Full disclosure: I’m a big Guillermo del Toro fan, he’s one of my favorite directors. I’m biased towards whatever he has a hand in, I like his quirks and indulgences.

Crimson Peak is a place that should be swallowed by the ground it was built on to bury all the horrors that it holds. As awful as the place is, it makes a great setting for a fun, gothic horror movie with crazy characters and eye-popping visuals.

Edith Cushing, an inspiring author and only daughter of the wealthy businessman, Carter Cushing, comes to a crossroads after a terrible accident. Seeing little to keep her home, she’s whisked away to England by a charming and mysterious man she barely knows. This quick courtship lands Edith on the doorstep of her new husband’s estate where his sister also lives. Ignoring the warning signs, Edith has been led into a damned relationship.

I’ll start with the good. As with all of GdT’s films, Crimson Peak is a gorgeous movie. A wild color palette that changes from mood to mood, sumptuous costumes, striking production designs in props and sets, and ghastly creature designs with expertly integrated special effects. A great cast brings each character to beautiful and tragic life (I didn’t recognize Jessica Chastain until I saw her name in the credits. Lucille is a Grade A nutter).

The problem, I think, is in the pacing and story structure at the start. A runtime of an hour and 50 minutes, it takes 40 of those minutes to get to the Crimson Peak estate where the movie hits its gothic stride. While Edith is kept in the dark until it’s too late, the audience isn’t so a lot of tension and suspense never materializes.

Crimson Peak is framed as a story told to us by Edith. It starts with her as a child when the ghost of her mother visits her and delivers a cryptic warning. Then, when a man named Thomas Sharpe comes into Edith’s world years later, she’s visited again and given the same warning. These visits, especially the first one, inspire her to write which builds her a backstory and purpose as a character, but as a plot device ends up being easily ignored. I think that set up, as cool and creepy as it comes across on screen, tips off the audience too much (and the first visit is something like a decade from the danger coming. That’s some time to give a warning that no on would ever be able to figure out. Ghost Mom is psychic I guess). Plus, the foreshadowing goes completely overboard when the Sharpe siblings are introduced. It’s clear to anyone watching that they are trouble. Thomas is good at wearing a mask in public but forget Lucille. Sure the crazy details of their secrets are kept close to the chest and make for great scenes in the last act, but it ends up feeling like there is nothing to figure out as you watch.

That said, the beginning is good, I do like a lot of it. It works to complete the narrative, flushes out the characters and there are more than a few beautiful shots (this is a GdT film). It just slows down the movie so much. I think a 5-8 minute cut to the first act could have changed the pacing and the story arc for the better.

I like Crimson Peak but found many early decisions weighed down the movie in disappointing ways. It’s not nearly as spooky or as scary as I thought it would be (and should be) and that’s a shame. While expertly cast (Mia Wasikowska and Tom Hiddleston have great chemistry), I think the editing robbed a lot of power and potential from del Toro’s latest.

Unfriended–  This was a great idea for a horror movie and they pulled it off well (this must have been a tough one to edit). On the one-year anniversary of Laura Barns’ suicide, a group of high school friends talk online using Skype. A stranger enters their chat room and no one can figure out how to get rid of them. This stranger starts harassing them and the encounter takes a nasty turn when he/she accuses them of causing Laura’s suicide. The entire movie, except for one shot, takes place on Blaire’s computer monitor. A fresh take on the tried and true revenge horror genre, I like a lot of what Unfriended does. It’s a little similar to how found footage movies work, but it puts you in the room of one character while everything happens in front of you in real time (there are no cuts away from the screen). Some interesting death scenes (even if a lot of it obscured, this ghost proves to be rather camera shy) round out the horror hallmarks. Much like how George Romero used Night of the Living Dead to comment on society at the time of its creation, Unfriended takes a look at something dark going on today: cyberbullying. There are some “Why don’t they just…” moments but I think they’re pretty easy to explain away so it didn’t bother me. Also, while the tension building is done well a few times, they rely on orchestra hits for scares too much. Unfriended was a pleasant surprise for me, I liked it.

