Media Lull Round UP

It’s been awhile! For everything! We’re in the thick of the holidays so there’s a lot of slowdown. Great time to catch up on movies with TV on haitus but that ends next week.

It’s been some time since I’ve watched a movie I really liked. I’ve watched 3 this week and I’ll be doing quick hits of those this weekend. I plan on getting out to see Aquaman in January, which I’m looking forward to.

Netflix keeps putting out shows I like so a lot of my free time has been put there. Let’s go over some stuff.

Ink Master finished another season and this year was themed to a Grudge match. Cleen and Christian coached teams and overall it was a fun watch. The final 4 were tremendous talents but good lord do I hate the finales of this show. So much back-biting and trash talking makes it such a drag. I jump ahead to see the final pieces and the results.

On SYFY I completely missed Nightflyers and the new season of Channel Zero. I’m halfway through Nightflyers (if you can use the SYFY app on a media device instead of their website. The video player on the site is not good). I like but do not love Nightflyer. It looks gorgeous, the cast is great but there’s something about it that doesn’t make me seek it out like other similar-ish shows like The Expanse. I don’t like most of the characters, I think that’s why. I’m hoping it all comes together. When I finish, I move on to Channel Zero. I think Happy! starts soon and the ads for Deadly Class are interesting so that’s two more for SYFY.

The final season of Gotham starts on the 4th!

I was fortunate enough for DC to gift me a year subscription to their new DC Universe service. That gave me access to the first season of Titans which I have been looking forward to. First and foremost, it isn’t Teen Titans which the fan base knows and loves the best. The tone of this show is much different and the only thing they really have in common (so far) are the main characters of Robin, Raven, Beast Boy, and Starfire. I think you need to drop the expectations for a live-action Teen show coming into this, that’s how much different they are (Titans is a very dark, adult take on the property). It’s a little slow to get going but overall I like it. Cliff hanger ending, but I think the casting is right on and they sell the story well. Robin is pretty fresh from leaving Batman behind due to (mostly) ethical reasons. Beast Boy has been living an isolated life so finding this group of misfits is the start of something great for him, even if it is dangerous and challenging. Raven’s powers are just starting so she has no idea what’s going on and that’s the main arc of the season. Starfire is the most different. We meet her “on the job” but she doesn’t know what that job is. She can’t remember what she’s here for only that she’s looking for Raven. Dressed as a prostitute, it means she’s been in some shady places trying to put things together. She’s comfortable on Earth, having no idea she’s not from here. Her childish and goofy charm isn’t part of this take which I don’t mind. I think her fish out of water mistakes/comments would have gotten old fast. It’s a short season so it moves at a good clip and teases a lot of DC tie-ins which I like so I’m invested in what happens. This is just the start of their original programming and there’s a great promise. Doom Patrol is next, the return of Young Justice should be fantastic (it never should have been canceled, it’s easily one of the best animated DC shows) and Swamp Thing is filming now. There’s more coming down the pipe but those shows are a ways off.

Now for Netflix. Voltron is finished and I liked it a lot. They put a lot of work into wrapping everything up and I think they did an admirable job. The timing of seasons coming out felt random so there is disjointed feeling I got from watching each chunk. There’s a lot I didn’t remember right away (I never went back to rewatch) but this show really scratches that sci-fi itch. Great characters, great animation, and some terrific sound design make it the total package. The ending had some serious weight to it, glad I watched it.

3Below: Tales of Arcadia. The spin-off series from Troll Hunters. I forgot all about this so when it popped up about a week ago, I dove right in. The tie-in to TH turned out great. Fun and inventive way to spin out this universe into another one about an alien prince and princess. It maintained the quality of animation and I really like Aja, Krel, and Varvatos Vex. The fish out of water stuff was often really funny, the writing on this show is really good. My only problem was with their pet, Luug. Why does this alien animal sound exactly like a dog? Sure you have to suspend your disbelief to make a lot of this show work (everyone speaks English, for example) but this doesn’t match the creativity put into the rest of the show.

