makes her feel uncomfortable and second guess her work.

Chuck brings Howard the tape of Jimmy and Howard basically says, that’s insane but you can’t do anything with the tape legally. Being an exceptional lawyer, Chuck knew this. He brought the tape to ensure that he has Howard on his side. It’ll forever expose Jimmy to never be believed by Howard. Plus, he has a plan that has nothing to do with the law. He doesn’t say what it is and the only thing I can think of is to use it to turn Kim. At least brak them up. He knows Jimmy can live without the work, the career is kinda secondary to him. Kim is far and away the most important thing in Jimmy’s life. He must not think Kim knows but having Jimmy on tape is still serious personal leverage.

When we last left Mike, he was about to pull off an assassination when his car horn started blaring. A stick on the horn and a note on the windshield (“Don’t”) sends Mike into a panic. He’s being watch and has no idea who it is. He spends most of the episode trying to find a tracker in his car and when he does, it takes measures to turn the tables. He gets the people watching him to take a bug of his own so he can follow them and find out who and what he’s dealing with.

The moral shadiness of Jimmy continues to feed the madness and Chuck’s threat adds that family karma threat. Kim is totally going to get caught in the middle of this which is going to be hard to watch. Watching Mike work his magic, on the other hand, is nothing but a treat. Safe bet that the trail is going to lead him to Breaking Bad great, Gus Fring.

Season 6 proves to be a winner. Moving locations and bringing in a brand new plot about the time after the POTUS is voted and sworn in brought in a rgreatfresh story arc to the show that pulled in a lot of what’s going on in the real world today.

Of course, these current events are filtered through the established players of Homeland. The show operates best with a great conspiracy plot and this season had one of the best. Carrie is working in Washington as an advocate for Muslim Americans. On the defense team for a young Muslim man with some eyebrow-raising views he puts online, his case takes a crazy turn in a threat to national security kind of way. This puts Carrie onto the path of a runaway plot against the President-Elect.

The staples of the show are all woven together. Dar, Saul, Peter and Max work on different ends of the conspiracy and they all converge in really creative ways. While the cast is always solid this season’s stand out is far and away Rupert Friend as Peter Quinn. He was put through the ringer last year and his performance in Season 6 is some award winning stuff. Peter has always been one of my favorites and where he goes this year is some of his most harrowing and touching material. I wasn’t sure how they’d top Season 5 for him, but here we are (and I found it very believable).

I don’t think there was a bad episode this year. Always entertaining, often nerve-wracking, they paced it out well. Big events and big character moves from beginning to end, gotta love it. By the time the final credits roll, the fallout is massive. I hope the writers have been cooking and fine tuning worthy ideas for next year. They’ve put themselves in brand new territory to continue on from, so we’ll see. Really looking forward to Season 7.

Crossbreed

With the revelation of being wrong about the wheat, a pivot is made to salvage something from the mission. The wheat is valuable, if they can get it home then the Soviet Union won’t be reliant on buying from others.

The mission and the stress aren’t over. The center wants Philip and Elizabeth to stay on their Topeka marks. Elizabeth is also given the task of getting intel from a psychologist’s office. She does some recon and comes away from it that his security to get files won’t be difficult to get by.

The eyes on Alexei’s wife have expanded. Knowing that she’s teaching Russian to FBI agents his a huge lead so that mission has expanded to others figuring out her schedule and who she meets. Tuan will continue to work on Pasha to get more inside info from home.

This episode spent a lot of time with Philip. He’s recalling much more about his childhood. Remembering things about his father coming home from work with “things.” Clothes and boots that he’d give to his wife to clean off blood. Philip’s mother never told him what he did and the concept of the other kids bullying him “for no reason” was because of what his father did for work. Philip never had a relationship with his father and times were really tough for his family. His current position, living as a spy in America with everything he needs makes him reflect a lot on his passed. Then, when Gabriel tells them he is going back home, that he’s done, Philip is essentially losing his father figure. They’ve known and worked with Gabriel for a long time so this is a deep cut to them. With time running out to talk to Gabriel, Philip asks him about his father. He tells him he was a guard at a prison camp but didn’t know what he did specifically. There were good guards and there were cruel guards but it was work. He was just a nobody working with the other nobodies. Gabriel tries to ease him down a bit saying it was so long ago, it’s fading into the past.