Straight Outta Compton– Dug this one quite a bit and don’t have too much to say about. Just a solid movie with great casting. The (abridged) story of N.W.A’s rise out of Compton, CA in the late 80’s and their genre changing work for the short time they were together. Their talent wasn’t a flash in the pan as many of the members went on to make waves beyond the music industry all the way up to today. Really impressed by O’Shea Jackson, Ice Cubes own son playing his younger self! It’s his first acting role and he did a hell of a job. Jason Mitchell as Easy-E is the other stand out to me and would you look at that? Paul Giamatti being typecast again. It’s a blessing and a curse I guess. I like F. Gary Gray (he certainly took every opportunity to use dolly shots in every in-the-studio scene) and always wonder why he doesn’t direct more. He’s picked up the Fast & the Furious mantle, so I guess I don’t have to think that anymore. The Italian Job was more than 10 years ago, I guess he feels like he’s ready to shoot some more car chases.

Dope– I inadvertently watched two 90’s rap soundtrack movies back to back. Dope is more fun of the two. Malcolm and his two best friends are geeks in high school and get invited to a party that’s way out of their league where they get thrust into a world they wanted nothing to with. They stick together and make the best of a bad situation. A fun adventure in Los Angeles, Dope has enough zigs and zags to keep it interesting and funny with the great Shameik Moore in his first lead role as Malcolm. This kid can emote with the best of them and makes for a believable 17-year-old geek with a love for the 90’s that’s doing his best to figure out who he is, where he’s going, and how he’s going to get there. Quality soundtrack peppers the movie with nostalgia along with original music that Pharrell Williams clearly had a hand in making. Good flick.

Crouching Tiger, Hidden Dragon: The Sword of Destiny– I liked this one more than I thought I would. It’s been so long since the first movie, I forgot all of it and figured it wouldn’t matter going into this (it doesn’t). The theme of this one is love and redemption (which I think is what most of the first one was about actually) mixed around a fight for a legendary sword. While I think it starts a little slow, once the “gang” of defenders come together it levels out and keeps a good pace. With legendary stunt/fight choreographer Woo-Ping Yuen at the helm, you come for the title and stay for the crazy wire-fu battles. Good trick wrapping two stories of love with epic sword fights. There’s something for everyone here. It’s available to watch in English or Chinese, so don’t let the idea of subtitles scare you away. Easy recommendation if you liked the first one, Destiny keeps a good lineage alive.

Cooties– I wish this was better. Good idea (zombie virus from a chicken nugget manufacturer turns children) with lackluster execution. A good cast does what they can, but I think the budget held this back the most. For an R-rated black humor/horror movie, there are a lot of cutaway shots to hide gore. You might see a kid change into a rather angry looking kid, jump on someone and get clotheslined, but you rarely see anyone get killed. Cooties often tries to be funny but often misses the mark there too. Not recommended.

Trainwreck– I was hoping for more out of this one. I think there’s 4, maybe 5 really good laugh out loud moments. Amy Schumer put in some of her old stand up premises throughout so that took away some jokes for me. If you don’t know her stuff, that’s actually a bonus. Colin Quinn is the best part of the movie (and John Cena for going all in). Directed by Judd Apatow, so yes, it runs too long. Disappointing for me, but I could see this hitting the mark for a lot of people.

Maze Runner: The Scorch Trials– I appreciate how different this was from the first movie. Scorch Trials is more or less a road movie for the rag tag team that escaped the maze. The cast remains good and there are some good set pieces throughout, but I can’t think of anything that would bring me back to this for another viewing. It suffers from being the middle “bridge” movie where it’s clear that everything here happens just to set up the last movie. Despite one death and two missing characters, I never felt much concern for the cast despite watching them run away from danger for almost the entire movie (might be because of all the CGI). I liked learning about what the general purpose of the trials is for, but very little information was given outside of that. How did the sickness start? How long ago? Again, it felt like they were holding out for the next movie.  Scorch Trials isn’t bad, but I don’t think it matches up to the first in terms of originality and interest.