I’ve been away from anime for a long time so I was happy to see a new batch of Seven Deadly Sins episodes. This show is basically a version of Dragon Ball Z but with way better pacing. All the problems are unsurprisingly still there though. Some really horrific dialog, which I think is mostly from directly translating Japanese to English so the syntax is all wrong. Another annoyance is when something happens on screen (like a monster getting cut with a sword) and a character will say exactly what happened. Nothing that ads context or background, but a literal replay in dialog form (“The sword cut the monster, it must be a sharp blade”). It’s the weirdest waste of time. The other problem is this show can get really uncomfortable to watch. The main character, Meliodas, gropes Elizabeth’s chest, looks up her skirt, and she does not like it. He basically ambushes her randomly and she recoils in horror every time. Saying it’s perverted is an understatement and it ruins every moment. Crazy costumes that exploit female bodies is a long staple of this genre but this stuff is mind-bogglingly stupid. I don’t know why they still do stuff like this. It serves no good purpose and is such a slam-on-the-breaks blight to an otherwise good show.

I can’t remember if I wrote about the second season of Castlevania, but I’ll say it’s totally worth watching. Some of the action is killer and the final fight is especially fantastic. The best choreography I’ve seen since the end of Teenage Mutant Ninja Turtles last year (the CG one).

I just started Sirus the Jaeger which has something to do with vampire hunters so I’m hoping it’ll be cool. I’m dying for some good anime, it’s been so long since I’ve seen a good one worth recommending.

I went through the entire The Great British Baking Show collection (except for Masterclass) in like 3 months and if you need something to kick back to, this is it. You can have it on the background while you do stuff and it’s just as enjoyable. One of my favorite competition shows, there’s a lot of jolly vibes in every episode.

I just started Sick Note which stars Rupert Grint and Nick Frost. I saw Rupert on the thumbnail and had to give it a try. Rupert plays Dennis, a 20 something shlub who is lazy and takes everything good in his life for granted. On his worst day ever. his girlfriend kicks him out, his job is threatened, and to top it off, he’s diagnosed with cancer. The hook is, due to stupid Dr. Glennis (Frost), Dennis is given the wrong info, he doesn’t have cancer. Dennis notices a rather nice upswing in his life when he told everyone he had cancer and instead of telling the truth, he doubles down to milk it for a few months and everything spirals from there. I’m on episode 2 (of 12, don’t know if there is more) and it’s great. It’s obviously a dark comedy and man, by the end of episode 1 they go to places I didn’t even think of.

When I’m done with Sick Note I’ll stay on that side of the pond with Derry Girls. That or the final season of A Series of Unfortunate Events. That drops on January 1st so I’m not sure which will pull me in first.

Three Piece Action Movie Combo

Pacific Rim: Uprising– I’m a fan of the first movie that came out in 2013. Guillermo del Toro making a sci-fi giant robots fighting giant monsters action movie was basically made for me. While it had its faults with a simple plot, I think it did what it wanted to. It set up a new universe and showed audiences giant robots fighting giant monsters in spectacular fashion. The sequel starts 10 years later with the human race largely recovered from the alien beings invading through the dimensional rift that opened in the Pacific Rim. Wealthy countries rebounded much faster than other locations, but as far as everyone is concerned, the war was won. The aliens had an ace up their sleeve though and as time has passed, they have quietly been setting up the next invasion. A young generation of Yaeger pilots is introduced, including Jake, the son of Stacker Pentecost, one of the heroes from the original. As a whole, I liked this new one has it showed me more of what I liked. That’s a basic need for any sequel. Many more robot and monster types and more action (that’s set during the day with no rain!) that show off how mankind has pulled together to defend the planet. But it also doesn’t do anything new or daring. There’s very little lore added to the universe (I don’t think they even mention what happened to Charlie Hunnam’s Raleigh Becket) and the movie boils down to the exact same arc of the first movie: the best defense is with teamwork. Now the set up for a sequel looks to do more, but it’s disappointing that more wasn’t done with this story. Meet the new team, show them training, the threat grows, the threat comes out, the final fight, credits. While I did enjoy it, Uprising is a rote adventure that hangs its hat on giants for its action scenes in an attempt to stand out.

