Monthly Archives: November 2019

Shameless S10E03

Which America?

How dumb is Debbie? This entire episode is a mudslide for her. She thinks she got away with Mikey blackmailing her. Giving the family ATM cards and giving up control of the house was never going to be enough. All of Frank’s friends are dirtbags so why she thought she could trust Mikey is her biggest mistake. By making bank accounts for everyone, it gave The Man financial access to most of the family. Frank owes the entire planet money, Lip student loans, and Carl I think owes money for boot camp. So the 100 bucks on the cards get taken immediately and the IRS is on to Lip so they garnish his paycheck by 50% as well. Mikey sees that as Debbie screwing with Frank again, so he takes Frank to her secret stash. She should have moved it to another spot in the facility just to protect herself.

Frank is impressed at her con and takes some stuff just to make up for the $100 and “interest.” Of course, they go back and take everything. They fence the stuff for pennies on the dollar and now Deb is on the hunt for Frank.

Deb also gets involved with a welders union. Once she sees all the benefits her peers in other cities get (child care!) she’s all about it. She gets her entire crew to sign up and the very next day, the union is on strike. Deb is financially screwed. This could last for months and she now has no income and her scam being robbed by Frank is going to take all of the money Fiona gave her.

For Carl, the ATM hit isn’t too bad. His hustle at the shrimp joint with Anne is starting to take off so he’s going to have cash. He’s also getting to know Anne and with his girlfriend out of town to her next stage of military service (and his disdain for that world) we’re looking at Carl getting into some relationship drama.

Speaking of relationship drama, Ian and Mickey. They’re stuck in limbo. Annoyed at being together all the time in prison gives way to uncertainty when Ian gets a notification he’s got a parole hearing soon. It’s possible that his sentence will get shut years short and Mickey’s certainly won’t. They’re a monogamous couple in jail but they’ve never talked about the future. Something all the other guys tell him they should have done a while ago. Does Mickey want Ian to wait for him to get out? Will Mickey wait? Or is the relationship over? Mickey wants Ian to stay in prison with him and Ian comes up with a plan to shank someone to spike the parole hearing. Mickey, knowing Ian has a life and opportunities on the outside, manages to stop him. Good for Mickey.

While I was hoping Liam would come up with a neat idea to talk to his black relatives down the street, he ends up just walking in. So we cut out some potential drama and comedy to get to the point. He meets MaVar, the grand-nephew of Great Aunt Addie, one of the living links to Liam’s existence. The Gallagher’s are person non grata in that house for a laundry list of shenanigans but MaVar recognizes Liam’s struggles and he becomes Liam’s mentor.

Meeting MaVar leads to bringing him around The Alibi and V goes to a baseball game with the two. Kevin feels threatened by MaVar’s physical prowess and goes on a mission to find V a new–female–friend. He ropes a few women to show up to the bar via Tinder and actually manages to find someone cool: Mimi.

That leaves us with Lip. He’s out and about by himself and with Tami on the mend, he’s able to visit her with baby Fred. Something’s wrong with Tami though. She’s still got a long way to go in the healing process but clearing a mental issue has developed. Based on how she reacts to seeing and eventually holding Fred, I think she has postpartum depression. When Tami does get out of the hospital, it’s likely that he’ll still be a single parent.

Mr. Robot S4E08

Request Timeout

Another episode title that matches well with the events.

The end of the 7th episode threw as all for a loop and much of Request Timeout is Elliot trying to wrap his head around the freshly opened wound of his childhood trauma. He now feels like a victim, guilty that he “let” his father abuse him. With Mr. Robot gone, he feels that much more alone. When he leaves Krista at the police station he asks her what other people do in his situation…he’s completely lost and doesn’t know how to process anything he’s feeling. She tells him they figure out how to continue on.