This will probably go down as the movie that was ignored in favor of Spectre being released 3 months later. Despite a lengthy media blitz, TMU didn’t find much of an audience (reportedly it didn’t make a profit in theatres), which is a shame because I liked. Odd to say that now considering I’m one of the people that didn’t show up when it came out.

Leading actors Henry Cavill and Armie Hammer are secret agents, Napoleon Solo (with the CIA) and Illya Kuryakin (with the KGB) in the early 1960’s. The movie opens with a fun chase scene in Berlin with Illya trying to stop Solo. Events unfold and they are both assigned the mission of getting Gaby Teller (Alicia Vikander, Ava from Ex Machina!) to her scientist father. He’s made some poor decisions recently. Having made some major breakthroughs in the explosive arts, he’s gotten himself involved with a nasty criminal organization that is using him to get into the nuclear arms race in a major way.

Guy Ritchie directed this picture and his fingerprints are all over it right from the opening credits. The man loves swooping camera movement.  Speed it up, slow it down, fly over here, fly back over there. Kinetic montages with funky beats (the soundtrack is awesome). It’s a rambunctious movie that doesn’t take itself too seriously (think Kingsman: The Secret Service). Cavill and Hammer work together great and look like they had a blast making the movie. Production values are great, the costumes being a real standout (it looks a lot like an old James Bond movie which I’m a sucker for).

As much as I liked it, there’s some off-putting stuff. The number of times Solo and Illya’s rivalry is addressed borders on the absurd. We get it, they’re both alpha males. The movie wants to be funny but often isn’t (acting nonchalant to horror movie like deaths is bizarre), so the humor often comes off as tone deaf and forced (Dialog. Like. This. Is. Not. Smart.). There are 3 endings too, so I went “oh, there’s more?” twice (each part works toward closure, but it makes the movie run a bit too long).

The end sets it up to be a franchise and I think it could have worked. Unfortunately, not enough people thought so. Worth a watch.

Run All Night

I don’t remember why I put this one in my list, but was pleasantly surpised in the end.  It’s got a cast I like a lot (Liam Neeson, Ed Harris, Joel Kinnaman) and involves hitmen and the mob. When the son of ex-hitman Jimmy Conlon and the son of mob boss Shawn Maguire cross paths on the wrong night, a brutal night of revenge based on loyalty is played out. Liam Neeson continues his roles as a bad ass dude as Jimmy and Joel Kinnaman is perfectly cast as his son, Mike.  Not the most original of plots, but I liked it a lot. Well written and acted, I can’t remember any groan worthy lines. The movie looks and sounds great. Some eye catching directing (super clear and well thought out action, clever transitions) really got me into it. Varied and fun action scenes run the gauntlet of gun fights, car chases and close quarters fighting. A bathroom brawl and a burning apartment battle being my favorites. Jimmy chasing the cop car with Mike in the back seat through Manhattan is no slouch either. Junkie XL did the soundtrack and along with his work in Mad Max: Fury Road, I’m becoming a big fan of his cinema work. I don’t think many people saw this when it came out almost a year ago, making it a sleeper. Easily the best movie of this list, check it out for a surprise treat.

Police Story: Lockdown

Police Story has the pedigree of insane action and stunt work that is synonymous with Jackie Chan. While Lockdown is good, it just doesn’t match up to it’s predecessors. It’s light on the action and stunts and goes for a more complex story (with some not so right English translation). Zhong Wen is led into a club where a man takes everyone hostage and demands to see a man imprisoned for a murder years earlier. Wen swings into action, putting the pieces together and working to make sure all the hostages get out alive.  The plot does it’s best to move along, reveal itself one piece at a time while sprinkling in action pieces here and there (some in flashbacks). The movie takes place in mostly just the club which limits the scope. Action scenes felt restrained and too short most of the time, with the exception of one good “JC gauntlet chase scene” and mano-a-mano fight for good measure. I think I would have liked this more had it not been called a Police Story movie.