So now Philip comes to see that he is more like his father than he ever imagined. Both worked for the government and did terrible things (his father likely, Philip definitely with the lab worker’s death fresh in his mind). He didn’t know his father and Henry doesn’t know him. With finding out Henry is gifted at math from his teacher, Philip doesn’t know his own son. And for the audience, who watched Gabriel send Mischa away, Philip also doesn’t know his other son, whom he has never met, came looking for him.

Elizabeth and Philip are very isolated. They do have each other (as they confide in each other more, Philip especially)  but they are certainly floating around their own heads dragging around a crushing amount of weight.

It shows up on the kids. Henry leaves the (once again) empty house and brings leftovers to eat with Stan. They have what could only be described as a father and son scene when Henry tells him about a new girl he likes (and Stan even knew about a crush he has had on a teacher). Henry is way more open to a neighbor than he is his own parents. Paige answers the door to get a sales pitch from a Mary Kay sales rep and Elizabeth shuts it down quick. She is in no mood to have a walking, talking embodiment of capitalism (which comes up when she sees Paige reading about Karl Marx) at her doorstep. Paige is put off with how her mother wasn’t “very nice” to the rep. Elizabeth  Elizabeth’s mark can feel her anxiety and in one of the season’s most humanizing and grounding scenes, he teaches her Tai Chi.

Also, Elizabeth’s mark can feel her anxiety. In one of the season’s most humanizing and grounding scenes, he teaches her Tai Chi. Philip is haunted by his father and Martha. Elizabeth has her guilt with destroying Young Hee’s family last season.

It was a pretty dreary episode as a whole. Oleg might have had the better moments depending on how you weigh his day. It made rather big moves on his work, getting to a distributor in the food corruption scene. When he and his partner squeeze him for more information, he refuses and they take him into custody. He looks down (literally) at the man in his cell. Whether his work will amount to anything is debatable, but it is progress. When he goes home he destroys the evidence the FBI dropped on him in order to turn. Oleg has firmly made his decision on the matter.

Lotus-1-2-3

The saying goes “and the plot thickens” but this week I think it’s more apt to say “the plot takes an unexpected turn.”

The thread for this episode was relationships and I’ll follow the flow starting with Stan this week.

His threat to his boss about leaving Oleg alone worked. The FBI (with Stan and his partner’s involvement) start working on generating new sources. In the Soviet Union, Oleg works with his partner and figuring out the food trade system for the grocery stores in the area. Afterwards, Oleg folds to the pressure of the threat from the FBI and goes to the meeting place where no one shows up (because of Stan, which he doesn’t know). When he goes home, he finds a matchmaking effort. Three single women invited by a family friend (I didn’t recognize the man), something probably put into motion by Oleg’s mother. Oleg is in some murky water, both in his investigation that could turn dangerous and the specter of the FBI near him, so he’s in no position or mental state to get into a relationship. He tells the guy to butt out.

Stan, on the other hand, is all in with his relationship. He’s spending a lot of time with Renee, Matt knows her, Stan’s partner has met her socially and theJennings’ have as well. Stan is feeling good. Philip finds this perfect match to be suspicious. He clues Elizabeth in, remarking that they’ve been telling The Center a lot about Stan. How he’s alone, his vulnerabilities…he thinks Renee is actually a co-worker. The thought never occurred to Elizabeth but she doesn’t deny the possibility.

On to Stan’s kid Matt, he’s getting the cold shoulder from Paige. They don’t spend much time alone anymore and she’s very distant in general. He asks her about it, wondering if she’s bored with him and wants to break up. Paige doesn’t know what to say and fumbles through the conversation.

She opens up to Philip when they’re alone at home after talking about Henry (she’s a little jealous and surprised at him, which I’ll get to next). Her inner turmoil about Matt is getting worse, if anything and it’s making her question her own self-worth and future. Matt is her first relationship and she can’t be honest with him. She has so much to hide she’s afraid of saying anything. She’s becoming afraid of intimacy and tells Philip that she wonders if she’s meant to be alone. It’s a shot to Philip’s heart to hear his daughter say that.

Now, what’s going with Henry? Well, he isn’t in trouble at school. His math teacher says he’s doing so well he wants to move him up to a more advanced class. Elizabeth and Philip are stunned. They never see him do any studying, video games seem to be his things. Turns out he’s naturally gifted, in math at least. His parents try to tone down their shock and he throws some shade at them, essentially saying he knows they’re surprised because the success didn’t come from their golden child, Paige. They don’t know what to say to the son they now realize they barely know and fumble the rest of the conversation. The Jenners’ have a daughter who feels isolated from knowing the truth about her parents and a son who feels ignored because he’s the runner up in the family. The Jenners’ household is not in order, which leads us to end this with Mr. and Mrs.