Hotel Artemis– A really neat premise of a movie with a stacked cast. In the not too distant future, Los Angeles is in a state of chaos over fresh water. In the city is the Hotel Artemis, a secret hospital for criminals that is run by The Nurse. She’s been running this members-only facility for around twenty years and she’s pushed to her limit when a volatile mix of clients come knocking. There are strict rules set up for the Artemis to function and things fall apart when those rules are broken. If you’ve seen John Wick, this idea may sound rather familiar. I think it’s safe to say the idea for Hotel Artemis was taken from the assassin hideout in the Wick series. While the general idea of the facility is similar, the story is quite different. The Nurse is the main character and as the movie progresses we learn more about her and the hotel. I liked this a whole lot as I was always surprised at how many story layers there are (something that Pacific Rim: Uprising is sorely lacking) and was happy to see each layer get pulled back. I’m a fan of assassin movies and Artemis gave me my fill. Fun characters that are put into a pressure cooker, each with their own motives and histories. Some have met, others have not. Check out this cast list: Jodie Foster, Dave Bautista, Sterling K. Brown, Jeff Goldblum, Charlie Day (I don’t know what the odds are of watching two movies that Charlie is in back to back unintentionally), Zachary Quinto, and Sofia Boutella. It looks cool, it’s acted slick and the action was surprisingly on point. I give the action set piece gold star to Sofia Boutella’s hallway gauntlet. A lovely mix of vicious and sexy. I even liked the ending so I’m happy to report that the Hotel Artemis was a pleasant surprise.

Tomb Raider (2018)- I wanted to like this. The one sentence review is this was a disappointment. It’s not a bad movie, it just sits somewhere in the middle with nothing there to elevate it to greatness. The plot follows closely to the recent game reboot: a young Lara Croft, with no adventures under her belt, follows a path left behind from her father’s disappearance and assumed death to a remote island that hides a legendary power. So we have some globe-trotting, a bunch of chase sequences, gun and fist fights, and a little bit of bow and arrow work from Lara. It’s all well made too. Well shot, special effects are good, editing and acting are fine. It all falls flat though, there’s just no meat to bite into. I think Alicia Vikander does a fine job as Lara but with so many action movies coming out every year, you need to do something to stand out from the rest. I don’t think Tomb Raider does. I can compare it to Mission Impossible: Fallout. While that movie leans heavily on what’s come before, the whole “we’ve been abandoned by the government, again!” angle, the action on display is mindboggling exciting and unique. Tomb Raider just doesn’t reach the bar set by its peers. If you skip this, you aren’t missing out on anything.

The NHL: 1st Quarter Report

We have just past the 20 game mark of the season and I am happy to say that watching the NY Rangers isn’t a form of torture anymore. The first 10 games were a horror show and we’re now in the middle of a win streak that no one thought was possible (8-1-1 if I’m remembering right).

Going from 3-7-1 to 11-8-2 for 24 points has jumped the Rangers into second place in the Eastern Conference, which is nuts. 1 point ahead of the Stanley Cup Champions, the Washington Capitals (first game against them is this Saturday). Other important numbers: 14th in the league, Nashville is 1st with 31 points. In last place, Los Angeles can be found with 15 points. Most of the league is bunched in the middle with 21-25 points.

Coach Quinn is amazing. I think that’s the best summary. After the team was playing like they were in high school, he cracked the whip to make the professional athletes remember that they are professional athletes. He’s the opposite of Alain Vigneault. He knows how to use younger players (and actually talk to them) and if you aren’t pulling your weight, you get benched to think about what you are doing. Vigneault let the veterans get away with murder and it stifled the team.

The rookies are starting to get comfortable and it’s a blast to see it happen. Jimmy Vesey is always getting work done. Neil Pionk is having a blast. Philip Chytil has broken the seal and scored once in each of the last 4 games. Brett Howden is getting better and better. The team is still in flux though. Zuccarello and Buchnevich (who was on a roll) are hurt. Skjei and Smith swing from good to garbage seemingly by the minute. It looks like Namestnikov has finally woken up and Shattenkirk is doing a fine job on defense (it’s clear why he was picked up last season and after his terrible injury it’s great to see him play). Lias Andersson hasn’t scored yet and is looking to get the breakthrough that Chytil just struck. Ryan Spooner was traded for Ryan Strome from Ottawa so we’ll see how that works out. Vinni Lettieri was sent back to Hartford to cook some more. Jesper Fast has no show stopper moments. In fact, he’s oddly cold with only 1 goal and 6 assists so far.