Jupiter Ascending

The latest Wachowski sci-fi movie to get pooped on by most. After watching it, I came away feeling apathetic more than anything. Not much to enjoy really. An alright story with visual effects that range from very good (neat fighter ships based on birds) to not so hot (fake backgrounds looking fake). Mila Kunis as Jupiter is boring and uninteresting and Channing Tatum as her Vanilla Ice hero from another planet doesn’t fair much better. While his anti-gravity boots may sound cool on paper, they look rather silly on screen. And then there is the villain Balem, who either whispers like a shy teen or screams his dialog like an angry toddler. He comes off as eye-rolling goofy and that’s not a good thing for an antagonist. Skip this and check out The Expanse on SyFy.

Survivor

It’s been some time since I’ve seen Milla Jovovich in a movie outside of the Resident Evil franchise. She plays Kate Abbott, a hotshot State Department agent relocated from DC to the American Embassy in London. She takes up the gig of issuing traveling visas right as a nefarious terrorist plan for New York City is in its final stages. Some suspicious activity that is dismissed by her new boss makes her start to investigate further which puts her on the hit list of “The Watchmaker” (Pierce Brosnan). Survivor is a middle of the road movie. It does nothing new or that great, but doesn’t do anything I’d call offensively bad. The word mundane comes to mind. It’s a predictable script held together by good acting and adequate action scenes (there are a lot of chase scenes). There are some suspect moments about the technology in use that take off points for believability. Remember the movie The Net? It’s a lot like that. Can’t say I recommend Survivor (not the best title either), but it could serve you well when sifting through the Netflix catalog on a rainy (or snowed in) day off.

Season 4 starts airing in February and they put up all of season 3 right here. Great stuff.

Anyone who has watched Making a Murderer on Netflix should be keenly aware of the bias the presentation is in Steven Avery’s favor. There has to be information that the filmmakers left out and it looks like some has been found.

Evidence Making a Murderer Didn’t Present

I’m late to the party on this one and since there are a few billion articles about The Force Awakens already, it feels rather redundant to write about it. I’m going to anyway because the space adventure is back.

I’m going to be flinging spoilers around since it’s been out for 3 weeks, so this is your warning.

The new cast members are great. In particular, Rey and Finn have great chemistry together and I’m totally looking forward to watching these two kids grow together. Poe is another one (Oscar Isaac had a hell of a year and it looks like there is no stopping him now) who eats up the screen and is a blast to root for. He comes off as a total hero pilot, all of his action scenes are wonderful. The new droid BB-8 often steals the scenes he’s in and pushes the likes of C3PO farther into the background. Seeing the old guard, Leia, Han, Chewbacca and Luke hit all the right nostalgia notes. Harrison Ford, in particular, was in fine form and a real treat.

On the Dark side of the character spectrum, Kylo Ren is the focal point. He’s a  more complex character than most people give him credit for. Many expected a new Darth Vader and he doesn’t hit that bar. Which is part of why I think he works so well. He’s clearly dangerous and powerful (stopping Poe’s blaster shot is a brilliant idea and it looks amazing). He lives in the shadow of his grandfather and father, both legends on opposite sides of the Force. The presence he’s built around himself is incredibly effective to those around him. The voice changer, the mask and his demeanour on missions channel Vader. His light saber is a brilliant touch too. It crackles and seethes in his hands unlike any other blade seen in the series. Whether he’s doing it with his Dark Force powers or he’s modified the hilt is unknown, but it’s incredibly intimidating and matches his intents perfectly. He scares most of the people around him half to death, but he’s actually a child at war with himself. He lacks control and as such is his own worst enemy.  I don’t think the writers get enough into his background which made some for some odd third act moments (which I’ll get to). His ultimate Darkside decision was major and important.