On his own, Elliot begins to see his younger self, who leads him to the Queens Museum. This is where he and Angela often played as kids and they stop at the panorama exhibit of NYC. Elliot breaks down, apologizing to his younger self for not fighting back. Young Elliot tells Elliot he didn’t bring him here to apologize or feel guilty and leads him to a hiding spot. Elliot digs around and finds his old bedroom door key. Along with creating Mr. Robot to cope with the abuse and shutting off the abuse he went through, Elliot doesn’t remember anything from this time. At first, he’s puzzled at why he would hide the key and realizes he did try to defend himself. By taking his father’s key to his room, it was a plan to keep him out and away from him. Some guilt leaves his conscience and Elliot can now see a sliver of light at the end of the tunnel, going from victim to survivor.

Young Elliot showing up seems like that could be the other personality we’ve been waiting for but looking back, that doesn’t add up. First, why would that personality show up to talk to Vera? Vera is a present-day Elliot problem, so young Elliot has nothing to do with him and would have nothing to say. Plus, going back to episode 2 of this season, we saw a flashback of young Elliot with his mother in a high rise board room. She says he can’t sit in the chair because it’s not his and this strange conversation happens:

“They’re not ready yet. We need to wait…for him.”

Elliot asks, “You mean, Mr. Robot?”

“No.”

“Elliot?”

“No. The other one.”

Clearly we have not met the other main personality yet and judging by that conversation, the Elliot we know might not have been in charge for nearly as long as we’ve thought. The young Elliot in that flashback is referring to an Elliot–not himself (what name does his mother call him, I wonder). It’s unclear if that “Elliot” is the Elliot personality we know. Is it a different one? So are we looking at four personalities that make up the person we’ve been watching? This personality has been around since childhood, the same as Mr. Robot, but Elliot just recalled that Mr. Robot has been around that long. Whoever this personality is, it’s been buried really deep since the beginning (and I have a feeling Whiterose knows this personality).

This mystery personality is tying theories into knots, but I think Young Elliot is just that, the lost childhood in Elliot. In order to protect his mind, Mr. Robot was created. He crafted Elliot’s past and now Elliot doesn’t know who he is at all. The abuse shaped his life entirely without him realizing it and now he doesn’t know what to do. Young Elliot appearing is, I think, the manifestation of his grief. He first comes to grips with the past, acknowledging it happened and going through the steps of grief with himself. This lets Elliot move forward to Mr. Robot.

Elliot stops blocking Mr. Robot as he’s coding for the Deus Group hack at the old AllSafe office. We’re down to an hour before the meeting and Elliot doesn’t know what else do with himself. Even though Elliot is talking to himself, he starts the conversation with a lie, he needs help for getting the hack ready in such a small amount of time. He’s afraid of going through this next mental step. Mr. Robot knows this and says this isn’t the real reason why you let me back in, do you want to talk about it? And they do. Mr. Robot apologizes and they basically make up. Elliot comes to realize that Mr. Robot isn’t a figment of his imagination, he is part of Elliot. He is who he is today because of Mr. Robot. He can’t lock part of himself up and function. He must be whole to continue on.

With the reconstruction of Elliot Alderson going on, Dom and Darlene are in Janice’s clutches. Janice starts turning the screws on them to get Elliot’s location and Darlene holds out as long as she can. Stabbed in the chest, Dom is dieing in front of her but she doesn’t relent until Janice goes after Dom’s family. Janice is not messing around and it turns out Dom has set up a hail mary. When Janice calls her goons at Dom’s mother’s house to start the murder fest, she gets no answer. Deegan “Lucky Irish Bastard” McGuire to the rescue! And who is that? I had the same question and I had to look it up.

In one of the biggest reaches of the show to get out of a pickle, Deegan first showed up in episode 2 of this season. The feds bust this guy (he’s gets criminals out of the country) and Dom is called in to interview him. Then in episode 5, in an email from one of Dom’ co-workers, we find out that Deegan has been released. So that means this guy is out and about for Dom to call on, and it’s this episode that she seemingly calls in a favor.