Philip’s mission in Topeka is torture. The woman has the personality of a chalkboard. He manages to get close to her in an attempt to get information from her. He looks like he’s trying to crawl out of his own skin while they’re having sex and it leads to….being shown Lotus 1-2-3.

Elizabeth finds out Alexei’s wife is applying for a job as a Russian language instructor where her husband works. That leads to Tuan finding out (through Pasha) that she got the job. It’s a major opening for them as it’s now possible for them to get a list of all the potential agents that could be sent to the Soviet Union.

That’s the extent of the good news. Elizabeth isn’t keen on her similar Topeka relationship mission, but the man is actually a functioning human being. She hams it up, they have what you could call real dates and she distances her mind when they have sex, going through the motions to keep up the front. Then she finds out what he does at work.

The Center had it all wrong about the bugs in the wheat and in the lab. They aren’t trying to start a famine by messing with the food. The company is working on a new breed of wheat to sell to impoverished nations. The bugs were to test and see if they had made a wheat that the bugs don’t like. It’s to eliminate world hunger, not push it further along.

That means they killed that lab technician for nothing. He was more than an innocent man, he was part of trying to make the world better. Philip is beside himself. He’s been struggling for months with their missions and this just rips at Philip’s soul even more. He’s done more evil with no justification. Elizabeth says they’ll be more careful and that maybe he should take a backseat in some of their missions from here on out. He thinks that’s nonsense, whatever she does he’s involved with. There is no separation. I’m not sure if Philip can feel any lower. This has major implications for him and the pushback he’s going to give Gabriel has got to be the beginning of the end for him. Philip is going to object to everything The Center says and Gabriel isn’t going to be able to temper him anymore.

Finally, Misha calls the spy hotline to meet with Philip. The communication gets to Gabriel and Claudia for consideration. Claudia says absolutely not. Before knowing about what happened with the wheat, she thinks Philip is far too sensitive to meet the son he never met and just recently found out existed. Gabriel pushes back, but Claudia’s logic wins out. Gabriel meets with Misha instead of Philip and tells him it isn’t safe to meet his father. Not now and not here.  Maybe in the future, back at home. Misha is crushed.

Not sure what’s going to happen with Misha now but the plates are spinning like crazy and we’re only 5 episodes in. The fallout from the wheat mission is going to be a game changer and what’s going to happen when/if they find out The Center sent Renee to Stan? Till next week…

The Waiting Dead. That might be a better name for the show now. For every good moment we get, the time that goes by to get it seems to get longer and longer. Build ups are consistently drawn out, often times by repeating the same motifs as validation for character behavior. But that gets tiresome and worst of all boring.

I think the biggest problem for the show is pacing. That and the cast is too big. For every character that the audience likes and is engaged with, there’s probably three that could disappear and no one would care. Which can be seen every time the story switches to characters, for an entire episode, that everyone forgot even existed.

The show has always been at its worst when they split the group up too much. This season had Alexandria, The Hilltop, The Kingdom, those two episodes at the beach location, the junkyard gang, and The Saviors HQ. The survivors were spread in various amounts at those locations all year long. Entire episodes were devoted to characters that we don’t care about in favor of others that we do. This also lead to new major characters, like Ezekiel, being ignored and end up as footnotes.

Now for the repetition. How many times do we need to know that Ezekiel doesn’t want to go to war? That he wants to maintain the arrangement with The Saviors? How many times do we need to be shown that Negan is dangerous? How many monologues does he need to do before anyone tells him to shut the hell up and kill me already because you running your mouth like it’s Def Poetry Jam is torture? And the neutering of Carol and Morgan can never happen again. This is I think the second time it’s happened. Combine it with how she started and it’s the third time she’s been a reclusive basketcase. People love Carol, she’s been part of the biggest and best moments of the show. Having to watch her mope around and not be an active badass is unacceptable.

Half of the season felt like it was spinning its wheels. Movement came in small bursts. That may be exacerbated by how long it takes a season to air due to the long break in the middle. That’s gone as now it’s all available but the problem with overall pace and tone is still there. That started with the premiere. With such an intense season beginning, it’s near impossible to match such a plateau.