The other major villains don’t get nearly as much time and suffer for it. I like General Hux, he’s got his moments and I hope we see much more of him. Captain Phasma is a complete waste. I think she is in three scenes and folds like a cheap suit when it matters most. Really disappointing on all levels. I hope she has a purpose in Episode 8 and doesn’t come across like a clown again.

There are a ton of great scenes outside of the action. Han Solo and Chewbacca’s entrance made me smile. Rey bonding with Han and later figuring out Kylo in the interrogation scene was great. I liked the Han and Kylo talk a lot and just about everything BB-8 does is cute or funny.

Visually, I think TFA stands underneath (possibly right next to) only Mad Max: Fury Road (of the 2015 movies I’ve seen). Just eye popping stuff. ILM firing on all cylinders for those space battles. There’s an amazing shot that looks like you are hanging onto the side of a X-Wing in a dogfight that looks and sounds so real I thought I was there. This movie is a showcase of how powerful the best CG and practical effects can come together to make the impossible (and unknown) real. Love all the carefully thought out sets and aliens. Really sells the world, like we’re actually watching something happening in a real place. The return to s brawling type of lightsaber fight is really welcome. Much more viseral and intense. The ultra choreography of the prequels is too much.

Now for my quibbles. They kept Maz Kanata and Supreme Leader Snoke’s designs a secret for reasons I don’t understand. I like Maz a lot though. Cool character and design. She came out really well and I hope we see more of her (98% possibility on that). Snoke, on the other hand, is a mess. Terrible presentation. They said they wanted to design a character that couldn’t be done with make-up and he’s not impressive at all. He’s shown as a massive hologram and he looks so fake it’s jarring. So much effort was put into making things believable, that it’s amazing what is shown is final. I have a feeling they couldn’t settle on a design and a committee agreed on this boring shriveled headed thing. Nothing about him is that drastic looking and considering no background is given on him, he comes off as a paper thin image. A shame because he’s a major character. They needed to get in touch with Guillermo del Toro’s creature team to do the design and get Doug Jones to bring Snoke to life on set. That effort would have knocked the socks off of everyone.

We’ve had enough Death Stars.

Too predictable a story.

Too many convenient things happen in favor for the Rebellion, it takes away most of the conflict.

No memorial scene was a strange and huge omission.

More Berzerker Chewie, I thought his rage was cut too short.

Luke and Rey scene needed a bit of dialog.

Don’t know anything about the First Order. Tons of questions about the set up of this movie.

Didn’t like the use of R2D2 as a deus ex machina device! He’s in low power mode since Luke disappeared and conveniently turns himself on right when they need him to get to the end of the movie? Really lazy writing. Finding Luke is a major motivation for the Resistance and this tucks into a major head scratcher…

Why is Luke so needed when untrained Rey handles Kylo so easily? Rey quickly taps into the Force and figures out how to use them effectively on her own. We know that she can defend herself with a staff. Kylo shows off some serious Force powers up to that point. This is where the blind spots in his background mar things and produces too many questions.  We don’t know how long he trained under Luke, but we have to figure he has quite a bit of advanced training and she fends him off pretty easily.

Kylo’s injury from Chewie isn’t sold well enough (as well as the hit Finn gets on him). As it’s shown, Rey comes off as way too powerful and him too weak when she cuts him down (especially with his temper tantrums still fresh in the mind). His saber skills should have been shown to be blatantly better than hers. His skill fends off the power she’s managed to muster (as impressive as it is). Better sell her visually struggling and him defending her wild blows (she does get knocked back a few times and comes back at him at least. Maybe the trees obscured the fight too much? It might be better on a second viewing.)