Janice talks to Deegan on Dom’s cell phone and is told why her people aren’t answering their phone. Deegan and his crew went to Dom’s mom’s house and rescued her family, killing all the Dark Army guys in the process. Apparently Dom did him a solid (getting released in episode 5?) and this makes them even. Using the shock of the situation, Dom yanks the knife out of her chest and pulls off a Jason Bourne level fight, killing Janice and her goons.

This is a paper-thin set up for sure and Dom contacting Deegan (I assume in the time after she knocked out Darlene and before Janice showed up) wasn’t put on camera to crank up the suspense and relief of this scene. So it comes out of nowhere but I’m not too upset because the set up is there (it’s not deus ex machina) and the pay off is awesome. It’s also a plot miracle that Dom made it through this scene with a punctured lung so let’s just keep moving.

And now we are left with Darlene able to get back to Elliot. We are literally looking at the deadline for this make it or break it hack to take down Whiterose. I am more than ready to see this finally happen. I think all the side travels are done (aside from where Tyrell is) and we’ll stick to the main plot points. Elliot needs to be unified with Mr. Robot for this…the big question is when will the mystery personality show up. That’ll be the major wrinkle.

Shameless S10E02

Sleep Well My Prince for Tomorrow You Shall Be King

We check in with Ian in prison and things are a little rough with Mickey. They’re together so much that they aren’t driving each other crazy along with everyone near them who can hear their nonstop arguments. The start of this storyline is all laughs, the mayonnaise in particular, and it makes me wonder if we’ll get anything more out of these two in jail together. Ian and Mickey are fan favorites so it’ll be interesting to see where this goes. The audience has expectations.

Tami is recovering from surgery so that leaves Lip alone to take care of baby Freddy (“It’s the first name that came to me. I hope Tami likes it”). And when he turns to everyone for help, he gets a polite smile and a “welcome to parenthood” line of encouragement. Another funny line is from Liam who asks him why he’s so stressed out about Freddy since he has so much experience with raising kids. “I guess I wasn’t so worried if any of you died.”

Liam continues to struggle with his lack of identity. Since he’s the only dark-skinned person in the family, he feels like an other. His siblings say his skin color isn’t important, he’s a Gallagher, and he rightfully says I’m only seen as a Gallagher in this house, anywhere else I’m black and treated differently. He wants to get a DNA test to find out his ancestry and at the end of the episode, he asks Frank about the family history, how could he be born black and no one else? Frank says that one of Monica’s grandfathers had a mistress. “And she was black?” “She is black.” “What?” “She lives down the street.” They go to the house and when a man sees Frank, they are scared away with a gun. Liam has found his roots, he just needs to figure out how to get close to them.

Mikey is none too pleased with the fact that Deb is calling the shots in Frank’s home and works to shift the power levels. He follows her to her secret stash and extorts her to give up control. She gets the boys ATM cards, effectively giving them a $100 a week allowance (she’s not about to let what money they have disappear in 2 weeks) and tells Frank he can “take over” if she wants. Expect the house to turn into a toilet by the end of the weekend and Deb being asked to take the reins again.

Deb also hits her first “return the merch!” problem. She gets caught in the “I didn’t wear these $800 shoes” and the guy blackmails her to return the shoes. She ends up not doing the favor (which I didn’t find believable at all) but he end result is that she has to be way more careful with the merch. One thing is to not wait until the 30th return day as that is the first red flag.

Frank’s not the only one trying to make moves for himself. With a wrap on his military career, Carl has to go back to the rat race and heads right back to the shrimp joint where he’s welcomed back with open arms by his boss who loves him. While he was gone, a young woman (Hello, Anne!) was hired to take his place. It doesn’t take long for him to notice her drug side hustle. She’s selling vape pens with meals and Carl swoops in, bringing Liam in for the action. She pulls in the Hispanic kids, Carl the white kids, and Liam the black kids. By expanding the product and market place, they’ll make a ton of money.