Now, it’s not all bad. Eugene’s path was really interesting to watch and it fit his character. The major death was smartly done and is one of the strongest moments of the season. A legit way to go, I’m sure the entire cast hopes they go out on such terms.

The confrontation that had been built up all season long was…good. I wish I could praise it more but it was pretty weak in terms of TWD battles. Too predictable for one thing. Poorly shot too. It’s just a ton of people shooting off screen with no sense of location or direction. Characters just pop up on screen at random. There’s no anchor in the geography so it feels fake and cheap like a carnival air rifle shooting range (it does seem like they ran out of money. Or Shiva took most of the budget for 12 seconds of screen time). It’s impossible to figure out what’s going on or who is in actual danger. Michonne had the only tangible struggle.

So next season. The main threat is still going to be the main threat (which is what I thought they’d do) and they finished with a clear message of hope and positivity for the future. Something they were scared into doing after the reaction to the reaction the season 6 finale got. I think that after all of this they have a good launching point for next year but the dead weight on the cast tree needs some trimming that can’t wait to be done much longer.

XXXVIII

Jack makes it to Skeleton Island so all of our captains are back together. Jack gets there just in time as Rogers was moving in for the kill on the beach. A new pirate ship rolling up on Rogers is enough for him to pull back and reorganize the next fight at sea.

Jack was given the task to kill Flint to obtain Nassau and he’s face to face with Flint easier than he could have imagined. Seeing how the pirates were rocked and not knowing where the cash was buried, Jack repositions himself as an ally. He goes along with what Silver and Flint (mostly Flint) want to do after he explains that he went for help in Philadelphia and didn’t get it (he leaves out working with Grandma Guthrie). Flint and Silver know to keep an eye on Jack but he’s really the least of their problems. The mission is still on to rescue Madi from Rogers and then go get the buried treasure. Silver is still incensed about Flint stealing the cash. Flint sticks to his guns. He’s convinced he’s right, everything will work out and their friendship will be whole at the end of it.

Bones is in a deep, dark place. He’s a traitor and knows there is no way back for him. He goes as far as thinking of killing Madi for Silver to find but pulls back from the brink when Madi tells him that her death will do nothing for him. If anything, it will reinforce the bond between Silver and Flint.

Battle on the high seas! The confrontation the season has been building to comes with cannon balls flying, single shot bullets cracking and swords clashing. The final action scene of the series turned out great and as exciting as ever. A phenomenal set piece with some amazing looking shots and the highlight of Bones taking on Flint with no interruptions.

I’m not going to go into the details of how the show ends. There’s a lot to it, it’s very complex and needs to be seen so you can get the intricacies beat by beat. I can’t do it the proper justice here, I don’t even know where to start with Silver and Flint’s conversation on Skelton Island. It all comes together, all threads addressed as they gave an ample amount of time to conclude everyone’s story. The complex friendship of Silver and Flint is the predominant one. Once full partners, then at odds, then forced together when Rogers got the upper hand.

Flint was a problem to a lot of people. A leader from beginning to end, he never took to hearing “no” very often and always maneuvered to get his way. Silver saw this and traced it back to its origin. If anyone wanted to get off the ride when Flint still had use for them, he never let them go. As often as Flint was right, the toll was often tremendous. With the battle for Nassau (and the pirate’s life really) pulled away from Flint’s tunnel vision what could make him stop? To find peace that wasn’t death? When Silver got a lead to that end, he pursued it in the hope it would free them all.

I love Black Sails, I really do. Evey season is terrific and I’m so happy with how they ended it. There is so much to like because everyone who lived past Skeleton Island gets an ending. You get to see what they managed to get out of the ordeal and a good idea of what they do afterward. So well written, I am in absolute admiration on how Silver has been constructed over the years to get to where he is at the end. Luke Arnold is a fantastic actor. Actually, everyone on the show is. I hope they all get massive career boosts from their work here. Very few TV shows get such complete and special runs. It’s a joy when they do. Black Sails stands tall as an example of what can be done with the medium.