The internet scuttlebutt has raised this question from this new success streak: Where are we in the rebuilding process? This usually takes years and it’s awful in the beginning. Hayes and Kreider are playing very well (Hayes, at 25 is starting to hit his stride) and they will have targets on their back for other teams to trade for him. Hayes especially as he’s young and his contract ends this year. If they end up doing well, they get no more early draft selections for next year and that’ll affect the rebuild.

These two guys are what I’d consider the old guards of the Rangers. They are the players the rookies can follow as mentors in their new NHL careers. You need a core to build a team around, but will management jettison them (for something worthwhile instead of letting them go for nothing) in favor of looking for the future (which hasn’t been done in years, instead paying out the nose for quick “fixes”), or re-sign them to use as the team core to build around? Skjei was signed to a big contract and he’s not living up to expectations but I find it hard to believe they’ll give up on him.

If they can maintain this kind of success it’d be nuts to break up the team. But I have no idea if it’s possible. It’s so early in the season and a big factor when we get closer to the playoffs is how healthy the team is. Henrik is playing incredibly well but is he going to get burned out playing as much as he has? Georgiev has played a handful of games so far. He isn’t going to get better by sitting it out all the time and leaning on Henrik like he’s still 26 years old is dangerous.

This could break in any direction has each week passes. They could collapse again or they could make the playoffs. A cup run would be something for the history books. Or they skid somewhere to the middle of the league and another round of drastic trades are made come February.

Regardless of what happens, I’ll be watching it unfold.

The Darkest Winter Update 13

Don’t give up. Books have a million lives. It doesn’t matter if no one has read it yet and it has been out a while. It’s always new to the reader encountering it for the first time. And be patient. Success doesn’t happen overnight. Expecting it to will only lead to disappointment.                  –David Gaughran

This is good advice for me to keep in mind as I look at my sales report for November. My marketing reach since launch has gotten to everyone in my immediate circle. Breaking out of that circle is incredibly difficult. My slow sales show that and I’ve learned some things in the past month that I’m going to share now.

The Darkest Winter is published through Amazon. Since the start, I never considered selling the paperback through anyone but Amazon. With their Extended Distribution channel, I thought I’d be covered well enough for any bookstores, libraries, schools to buy the book if they wanted it (and that would be a serious marketing win if I got sales through this channel. I haven’t but knowing that the book is so widely available has been reassuring). For the ebook edition, I planned on keeping it exclusive to Kindle for 3-6 months. That 3 months is getting very close and that brings me to the point of this post.

Amazon’s Extended Distribution is garbage. There is no way to tell if a book has sold through that channel until after it has shipped. Amazon’s printers may not be the one who prints the book for this channel so there is no telling what the quality is. It’s possible that your book won’t be available to the distributors in this channel (like Baker and Taylor) for some unknown glitch that Amazon is “working on.”  It’s basically impossible to find out what’s going on with this channel it’s so buried and shady. The royalties are garbage, almost to the point where it isn’t worth selling it.

I found all of this out because last month I organized a deal with the North Haledon Library for their book club. I huge sale for me and the order was placed through Baker and Taylor on Oct. 16th. Three weeks later, nothing had happened. I could not find out why. So I organized to get the book directly from Amazon using my Author Discount. So the books are coming to me next week, I’ll hand them off to the library and I’ll actually make some money in the process. It’s mindboggling stupid how this has worked.

You know what else is crazy? When you dig around the help pages on CreateSpace, there is a line that says this….I’m paraphrasing but this is the message:

ProTip: Don’t use our Extended Distribution feature. Use another company, they are way better at it.

So I’ve deselected that one in my account because it doesn’t do anything. This has led me to do research on other companies and I’m on the fence about getting the paperback available wider. A decent amount of re-setup is necessary and I’m not sure if it’s worth it. For example, if I wanted to get the book onto Barnes and Noble shelves I gotta get an appropriate price barcode and another ISBN barcode on there, and submit all sorts of stuff to B&N and wait 3 months for a yes or no.