Kev has given up his basketball dreams and packs up his new shoes to return them. A delivery guy comes in to pick it up and asks for a beer and a shot before running into the bathroom. A little later a patron finds the guy dead on the floor of the bathroom, due to some sort of stroke emergency. Miffed by the driver’s attitude of drinking on the (driving) job and doing something stupid in her bar, V agrees with everyone to raid his truck. They have a great time of going through the trucks and Kev takes it one step further, driving around the truck to pick up the returns on his route and selling that stuff on their own. When times are tough the people will take any advantage they can.

Of the plot lines going on, I’m the most interested in Liam and Lip. Lip’s stuff I’m sure won’t break any new ground but he’s one of my favorite characters. Liam’s story is just starting and they could go anywhere with it, so that’s the most exciting.

Mr. Robot S4E07

Proxy Authentication Required

In this daring episode, Vera digs into Elliot with the help of Krista. Layed out like a 5 act play, this entire episode takes place in Krista’s apartment with no movement on any other plot of the show. Once again, Sam Esmail pumps the breaks to focus on one single piece of the puzzle.

It’s safe to say that Vera is obsessed with Elliot, convinced that they can be and should be partners in taking over Manhatten. Vera has grand plans and he needs Elliot to do it. Now that he knows about Mr. Robot, he pivots that thought to Mr. Robot instead. By threatening Krista, he’s able to talk to Mr. Robot.

And Mr. Robot isn’t impressed. Vera, high on meth, doesn’t really have a plan. It’s very basic, just wanting to take things over and have everyone come to him for…drugs? He doesn’t offer up any scheme to do this, seemingly under the impression that Elliot can come up with the how to get what he wants. Mr. Robot scoffs at him for many good reasons (shades of Breaking Bad’s Walter White as Heisenberg) and pivots to the plan that’s already in motion–the one with the death clock ticking down. Help with Deus Group hack and I’ll hook you up with all the money you want to get your enterprise going.

While the hook does sink in (“Look at all those zeros!”) Elliot tries to get out of this with force only discover that Vera isn’t that stupid. He had his guys remove the bullets from his gun before they got to the apartment. So Vera goes back to his original plan and uses Krista to crack Elliot. What’s he hiding in there? Why does Mr. Robot exist?

And through deconstruction, we finally find out why Mr. Robot came into existence. Elliot and Darlene’s dad was not a “friend” as Elliot has always referred to him. Mr. Robot is Elliot’s protector from childhood sexual abuse. It’s a devastating realization for Elliot and it’s one that Vera can relate to. Vera sees his opening and begins to start his friendship with Elliot. He did say he’d never be able to work with Elliot with threats or fear, he’d rebel against that. They had do be on the same level for it to work. So as Elliot listens, Krista jumps at the opening and stabs Vera in the back.

A visual and acting tour de force, this was another riveting episode. Totally unexpected, I didn’t know where it was going and while a major plot for the show has been answered, there are still a ton of questions.

Elliot now has another dead body to deal with and he has to figure out what to do about it, and the 2 thugs Vera has with him wandering around somewhere outside. So the two of them have physical threats to deal with.

Next, Mr. Robot has seemingly left. He pleaded with Krista not to lead Elliot to the truth and his last words are “I can’t protect you anymore” and walks off the screen. Is Mr. Robot really gone? Will Elliot be forced to tap into that part of himself again to take out Whiterose’s empire? And how is Elliot going to even function after this?

A few hours have passed in the apartment. It’s night time at the end of the episode and since it’s the end of the year it’s somewhere around 4-5 pm. There is very little time left before the Desu Group meeting that Price forced to happen. Plus we have no idea what’s happened to Dom and Darlene with Janice and the Dark Army. That must be what we’re going to see next week.