Grimm has always been a fun show. Hunting fairytale like monsters in this invented mythos made for a unique cop procedural show. I started watching it a few episodes into the first season (so I actually have yet to see the very start of how Nick got into the Grimm game) and was hooked right away. In fives seasons, it was mostly all good. They hit some rough patches with Nick’s girlfriend, Julia, when they had to figure out how to make her more than just the love interest for him. They led to some dragged out story arcs but they managed to pull out of it twice and gave her a more tolerable life (when it got bad, she was a real drag on the show). Season 5 had great movement and they knew season 6 would be the last so they left the right hooks in to end the show. They answered a few of the series’ longest questions and just needed to get to the landing.

With the show ending last night, I liked season 6 a lot. 13 instead of 22 episode made it tight and to the point, there was no time to mess around. They still had room to make new creatures (they came up with some good ones) and kept all of our favorite cast members engaged: Hank, Monroe, Rosalee, Adalind, Sean, Wu, Eve. Truble kept coming and going which I wasn’t a fan of.

The end of episode 12, the stakes were raised to crazy heights. Wu and Hank were killed by Zerstorer. Then the last episode and it just goes off the rails. All the set up, all the hard work and they couldn’t get to the end they wanted without leaning on the deus ex machina button.

In the finale, the body count hits the roof. Everyone is taken from Nick and it’s down to him and fellow Grimm (and distant relative), Truble in the final battle with evil. He’s devastated and wants to give up. Truble, suddenly the only Grimm with a brain in her head, says hell no. She fights him to keep mankind from being obliterated. He beats her and then suddenly, on his way to screw everyone over, his dead mother and aunt come out of nowhere. They flat out tell him some missing parts of being a Grimm, give him two sentences worth of advice and that changes his mind. They stick around to fight with Nick and Truble to win (Truble never sees Mom and Aunt, another ponderous decision). Then through some equally out of nowhere plot device, a portal appears and Nick is pulled in with the magic staff. He lands at the moment in time where he and Eve brought Zerstorer through into our dimension. Everything is reset. Zerstorer is gone but the staff came through with Nick and he’s the only one who has experienced the last two days. I’m all for a happy ending but this was a shocking implosion on the writing front. I can only imagine they had a week to write it, this whole episode is a convoluted series of events. There’s reasoning I must be missing because I’m befuddled at how this happened.

It’s just a mess and it started awhile ago with Diana. They never figured out to make her more than a creepy kid. And when they did, it was just to make her a lazy and convenient deus ex machina. Constantly they’d give what amounted to an otherwise clueless child, lines to explain things out of nowhere. “What happened?” “Oh, allow me to pull this needed information out of thin air.”

Half the team worked on a solution from the tomes of books (normal for the show) and the last ditch spell ended up doing nothing. So if you go have dead relatives show up, why not spend that time finding a seance for Nick to do? That way there’s a plausible (using the lore and fiction of the show) way for him to talk to the spirits? For most of the finale, he didn’t do anything but travel to a different location to get slapped around so that would have been time better spent. Then he wouldn’t have come into the last fight like a punk. Have Truble with him that entire way, it would have been great (and you could keep the potion they made as a last ditch effort that could have ended up helping. Everyone would have contributed).

All this time building up the staff of Moses and they didn’t explain or rationalize the ending. Ok great, it’s a magic staff, it can do wild stuff so you can work with that. But Zestorer dissolves and a time traveling portal opens out of nowhere? Nick had no clue what was happening. He just didn’t want to let go of the staff because he wanted to bring everyone back to life. Going through was an accident. Why didn’t they make him more of a leader and hero instead of Eeyore for the last episode?

1) Make that last fight more significant (most likely a time and money issue) as it lasted all of 15 seconds. This one is a problem with a lot of shows (Legion). 2) Since the staff is so powerful, make it speak to Nick somehow. Something to give Nick direction and purpose. Voice over on the cheap, ancient Grimm ghost if there’s a budget for it. Have the power of this object, something Grimm’s had a hand in, empower him. His blood means a lot right? Use this power for good (which fits considering he keeps it in the epilogue).

I’d be way happier (and it makes more sense) with Nick and Truble physically going around to restore everyone instead of some goofy time travel nonsense. If you want to bring it to a happy storybook end and ditch the bold and meaningful events of killing characters, at least make sensible and satisfying decisions to get there.

With how well thought out the show is, the finale surprised me for all the wrong reasons. They could use pretty much all of their main beats if they just thought it through better. While I’m bummed at what they did for the end it doesn’t ruin the show for me.  I think it’s totally a show worth exploring and the epilogue offers the potential of a future. Given some time, I’d tag along on new quests with Kelly and Diana with old characters still around.