Since I know I’m going to expand the reach of the ebook, that’s more in the forefront for me. Get it on Kobo, iBook, Nook, Google Play, etc. That’s going to happen I just need to decide when. Amazon Select (a minimum 90-day commitment) gets the ebook into their Kindle Unlimited and borrowing program which nets money on page reads. I had over 3.000 in September and about 1,000 in October and much less this month so I’m not sure if it’s worth keeping TDW exclusive for another 90 days. The royalties for this service are super weird as it’s based on the month’s allowance (I think September was around $22 million) that is divided up by all page reads. I haven’t seen any royalties from that yet.

So, come January or March, the ebook will be available basically everywhere.

So while this has been frustrating, I’m really close to 100 books sold. That’s awesome, to say the least. 9 fantastic reviews are on Amazon right now and I’d love more. I’m going to think local for now I think. With the success of the NH library sale, I’m going to check around for other book clubs. Plus I’m going to speak to the group at NH so that’ll be fun and a great way to get the word out further. I think this could be the path to greater success.

I gotta get the gears spinning on this and we’ll see what happens.

Speaking Out Loud

Last Thursday I did my first public speaking gig at the Hasbrouck Heights Library for my book, The Darkest Winter. There were around 20 people in attendance and I’m happy with how it went.

To my surprise, I wasn’t nervous going into it, or at the event. I attribute a lot of that to my writer’s group, where I’ve essentially been speaking to a group of people almost every week for the past 4 years. I’ve become much more confident in speaking with people in a group setting and because we talk in depth about topics, I’m also better at organizing my thoughts and preparing what I want to say. It also helped that I know this content inside and out so my confidence in what I was speaking about couldn’t have been higher.

I was the 6th presenter and while my intro was a bit sloppy (I forgot some of the smooth lines I wanted to say so things came out a bit disjointed) I think I did really well with the segment I read. I chose Chapter 22 which is my favorite section of the book. It’s one of the shortest chapters with a lof of suspense and there is a lot of dialog which made it easier to read aloud. I also think it’s one of the strongest examples of the quality of my writing so as a preview to get people interested, it checks all the boxes. It felt engaging, I got a lot of compliments, and I met some great people. I’d call it a success.

I’m most surprised at how much I enjoyed it. It was more of a community talent showcase than a focused meeting for author engagement so I didn’t get to speak as much about the book and the writing process as I would have liked to but I think it was a great initial step to do more speaking events in the future. So far it’s one of the best elements of being an author I’ve experienced so far. I wonder if it made me feel so good because it fed into my narcissistic side since it was all about me and my work, but maybe it’s not so bad to get your ego some attention once in a while.

The Horror! Part 4

A trip down Stephen King Lane!

1922– This story reminded me a lot of the kind of pieces that Edgar Allan Poe wrote. Wilfred James is a farmer struggling to make ends meet in 1922. When he gets the idea that the best fix for their problems is to kill his wife for financial gain, he convinces his son to help. Like any good story with a moral center, this action by Wilfred has consequences he never could have foreseen. It’s a slow ratchet up the hill of insanity for Wilfred. A plan that seems like the best and only way out for him and his son to prosper, one he plans out as best he can, completely ruins his family. The damage radiates for from his home as well. A very telling line early on is one where Wilfred narrates ” I discovered something that night that most people never have to learn. Murder is sin. Murder is damnation. But murder is also work.” I liked this a lot for the road it traveled. How Wilfred, who did everything to hold on to his pitiful pride, lead himself to bring hell on Earth. What he held dearest, his land and his son, not only continued to drift away but also rotted from the inside out because of him.  I wasn’t sure what to expect going into this but came away with an appreciation for another Stephen King concoction.