And there wasn’t a single word about Elliot having another personality. I thought for sure we’d see that, and nothing. There’s no way Mr. Robot could have know what Vera wanted, that he’d find Krista and use her. So why would he lie about not being the one that talked to Darlene about Vera sniffing around two months ago? I’m completely lost on this thread.

This episode, for as good as it was, kept me feeling like we’re in limbo. There have been a lot of diversions with a few moments of world plot progress. While Elliot is on a severe time limit, and the show is too with only 6 episodes left, it’s like the show doesn’t know it’s on a time limit. I think this is the 3rd episode on Christmas Day, we’re hours away from ‘make it or break’ it time and it always feels like Esmail doesn’t think that’s important. Is he trying to cram too much into the final season?

Still, it feels like Esmail has a very clear vision of what he wants to accomplish this season. He puts incredible planning into this, I just can’t figure out what road he has us on. The reveal of Elliot’s father is huge. It also means we’re going to get an intense scene with Darlene about it. Was she abused too? I have so many questions, I hope most of them get answered.

Shameless S10E01

We Few, We Lucky Few, We Band of Gallaghers!

We’re back with the Gallaghers a few months since Fiona left town and the new normal (which is never normal) has been established: Deb is in charge of the finances since Fiona left her the 50k. It seems like the most logical and safest bet considering Deb is currently the most trustworthy with finances. Or at least she acts like it. Everyone is pretty spread out at the start, so the opening episode establishes what everyone is up to now.

Ian is in prison and we don’t get to see him but the family is planning to go see him very soon. Fiona is shown calling Deb’s phone at the very start and they talk later so we know that the character hasn’t been sucked into a void. She’s not on the show for us to see and hear, but she’s still part of the universe. I’m sure this will fall to the wayside quickly (and they don’t need to show her on caller ID all the time) but I appreciate the recognition.

Deb managed to bring Liam back home by agreeing to some of his culture demands. He’s all about the black power education, growing his hair out naturally, wearing a dashiki to school, picking a new culturally appropriate name and going to classes with V about African heritage. You have to give the kid credit as he endures a beating at school for wearing the dashiki and otherwise not fitting in (which isn’t out of Liam’s life experiences so far in his young life). It’s great to see V travel with him on this journey and she cooks traditional African meals for them which seems to be the first real roadblock to his new lifestyle. Pig intestines aren’t high up on the tasty scale, apparently. Being a 10-year-old American has its limitations as one of the last things he says to V is about getting pizza.

Deb has everything charted on for the Gallagher finances. That 50k from Fiona is a major advantage for the family, something they’ve never had. She’s being careful to keep the household afloat, ahead of the bills for once and making repairs. Frank is offended Deb won’t give him any money and he’s incensed that she’s docked him $600 for a new couch. Frank’s leg has healed but living on the couch for 5 months destroyed it. So while Deb has put up a responsible front to everyone, she’s secretly bought a ton of expensive clothes. She’s rented a storage facility to house it all, she basically has her own secret bedroom in this thing. She’s keeping all the tags on it, has an elaborate system to return everything on time so technically she’s not spending money on all of this. It’s more of a loan. This is Shameless so there is no way this is going to work out. I’d say she has 10k worth of merchandise.

Frank, broke as he’s ever been and now without pain meds for his leg, kicks off his next hustle. He has a really funny argument with Deb about not giving him money, essentially saying every irresponsible thing about money and being an adult to her, and storms off. He can’t scam any more pills from the doctor so he figures out a way to steal some. On the run from his bait and switch, he runs into Mikey, his partner in crime from last season. He’s also working the scam scene and they end up hanging out for the day, stealing nice couch cushions from a hotel and doing some drugs. Frank now has a sympathetic ear to complain about his family to.

Kevin has air balled himself into a midlife crisis. He embarrasses himself at a pickup game of basketball and he’s mortified that his status as an athlete–as a man–has fallen into the trash. So Kev is on the hunt to get his mojo back. He doing weird diet stuff to get into better shape for basketball and he blames his old sneakers for holding him back. V shoots down buying $250 shoes because they are on a budget so he goes back to an old job to make some quick money: a dancer at a gay bar. He makes a quick pile of cash and gets the shoes he wants. Of course that does nothing since shoes don’t help your jump shot or make you run faster, or give you the knees you had 15 years ago.