My easy fix: That scene needed to end in a standoff. Keep the chasm that rips open, but do it sooner so that it ends the fight with both still standing. Kylo doesn’t make the huge jump because too much has been taken from him. She’s all up in his head with calling him out earlier, attacking her has proven to be much more difficult than he thought it would be. She doesn’t jump over because she physically can’t. The size of the gap requires a Force jump and she hasn’t tapped into the Force that well. She needs training (hi Luke!). Kylo decides Rey isn’t worth wasting any more time with the planet about to explode and says something nasty to her before walking away. He leaves her behind with Finn’s broken body. I think this leaves both characters on a more believable level at the end. They both go through training in the next movie which makes the anticipation for their next meeting much greater.

While not perfect, The Force Awakens does way more right than it does wrong. It’s a return to form that I think most people simply appreciate. While the movie plays it safe by going down the “Stuff fans like about Star Wars” checklist,  it kinda needed to. Episode 7 is a launching point and I think (hope) that they are going to take advantage of it. Learn from the missteps and make Episode 8 a better and much more ambitious movie.

I didn’t think I’d like it as much as I did, but Inside Out captures that animated magic that few studios outside of Pixar can. They’ve made some good to okay movies recently, but Inside Out hit all the marks for me.

Things are going really well for 11-year-old Riley. She’s happy living in Minnesota with her parents. She loves her school, friends, and ice hockey. But when her father gets a new job in San Francisco and uproots the family, her life is turned upside down.

We’re guided through this trying time of Riley’s life with an inside look at her emotions: Fear, Anger, Joy, Sadness and Disgust. A combination of fantastic characters, voice casting, animation and creative storytelling makes this one of the top movies Pixar has made.

I loved all of it, partly because it’s reminiscent of the creative Monsters Inc. In that movie, the world of the monsters let Pixar come up with a wild world and show off their imaginative flair in realizing that world. In Inside Out, they get to go nuts again, but within the human mind. How thoughts go through the mind and are stored. How decisions are made. What makes your personality. The visual look of the real world and Riley’s mind are distinct and beautiful. The designs of the emotions and their animation are brilliant. I first thought that they were mimicking the felt look of the Muppets, but on closer shots you can see that they are made of some kind of bubbling energy (the “hair” looks really awesome too). Their shapes and colors work perfectly with their emotion, the juxtaposition is really subtle, but really striking when they talk together.

For example, Joy and Sadness are the stars of the movie and pulled me in every direction. My favorite scene is with the two talking while they’re riding on the Train of Thought. Sadness is blue and is in the shape of a teardrop (brilliant voice casting with Phyllis Smith) and Joy is yellow and in the shape of a star (the perfect role for Amy Poehler). Joy is constantly trying to prop Sadness up and they have a heart to heart sitting on boxes of facts and opinions. Joy is literally a light source and sitting together, both characters glow. It’s this little visual cue of what’s going on. They co-exist and need each other despite being on opposite sides of the mood chart. They’ve been separated from the other emotions in HQ and while they work together, Joy often dismisses Sadness and tries to do everything. It can’t work that way and that’s what the movie is about.

Inside Out tells a very mature story in a way that everyone can understand. Growing up is hard. Living is hard. It’s impossible to be happy all of the time and that’s OK. Understanding and working through life with every emotion bubbling inside of you is normal. You can’t have the good without the bad and the bad without the good.

Impressed from the start to the end. It’s funny and sad and poignant and amazing to look at. Even the two shorts “Lava” and “Riley’s First Date?” are fantastic. Highly recommended.

Bing Bong forever!

The smartest move they made was casting Paul Rudd in the lead of Ant-Man. He also had a hand in re-writing the script so his fingerprints are all over this great movie.