Gerald’s Game– This tale takes place almost entirely in one location. I’d consider this a “bottle” episode where the razor-sharp focus is on one character and their journey of self-discovery. Here, the character study is on Jessie. She and her husband Gerald go away for a weekend. The spark in their marriage has been on life support for some time and the idea for them to be alone and explore new things with each other on a lovers retreat seems like a good one. It goes wrong quickly and Jessie finds herself alone and trapped in the house. Once she’s alone I wasn’t sure where the story would go but I liked where it went. A deep dive into Jessie’s past makes her confront her long locked away secrets and find a possible path to save herself. I saw Jessie a certain way at the start and found her to be completely different at the end, something I always look for and appreciate when it’s done well. Things get weird, in typical Stephen King fashion as he explores childhood trauma and emotional shackles that can weigh anyone down, even if they aren’t conscious of it. Mix in flashbacks, hallucinations. a few boogymen, a dash of ‘oh nooooo’ gore, and you have a Game you won’t soon forget.  Another one I was pleasantly surprised with.

The Horror! Part 3

Little Evil– With running so much horror back to back I felt it would be a good to shift into a horror comedy title to cleans the pallet. And Little Evil was a disappointment. A goofy take of Omen and various other That Kid Ain’t Right movies, Little Evil follows new step-dad, Gary, try to bond with his step-son, Lucas. His time dating (and marrying) Samantha was a whirlwind so they haven’t spent too much time together. Lucas is a quiet kid and when the disturbing events around Lucas start stacking up it’s clear there is some deviltry at work. As a horror movie and as a comedy, both halves barely show up. I was surprised at how safe this movie played everything. Anything scary comes down to lighting in the scene, not the action. Lucas does one thing really messed up, but even that was pretty tame all things considered. There’s no real suspense, surprises, and a body count so low it barely registers. it often felt like nothing much was happening. The comedy is a few chuckles here and there and most of that comes from Bridget Everett. If you are a big fan of Adam Scott, this might be worth watching if you want to see him play his role in Parks and Rec again, but in a different setting. I like Evangeline Lilly too but nothing the actors do make me want to recommend this.

The Witch– Here we find the classic tentpoles of horror: isolation, paranoia, and possession. It’s the 1630s and a family recently immigrated from England has made their home at the edge of a forest. The move isn’t going well. The planted crop has mostly failed so any sustenance and income is essentially non-existent. With that stress weighing on the father, the youngest child, Samuel disappears under the watch of the eldest daughter, Thomasin. This puts the mother into hysterics and the rumors of a witch living in the woods start to take over. As the family tries to continue on, signs of evil encrouch futher into the home and everyone starts to turn on Thomasin, thinking the abductions are her fault. They lean on their faith as the decent into madness continues. Of all the movies I’ve watched this season, this is my favorite. I think isolation and paranoia are the most effect avenues to make real horror and The Witch does a lot to keep the questions popping up and the dread moving in. There’s a little bit of gore so the squeemish need not worry. Everything flows through Thomasin (huge props also go to Harvey Scrimshaw who plays Caleb, this kid can act) and I was with her for the whole trip. Religion is a big part of this story as the families faith makes their interactions drastically change as each event unfolds (there’s a whole lotta blame being flung about). I am on the fence about the ending. I can see why it was done but I’m not sure how effective it is. Less is more might have been the way to go.

The Haunting of Hill House

I watched The Haunting of Hill House as part of my The Horror! Halloween updates, but as this is a show with 10 episodes it’s a much bigger story and commitment compared to a movie. Plus, I liked it a lot so I can write more about it.

The Crains, lead by mom and dad Olivia and Hugh, move their family into Hill House in 1992. Their five children, 2 boys, 3 girls aged 7-13 or so, come along as their parents are on the final leg of their “forever home” mission. Once they fix up and flip Hill House, they’ll have the money to build their dream home. The problem is, Hill House is super haunted.

The story of the Crain family is told in the past and the present. You never get the tale in a linear fashion, it jumps back and forth from 1992 and 2018 as the Crains are drawn back to the house, remembering chunks of the horrors they went through when they moved into the house.

The kids notice something is off about the house almost right away. It’s very simple and subtle stuff like one of the kids mentioning that the house is cold (they move into the house during the early summer months with plans to move out sometime in August). The weirdness grows from there like a red door that no one can open on the top floor and strange noises. Then the ghosts start appearing to the kids and Olivia becomes more and more affected as time goes by.