Finally, Lip is navigating the very pregnant Tami. She’s super happy which is not Tami. Lip is thrown off by her sunny deposition and Brad assures him that once the baby is born, she’ll swing back to normal in no time. At work, Tami suddenly goes into labor, Lip gets her to the hospital and complications arise. She has to have an emergency C-section and while the baby boy comes through fine, Tami takes a sudden turn and is rushed away to surgery. Last season Lip went all-in on being a parent with Tami. She tried to run from him (literally) so many times that he wanted her to know that she wasn’t going to be a single mother. Her fear of that shouldn’t be what makes her determine what to do with the baby (adoption or otherwise). So on this momentus day of their future together, it’s possible that Lip will be a single father instead. I’m not sure if they are going to go through with killing Tami off the show and I’m not sure if I want them to. Either path leads to a lot of story possibilities and I don’t think they need to do something so dramatic just to be dramatic (of course this scenario is, unfortunately, a real one).

A solid start to the season.

Mr. Robot S4E06

Not Acceptable

This is an episode of moral quandaries and boy does it get rough. Elliot has always been an anti-hero. While he’s held the moral ground in most cases, a lot of his hacking is “for the greater good.” He’ll extort/blackmail people to get what he wants and now that he’s on an intense time table with no room for error, he’s never been more aggressive.

He needs more from Olivia so he goes to visit her again. Getting access at Virtual Realty wasn’t enough, he still needs the digital key to the door to get in so he needs Olvia’s boss to log into work so he can steal his password.

He left Olivia on good terms, she didn’t know what he stole from her so she has no reason to be wary of him. When we last left her, I even wrote that he met a kindred spirit. She’s been through things that Elliot can relate to and I came away from it noting that he made a personal connection with her (I’m ignoring the sex in this btw) which is rare for him. When he shows up at her apartment, coffee in hand, he cuts to the chase. He tells her what he did and what he needs her to do and in order to force her to do it ASAP, he’s spiked her drink with an opiate. If she doesn’t call her boss and get him to log in, he’ll rat her out and her kid will be taken away from her for good.

The fallout is intense, to say the least. Elliot tries to make himself feel better–justify his actions–my slandering her job. ‘What do you think offshore bank accounts for megacorps are for? You know you work for an evil company, you’re complicit.’ In many cases he Elliot doesn’t see what he happens to the people he leverages, but here he’s face to face with it and he now has to walk around with that guilt. This scene is one of Elliot’s worst.

As I said last week, the threads are coming together. First, Dom goes straight for Darlene and we’re in another horrific scenario of blackmail. Janice tells Dom to take Darlene’s phone to find Elliot (who they really need) and kill Darlene. She has until 3:30 to do it (a little more than an hour iirc) and Dom understandably freaks out at the thought, as does Darlene. This scene was the most intense of the night for me with some of the best acting on the show. At the end of it, we’re probably in an even worse scenario. Let’s just say Janice is very punctual.

Finally, we’re with Vera and Krista and this goes pretty much as I expected it to. There’s a ton of menace going on here as Vera simply wants the goods on Elliot. At one point she tries to switch the tables and use her profession on him but it doesn’t work at all. She had a glimmer of hope for about 3 seconds that she could get the upper hand on him but she was grasping at straws trying to get into his childhood. Vera is also wrong too but to a lesser extent. He thinks the two were a couple, which is completely wrong and at first he doesn’t believe it. It doesn’t take too long for her to figure out she has no leverage and gives up her files on Elliot. Vera is about to find out about Mr. Robot.