Ant-Man is one of the most enjoyable movies in the current Marvel stable. Rudd is a really likeable guy and he brings that charm and comedic lightness as cat burglar Scott Lang. With such a strong guy in the lead, everyone else around him has to perform well alongside him. Michael Douglas as the genius Dr. Hank Pym is a great father figure and mentor. Evangeline Lilly as his daughter Hope makes for a great driving force and teammate. The trio od Michael Pena, T.I. and David Dastmalchian are funny sidekicks. Really like Corey Stoll as the main villain Darren Cross. Many of these movies have crap antagonists that are largely forgettable, but Cross’ motivations work and he looks awesome as Yellowjacket.

I can’t think of anything to complain about. Ant-Man is really well paced and light hearted enough to be fun, but not stupid. It gets the drama and serious parts correct right when it’s necessary. A solid and smartly told origin story for both Scott and Dr. Pym. The shrinking powers make for creative and well-executed action scenes that can’t be done elsewhere (in terms of speed and momentum, closest to Spiderman’s locomotion capabilities). Each set piece gets more and more elaborate right to the finale so there’s always something to look forward to and admire (top notch special effects bring Ant-Man to life).

Really impressed with how this movie turned out. Terrific introduction to a character many don’t know, smart tie-in to The Avengers with Sam Wilson/Falcon and a satisfying ending to boot! I put this at number 2 on my Marvel cinematic list behind Captain America: Winter Soldier.

Here’s the last sentence I wrote in my Jurrasic World review in July:

P.S.- Holywood. You might want to give up on Terminator while we’re having this discussion.

Now having seen Terminator Genisys, I have to say that I liked it a lot more than Jurassic World! I thought JW stuck too close to the formula and didn’t do enough new to give it its own identity. Genisys does run around in a familiar and favorite playground but takes bold steps to change the formula and bring us something new.

In a controversial move, Genisys changes the established timeline of Terminator (thus keeping any of the other movies from happening). John Connor gets jumped just as he sends Kyle Reese back to 1984 to protect his mother. When Kyle gets there, he quickly sees that things haven’t gone as John told them they happened.

I like a lot of what the writers did, they made bold choices while keeping the tone and hallmarks of the series together. They took the relationship that John and the Terminator had in 2 and established it for Sarah and the Terminator (“You named it?!”) wisely. We get to see a big Future War battle and a bunch of different Terminators on the hunt. A few scenes from T1 are revisited at the start but are completely changed so they seem new. Arnold is back and terrific. Nods to the history of the series (like the Dyson family still being evolved despite the timeline alteration). Lots of action and the SFX are top notch, there’s some crazy visuals from start to finish. Really smart pacing that keeps delivering the goods.

Many pieces of the Terminator mythos are shown and used a bit differently. Sara and Kyle have to handle a T-800 and T-1000 at the same time. Both look fantastic, are real threats and used well. While the Terminators are the same, they don’t rely on the exact same beats (like Jurrasic World does) and are dispatched in smart ways (really liked Sarah’s trap for the 1000). With those two pillars in the movie, they also introduce two more advanced Terminators (and a combat “spider” that James Cameron came up with but never got to use) to keep up the pressure and add to the tech advancement that Skynet is so keen on.

Really liked the direction and cinematography of the movie as it’s often beautiful. Smart and clear direction during action scenes without using slow motion and shaky cam as a crutch. The action set pieces are a mix of car chases, gun and robot fights and overall destruction together that kept me entertained and engaged. I like the casting choices, I think everyone delivered aside from a goofy hype speech from John Connor at the beginning (this is really hard to do right, it usually brings everyone back to Independence Day).

I’m really surprised by how much I enjoyed Terminator Genisys. Sure, time travel is really messy to work with and can get you into dumb logic loops, but nothing here ruined it for me. I think this got more hate than it deserves and it is without a doubt better than Salvation. T1 and T2 are classics so it doesn’t touch those. While it’s been a long time since I’ve seen 3, I’m going to put Genisys  in third place. It didn’t do well domestically but made nearly half a billion dollars worldwide and I’m curious to see where they go with it from here.