The whole series is largely devoid of violence and gore. The ghosts are the most gruesome things on display (very corpse-like) along with some disturbing images (like missing eyes) when the main characters have nightmares/hallucinations. The show leans on the creepy and disturbing for its scares. While there quite a few startle scares, violence and gore are never used as a showcase/scare tactic. It’s a decision that often works very well (I think jump scares with orchestra hits are a super cheap tactic but I think what you get here is pretty reserved in this regard). The show is a slow burn so the haunting is very subtle until the end of episode 3. From there, it escalates faster with each episode.  What happened on the last night in Hill House is largely unknown to the kids and that secret is held by Hugh. One that the House forces out of him.

The shifts in time worked way better than I thought it would. The strange events that happen early on in 1992 are often re-visited later. For example, what one thinks at one point is simply the ghosts messing about is actually much more than that. The house does things for specific reasons, things are connected way more than you think, and that realization is one of the greatest parts of the show. Episode 5, “The Bent-Neck Lady” is my favorite for this reason. This episode has the most horrific part in the entire season in its final minutes. Brilliantly done, it blew my mind when I saw it. Runner-up goes to the cellar scene in episode 3 that made me say “Oh fuck!” out loud. If that happened to me at that age, there is no way I would have recovered from it.

Along with all of this storytelling praise comes another shovel full when I talk about the cast. The five kids are all amazing actors. This entire project would have been a failure without this quality of a cast. They’re all fantastic and the emotions they get shoved through are immense and show incredible range. I completely believed that these people were actually family members (I got really attached to Nell and Luke, both as kids and adults).

The family is the most important aspect of the show. The introduction is simple and slow at the start but over the 10 episodes, time is given to each character so by the end you really know them. Luke and Nell are very close as they are twins, Theo is the oddball middle child, and Shirly and Steven as the oldest kids, emulating their loving parents, Olivia and Hugh. When the final credits rolled, I appreciated all the effort that was put into fleshing each family member out. No one is two dimensional.

The time inside Hill House traumatized them all and that trauma stayed with them all for 26 years. It’s sculpted who they in present day.  The secrets come out and you get a much deeper understanding of their relationships with each other. Some are walking disasters (Luke) while others are just better at hiding it (Hugh and Shirley). Hill House caused this family a lot of pain and anger and changed the family dynamic. As much as the house is haunted, so is the family that hadn’t set foot on the property in 26 years. It’s the exorcism of those demons that the show revolves around.

Production wise this one is a knockout too. Every episode looks like it cost a million bucks and think this is one of Netflix’s best original programs. Watch it.

The Horror! Part 2

Cargo– A simple and straight forward story of a family trying to survive a pandemic in Australia. While the cause is never covered, it’s a zombie-like virus that is spread by being bitten. Once contracted, a person has about 48 hours before they transform completely. In just a few hours, the first terrible symptoms start. Andy and Kay are traveling with their infant daughter and after making a misstep, Kay is bitten. From there it is up to Andy to keep his daughter safe. Andy is played by Martin Freeman so he’s the immediate draw. He’s great in this, a father doing everything he can to keep his family safe. This reminds me of The Road as it’s a bleak story in a minimalist environment with few characters. I like this kind of stories, where people are pushed into tough situations and have to make major decisions that can mean life or death. The “what would you do?” angle is a fun thought experiment. This isn’t a scary movie, maybe a bit more if you have children, but it’s a well done if unoriginal survival tale that doesn’t overstay it’s welcome at 100 minutes long.

The Night Comes for Us– This isn’t a horror movie, but the level of gore and violence push it in that direction. If you like the two The Raid movies, you are going to want to watch this right away. Ito is a gangland enforcer, a stone cold killer in a group called the Six Seas. So deep in the Triad world, a person can never get out of such a position by simple means. After a brutal mission overseas, he can’t take carnage anymore and he defects. Once home he’s sucked into an insurrection is his Triad family and all hell breaks loose. He and his remaining friends are constantly being attacked and they must take extreme measures to protect themselves as it’s killed or be killed. The story is kept simple, with a few screens of text at the start to give the background set up, then you meet the main character and it’s off through almost two hours of straight mayhem. Brief pauses in the action set up the next action sequence and it’s some of the wildest and most vicious fight choreography around. This one is solely for action fans, dig in.