Out of everything that is going on, this plot seems the most like a tangent to the entire Mr. Robot universe. The big question is, how important is this really? If this wasn’t happening, would we miss it? There would be fewer episodes, that’s for sure. The only answer is where is this going and that’s tough to nail down. What’s Sam Esmail’s point with this?

The main point I can think of goes along with what Elliot just did to Olivia. Fallout and consequences. Now Vera is 100% a piece of garbage and I’m totally on Elliot’s side with what he did to Vera to get rid of him. Until now, just about everyone Elliot dealt with in this way, Elliot didn’t have to worry about. They were done. They were gone. Vera is now the opposite of that. Vera knows he can use Elliot as a tool for his own power gain now he’s forcing himself back into Elliot’s life. Vera is now the consequence of Elliot’s actions. In life, things don’t always have a clean end.

Plus, we have the plotline of Elliot having a third personality that was snuck in a few weeks ago in the episode where Mama Aldersonr dies. The personality that kept the news that Vera was back from Elliot. Clearly this plotline was made to give Sam Esmail something to explore with of Vera. He put that (complicated) seed in there for a reason. But what is it? Where is he going with this? Some kind of message about power struggles? The scourge of criminal violence and drugs? At this point, I think it’s impossible to say. We have to go with, In Esmail We Trust on this one.

Mr. Robot S4E05

Method Not Allowed

Hacking! Lots and lots of hacking!

It’s been a while since we’ve gone on an elaborate hack with Mr. Robot but gadzooks did Sam Esmail pull off another one. These episodes are always a ton of fun and some of the most riveting to watch. There’s some crazy direction going on in the entire hour (Esmail could direct a fantastic action movie) and I think there were all of five lines of dialog spoken. Some gap filling is done with text messaging but besides that, this was a kinetic episode right from the start that rarely slowed down. After last week’s slow moon groove, this was like holding on to a rocket ship.

Darlene finds Elliot right by the crashed Dark Army van and he hops in without a word–and without Tyrell. Zero word on what happened to him which is the biggest disappointment for me. The Alderson’s have a busy day ahead of them, so they speed off back to the city leaving the burning van far behind them…

With the Cyprus Bank servers located in a company called Virtual Reality, the siblings get to work at 11 am sharp. Being Christmas Day, there’s no one in there except for two security guards and a handful of people in the gym that’s right off the lobby on the main floor.

Darlene and Elliot’s plan is elaborate, to say the least. I won’t be able to do that half hour of screen time justice, you have to see it. I will say there are fake IDs, fingerprints, and a whole lotta fast typing and running involved. They do all of this without a word too, which worked surprisingly well. Considering what Elliot has been doing, it’s safe to say Darlene came up with most of the plan and by the time they drove up to the doors, they had the plan memorized to the second. They basically sprint to each step, knocking down each barrier as they come to one. The best was when Elliot wordlessly ran distraction for Darlene and she improvises her own way out.

In addition to getting this huge step done, other important plot progress is made:

  • Price finds when and where the shareholder’s meeting is. The timer for that has started–8 hours.
  • Vera finds Krista as she comes home from running errands. He’s going to get dirt on Elliot. How horrible he is to get it remains to be seen.
  • Dom is ordered around by Janice, the world’s most chipper taxidermist/shadow organization handler. The Dark Army put her onto finding out what happened to their van and to do everything she can with her FBI credentials to cover up any evidence about them. When Darlene got Elliot away from the scene of the crime, she ran a red light, which took their picture. This puts Dom back onto a head-on collision with the Alderson’s.

A lot of plot threads are now being held by the same hand and are we’re beginning to see them be pulled together. Dom has been separated from Elliot for some time now and Vera has been out for a few seasons. It’ll be interesting to see how these roads intersect, the big question is when. Eight episodes are left and that’s quite a bit room to move around in. The obvious next event is the shareholder’s meeting. That’s just a few hours away in the show’s universe, so will we see that next week? Or will next week be devoted to Dom and Vera’s movements? I’m also wondering how far past Christmas this story will take us.

Elliot and Darlene are in the dark about Dom and Vera so they are going to be wildcards being thrown down. I don’t think Darlene really knows Vera, so when he shows up it’s going to send Elliot for a loop. Vera’s goal seems simple in comparison to what else is going on, he as no idea about the Dark Army. So will coming into Elliot’s orbit put him into the DA’s crosshairs? The go-to scenario for Dom is for her to work with Elliot and Darlene but with Janice on her tail, that’s going to be a challenge. There are a lot of possibilities.

2019 Scary Movie Season Part II

Better late than never edition!

Gehenna– This was a fun low budget horror movie. A real estate developer goes on a location scout where she and four others find a bunker from World War II. Once inside, they become trapped by evil spirits and the race is on to figure a way out.

Mostly a ghost story, Gehenna uses darkness and claustrophobia to great effect. The excellent make-up effects are also worth bringing up. Since the movie called for very few locations, it looks like a bulk of the budget was available for quality creature effects which are quite gruesome and do the most to sell the story. The worst quality of the film is the acting, which slides around from good to bad through the entire runtime.

Storywise, it’s a neat little tale that’s revealed through the objects that the characters find in the bunker. And since this is a ghost story, the evil spirits bring out the worst fears in the unfortunate people who found this damned space. The secret of the movie is set up well but it’s easy to figue it out long before the characters do, so I ended up waiting a while for them to catch on. I think the secret works well but the movie treats you like an idiot as it holds your hand and spells it out exactly for the last few minutes. I don’t know how anyone couldn’t figure it out on their own so the last bit felt like a waste of time. So yeah, this movie does have its fair share of flaws but it’s a good watch.

The Autopsy of Jane Doe– This is a surprisingly great movie! Father and son coroners, Tom and Austin, get the body of a young woman from the police who just found her at a crime scene. Along with the multiple murders at a local residence, she was found half buried in the basement. It’s a strange crime scene and the police ask Tom to finish the autopsy and get the report to them in the morning so they have something to tell the media.

So Tom and his son get to work on Jane Doe and with each step, they discover more bizarre clues. For example, she has no trauma visible on the outside–her skin is in perfect condition–but the internal damage is shocking. As they get closer to the truth the secrets of Jane Doe start to come for them.

The concept for this movie is terrific and each element is done really well. Fantastic make-up effects, the pacing is perfect, and it’s really creepy. Much like Gehenna, the entire movie takes place in almost one location so a lot of the budget went to the terrific special effects. Unlike Gehenna, the acting is terrific, the very small cast lead by Brian Cox and Emile Hirsch.

The gore is limited, kept mostly to the autopsy work, and the movie doesn’t rely on it for its scares. It’s much more location and the growing presence of an evil force that creeps up on you. I really liked the reveal of who Jane most likely is and the end works really well. A treat of a movie.

In the Tall Grass– This one lands right in the middle of the road for me. A good concept that is probably better off as a short story as there’s not enough to it. Even at about 90 minutes, it felt too long.

Becky and Cal are siblings driving through Kansas on their way to California. Becky is pregnant and Cal pulls the car over when she gets sick. On the side of the road, they hear a boy in the field of tall grass yelling for help. He can’t find his way out, so the two decided to go in to help him out.

With the story by Stephen King and his son Joe Hill, you can pretty much guess what happens. The field is not a normal field, it’s inhabited by some kind of being or spirit that’s sole purpose is trapping people for…some reason? And the people drawn into this field, maybe they have some secrets of their own? Yeah, they do.

There’s a good amount of backstory to the characters strewn about to give more depth to people teleporting around a field which is…okay? I can’t think of a stand out scene and I didn’t find it scary at all. Every angle of this felt like it’s been done before and done better elsewhere. Digital effects take over in the last half and they look alright. Gore and violence are middle of the road with the exception of one grisly death. If you skip this one I don’t think you’re missing anything.